april 8/RUN

10k
the flats and back
48 degrees
wind: 10 mph

Because of the ran yesterday, Scott and I did our long run today. It was wet and dark and so humid that we could see our breaths. First we talked about anxiety — Scott’s was about missing some notes at a rehearsal, mine was about waking up with it, feeling it in cramped feet. Then I described a New Yorker article I was reading before we left about forensic linguistics. My description included misplaced apostrophes, devil strips, and Sha Na Na. Wow. Scott spent the last mile of the run trying to remember the name of the guy who was always on 70s game shows, had curly yellow hair, and shot out confetti — Rip Taylor.

We greeted Dave the Daily Walker — Hi Dave! — and listened to some cool-sounding bird. Heard a seep that had turned into a little waterfall below the U. Smelled the sewer. Watched the river move so slowly that it didn’t look like it was moving. We walked part of the franklin hill then ran the rest.

According to my watch, the wind was 10 mph 18 mph gusts. I don’t remember feeling much wind, or hearing it in the trees, of seeing it move the leaves. In fact, the wind was so calm that the water looked still. Not smooth, but no waves, not even ripples. Am I forgetting?

Here’s a wonderful little poem about wind by A. R. Ammons that I found on a favorite site, Brief Poems:

Small Song/ A. R. Ammons

The reeds give way
to the wind

and give
the wind away

A note about the total eclipse: it didn’t really happen here in Minnesota — it was overcast and we weren’t in the path of the eclipse. Oh well. Here’s a pdf of Annie Dillard’s “Total Eclipse” which I must have read for a writing class but that I can’t find a copy of in my files.

april 7/RUN

3.3 miles
trestle turn around
41 degrees
wind: 15 mph / 35 mph gusts

More wind. Ran between raindrops and beside a 10 mile race. The wind was at my back running north, in my face south. Those racers were hardcore, running the first 5 miles into that wind — yuck! Puddles and mud and an over-sized green rain jacket puffing up like a balloon about to float away:

Oh, lift me as a wave, a leaf, a cloud!

from Ode to the West Wind/ Percy Bysshe Shelley

Listened to the racers, spectators, a drummer drumming, a runner giving a motivational speech as he ran — good job! you can do it! the finish line is almost here! you got this! — which might have been inspirational or insufferable depending on how you felt six miles into a race that started with rain and cold and continued with wind. At the turn around I stopped and put in my wind playlist. Today: Wind it Up — sexual empowerment (I know he thinks you’re fine and stuff, but does he know how to wind you up?). Classical Gas – the 70s, Bohemian Rhapsody – fate, and Don’t Mess Around with Jim – street smarts

After I finished running, as I was walking back, I noticed the flash of a bird fly up from the street to the top of a sign, then 3 or 4 other small birds fly out of the tree and into the air. The small dark dots against the smudged sky looked like static or the stars I see when I’m dizzy or had too much caffeine, or (sorry not sorry to be gross) dropped a big deuce — am I the only one that happens to? I decided that these birds would be the subject of my birding poem for today.

Make me thy lyre, even as the forest is

from Ode to the West Wind/ Percy Bysshe Shelley

Yesterday, Scott and I met up with FWA in St. Peter. After taking him shopping for his clarinet recital next week, we went back to campus and took a walk through the Arb. So windy! I didn’t have a hair tie and my hair was swirling around my face as we walked on the uneven dirt trail in the open field. Later, winding through the pine trees we had some shelter. Scott saw the tiniest bird, then I saw it too, first as a flash of movement, then as a small dark form on a low limb. FWA guessed that it was a warbler, which it probably was. We listened for birds and heard a creak: one tree rubbing against another — Shelley’s forest lyre! I told Scott and FWA that I knew a beautiful poem that I wish I had memorized for this occasion — Cello by Dorianne Laux

april 6/WALK

1 mile with Delia
neighborhood
40 degrees

A second day of taking Delia for a walk in the morning, and what a morning! Not warm, but sunny and calm. Birds, a slight breeze, blue sky. Did a lot of deep breaths as I walked. This morning, I was anxious, but I recognized it as a phase that I could endure, and that recognition helped. Slowly I’m getting a little better at navigating perimenopause.

Wind in Leaves or, Leaves in Wind

This entire poem by Donika Kelly is great and I want to return to it, but for now, I’ll just post the opening and its description of wind in leaves through the seasons. Such a fun way to think about wind — how it sounds in leaves in spring or summer or fall.

from When the Fact of Your Gaze Means Nothing, Then You Are Alongside/ Donika Kelly

late spring wind sounds an ocean 
through new leaves. later the same 
wind sounds a tide. later still the dry 

sound of applause: leaves chapped 
falling, an ending. this is a process.

What does it mean that the wind sounds an ocean, and how does that differ from that wind sounding a tide?

Thinking about leaves and wind I’m remembering a line from “Dear One Absent this Long While” by Lisa Olstein:

I expect you. I thought one night it was you
at the base of the drive, you at the foot of the stairs,
you in a shiver of light, but each time
leaves in wind revealed themselves

How do I describe the leaves in wind? Something to think abotu on my run.

april 5/RUN

3.1 miles
trestle turn around
54 degrees
wind: 5 mph

What a day! Took Delia out for a walk this morning. An hour later, sat on the deck and was inspired by the birds to write a beautiful little poem conjuring my mom. Then, around 12:30, went for a run by the gorge. Okay spring! The run wasn’t easy, but wasn’t hard either. My legs are sore from running every day since Tuesday. Tomorrow I’ll take a break.

Listened to birds running north, my “It’s Windy” playlist on the way back south. Wind songs heard today: “Ride Like the Wind” — fast? frantic? under pressure? and “You’re Only Human (Second Wind); — forgiving and resilient and a reprieve

I’m sure I looked at the river, but I don’t remember doing it, or what it looked like. I do remember that the floodplain forest looked open and brown and full of trees that had been through a flood or two. No roller skiers or rowers. No radios or impatient cars. Did hear a few unpleasant goose honks near the lake street bridge.

Beaufort Scale

The History of the Beaufort Scale

Before the run I reviewed the Beaufort Scale and rediscovered a Beaufort Scale poem by Alice Oswald. Gave myself the task of trying to describe the wind today:

running north: make your own wind — or breeze?
south: hair raising . . . leg hair raising . . . calf hair raising
east: no need to shield the microphone; a welcomed air-conditioning after a hard effort; still leaves still; the branches moving so slightly my cone-dead eyes cannot detect their movement — no trees waving to me today . . . rude; flag flapping but no wind chiming

Alice Oswald on wind:

Everything you write about the wind really has to be about something else, because the wind itself is so non-existent. I like the way the Beaufort Scale [a system used to estimate wind speed based on observation of its effects] categorizes something so abstract and undefinable. That is partly what drew me to the project. I regard the words as secondary to the silences in my poetry, so I’m drawn to write about things that will exist without the words. The poems are full of gaps and silences through which something that isn’t linguistic can be heard.

A Poem A Day

wind will exist without the words

Beaufort Poem Scale – Alice Oswald

As I speak (force 1) smoke rises vertically,
Plumed seeds fall in less than ten seconds
And gossamer, perhaps shaken from the soul’s hairbrush
Is seen in the air.

Oh yes (force 2) it’s lovely here,
One or two spiders take off
And there are willow seeds in clouds

But I keep feeling (force 3) a scintillation,
As if a southerly light breeze
Was blowing the tips of my thoughts
(force 4) and making my tongue taste strongly of italics

And when I pause it feels different
As if something had entered (force 5) whose hand is lifting my page

(force 6) So I want to tell you how a whole tree sways to the left
But even as I say so (force 7) a persistent howl is blowing my hair horizontal
And even as I speak (force 8) this speaking becomes difficult

And now my voice (force 9) like an umbrella shaken inside out
No longer shelters me from the fact (force 10)
There is suddenly a winged thing in the house,
Is it the wind?

april 4/RUN

4.25 miles
minnehaha falls and back
45 degrees
wind: 12 mph / 21 mph gusts

I thought it was supposed to be less windy today, but it didn’t feel like it. Heading north, I was running straight into the wind. Sometimes it felt fine, and sometimes it felt hard. Listened to birds, especially black capped chickadees but also the faint knocking of a woodpecker somewhere near a house being built. Admired some gnarled shadows from the oak trees I passed by in the park. Heard rushing water at the falls and the recorded ding of the light rail across the highway. Managed to step in almost every pothole without twisting or rolling anything. Remembered to look at the river and notice how it sparkled in the sun.

Listened to the birds and the wind and the water as I ran south. Listened to my new “It’s Windy” playlist, and a LOUD kid on the playground, as I ran north.

wind!

A lot pf wind outside today, and more inside, at my desk (and no, I don’t been gas). Started with a playlist:

It’s Windy

  1. Windy/ The Association
  2. Summer Breeze/ Seals & Crofts
  3. I Talk to the Wind/ King Crimson
  4. Dust in the Wind/ Kansas
  5. The Wind Cries Mary/ The Jimi Hendrix Experience
  6. Don’t Eat the Yellow Snow/ Frank Zappa
  7. Summer Wind/ Frank Sinatra
  8. Wind of Change/ Scorpions
  9. Blowin’ In the Wind/ Peter, Paul & Mary
  10. In the Air Tonight/ Phil Collins
  11. The Chain/ Fleetwood Mac
  12. Ride Like the Wind/ Christopher Cross
  13. Wind Beneath My Winds/ Better Midler
  14. Break Like the Wind/ Spinal Tap
  15. Listening Wind/ Talking Heads
  16. You’re Only Human (Second Wind)/ Billy Joel
  17. Wind Chimes/ The Beach Boys
  18. The Long and Winding Road/ The Beatles
  19. They Call the Wind Maria/ Paint Your Wagon
  20. The Zephyr Song/ Red Hot Chili Peppers
  21. Wind It Up/ Gwen Stefani
  22. Shining Star/ Gwen Stefani
  23. Shining Star/ Earth, Wind & Fire
  24. Runnin’/ Earth, Wind & Fire
  25. Classical Gas/ Mason Williams
  26. Bohemian Rhapsody/ Queen
  27. You Don’t Mess Around with Jim/ Jim Croce

Here are the songs that I listened to today as I ran:

Windy/ The Association
Summer Breeze/ Seals & Croft
I Talk to the Wind/ King Crimson
Wind of Change/ Scorpion
Blowin’ In the Wind/ Peter, Paul & Mary*

*I started with the Bob Dylan version but when he busted out the harmonica I had to switch to the version I remember when I was kid

Somewhere between Summer Breeze and Wind of Change I thought about what words I might associate with these songs: Windy – capricious; Summer Breeze – carefree; I Talk to the Wind – indifferent; Wind of Change – hope; Blowin’ In the Wind – possibility

Listening to Blowin’ In the Wind, I thought about all of the questions posed in it and was reminded of a line I recited earlier this morning from Rita Dove: Someone once said: There are no answers/just interesting questions. I thought about the idea of questions being spoken into the wind and how there are no certain answers to them but that doesn’t mean they’re just rhetorical. Oh — now I’m thinking about the unanswerable questions and the koan.

other things noticed: the word straight was used several times — In I Talk to the Wind: said the straight man to the late man and Wind of Change: The wind of change blows straight into the face of time. In Windy, the wind is tripping down the street. I wonder if the swirls or whirls in any of my songs?

first definitions of wind from the OED: Air in motion; a state of movement in the air; a current of air, of any degree of force perceptible to the senses, occurring naturally in the atmosphere, usually parallel to the surface of the ground.

  • with specific reference to direction from which it blows
  • in reference to navigation, as means of propulsion
  • to take, have, get, gain the wind of, to scent or detect by or as by the wind
  • As a thing devoid of sense or perception, or that is unaffected by what one does to it — talk to the wind, spit into the wind
  • a type of violence, a fury: swiftness, freedom or unrestrainable character, mutability or fickleness, lightness or emptiness — the furies? fates and furies?
  • air in general, as a substance or element
  • gas
  • air inhaled and exhaled by the lungs
  • air as used for blowing or sounding an instrument

So many directions in which to go!

Revisiting a poem from a past entry:

Project/ A. R. Ammons

My subject’s
still the wind still
difficult to
present
being invisible:
nevertheless should I
presume it not
I’d be compelled
to say
how the honeysuckle bushlimbs
wave themselves:
difficult
beyond presumption.

As I wrote about on this log before, wind is a great counter to the claim, what you see is what you get or seeing is believing.

wind thoughts

Early on in this log I was obsessed with the wind, particularly in terms of my run. How much wind was there outside? Would I have to run into it? I disliked running into the wind; it made it so much harder and I needed it to be as easy as it could be. At some point, I’m not sure when (maybe I’ll try to find it?), I stopped caring so much about how windy it was. It’s never really that windy in Minneapolis, not like St. Peter or Rochester. High winds freak me out.

I’d like to search back through my archive, but I have a problem: I mention the wind a lot, over 700 times. I often record the wind speed, or make a brief reference to it in the first lines of the entry like, it was windy today or so windy! Is this an impossible task, to read through and tag all of these entries? Perhaps. I think I might just start looking through entries and see what happens. . . . A few entries in and I’m already remembering some thoughts about and experiences of the wind:

  • shaking the leaves in the trees
  • sounding like sizzling bacon
  • unnoticed, forgotten at my back, but when I turn around I remember!
  • trying to rip my hat from my head — it’s only happened once!
  • making the tassel on my hat tap me on the shoulder, making me think of my mom
  • rushing past my ears, almost forgotten when I have my ears covered
  • making waves on the water, making the river sparkle
  • in the lake, making the waves so choppy — the past few summers it’s been windier
  • summer breeze — on a playlist

two more random wind thought that just popped into my head:

  1. FWA and his love of the Zelda video game, Wind-waker
  2. FWA telling me one day when he was 8 or 9: I hate the wind. When I grow up I want to invent a device that gets rid of the wind

Walking back to the house after my run, I thought about how fun it is to explore an image like wind and how helpful it is to give so much attention to it and to be open to so many possibilities. Future Sara will appreciate all of the wind options I’m giving here, I think.

april 3/RUN

3.15 miles
2 trails
41 degrees
wind gusts: 35 mph

Windy! Overcast. Quiet. A good run. Slow and relaxed until I reached a runner ahead of me with a dog who stopped then started then stopped again. At this point, I passed them and picked up the pace, hoping to avoid any more encounters. It worked! I felt good enough to keep running faster and faster. Fun!

Listened to the wind and some yelling in the gorge running south and on the winchell trail. Put in my winter playlist for the last mile, heading north on the trail.

10+ Things

  1. wind 1: soft, gentle, haunting wind chimes
  2. wind 2: a small branch of a pine tree with some green needles on the sidewalk
  3. wind 3: a swishing ponytail
  4. an empty playground, or a quiet playground
  5. nearing the Cleveland overlook: the memory of the very LOUD knocking of a woodpecker
  6. an open view of the river — can’t remember what the river looked like, just that it was wide and open
  7. mud on the trail
  8. empty benches
  9. the strong smell of weed in the 36th street parking lot
  10. wind 4: leaves scratching the street
  11. wind 5: a white plastic bag rolling across the street, then stopping in the middle, once side being lifted up
  12. wind 6: a waving bush

before the run

The difference between a sunset and a sun set/ting.

or, the moment or the space that exists between a sun set/ting and a sunset. Ever since I read James Schuyler’s “Hymn to Life” and misread a sunset for a sun set, I’ve been thinking about the difference between them — one is a object (sunset), the others an action (sun set) or a process (sun setting). The difference between something fixed and something happening, moving, doing. Why does a sun set/ting appeal to me more? One obvious reason: understanding the sun as a subject, the natural world as an actor. Another reason: movement. A sunset is a fixed image, a sun set/ting moves. Poetry is about movement — associations between ideas, the flow of words and rhythms, the refusal to land (stand still) on one meaning or ending for too long or at all. My life is about movement — restlessness; the practice of running and writing; a difficulty in ever seeing objects as fixed, always slightly fuzzy, buzzing like static, not flickering but bouncing or shaking (or something like that). (quick thought: I’m drawn to light, but just as much to motion. How true is that for people with all of their cone cells?)

note: writing about this sparked new ideas, including a tentative focus for April, and some thoughts for a artist statement — more on that below.

Since last month, I’ve been playing around with a poem that attempts to describe the differences between a sunset and a sun set/ting. It’s slow-going. Here’s something to add to my already swirling, meandering thoughts: it’s a poem by Nikky Finney from Ross Gay’s discussion of her work in his talk, Be Camera, Black-Eyed Aperture. It’s not about a sun set/ting, but one rising. The italics are Gay’s; I’m keeping them because they’re helpful for seeing the connections to the movement of a sun set/ting:

The Squatting Sun/ Nikky Finney

6:38, flying east, I witness birth,
pushing out of the blushing vaginal rim

like some wide cherry-dropped child.
All the colors that make red have come

to the only straight line on the earth.
Ghostly, I blink, my eyes tweak her nipples,

she releases and the head does not wait
for my awe.

I thought I knew what red looked like.
Believed I had seen this daily drama before;

the earth in morning-mother motion,
the first bowl of earth-bread sipped,

but never had I been asked
inside the sun’s womb so deep.

What I see has so much to do
With the permission to look.

My egg-white eyes labor to midwife
this moment out all the way.

The baby day pushes clean,
a quarter rim of cherry-spilled earth

lands in a head-back wail
inside my ladling pupils,

the first rising brightness, its long
equatorial head bursts, then crests;

new life passed on
to a pan of waiting salted water.

Some thoughts on the poem by Ross Gay:

. . .this poem witnesses the quiet interior horizon of experience, during which the unfathomably beautiful emerges, and is the contemplation of it. As Finney says, “I thought I knew what red looked like, / believed I had seen this daily drama.” Indeed, it’s the quiet looking that brings the sunrise, the day, wailing into the speaker’s eyes. 

Be Camera, Black-Eyed Aperture/ Ross Gay

Gay’s mention of quiet looking here is about black interiority and comes from Kevin Quashie’s The Sovereignty of Quiet. I’m thinking about the quiet looking as the labor it takes to see something — the process from light to cell to signal, from retina to optic nerve to brain, from being distracted to quieting to noticing. Usually, this labor is invisible; we believe we just see things, they are just there for our camera eye or eye-as-camera to see.

Whew — that’s a lot to think about and to try to make sense of. Anyway, back to what this sunset and sun set/ting thread inspired. An April challenge: wind! And, some thoughts for an artistic statement:

To describe the world (primarily in poetry) from the perspective of the peripheral and from where some central vision exists but is not/no longer centered. . . . new ways of writing about noticing the world that don’t center central vision or that rely on but don’t center peripheral vision (because peripheral vision, by virtue of how it works, can never be centered in the same way that central vision was/is). . . . a few images I’m currently obsessed with: birds, wind, the idea of the Form, not as Platonic but as vague, basic, lacking the specificity of focus — Tree Bird Cloud. 

after the run

After I finished the run, I took out my phone and recorded some thoughts, including:

Somewhat similar to sunset vs. sun set/ting: windblown vs. wind blowing
windblown = evidence that wind existed, witnessed, after the fact
wind blowing = moving through a seemingly invisible force that is happening right now

another example: the absence of birdsong — very quiet, which could have been caused by the birds not singing in the wind, but also by the wind carrying the sound elsewhere

birding: thought about the memory of the woodpecker’s knock near the overlook

i.

an echo
almost

memory
of dead

wood hit hard
somewhere

across the
ravine

ii.

Quiet. Not
absence

of singing
birds but

the presence
of wind

carrying
their notes OR their tune

somewhere else.

A good start. I don’t think I should use somewhere for both.

wind!

So many possibilities for this monthly challenge!

  1. Gathering all of the wind poems I’ve already collected.
  2. A wind playlist.
  3. Tagging related entries with “wind”.
  4. Reading The Wind in the Willows, which I was reminded of by Mary Ruefle when she described it as one of her favorite book on a podcast.
  5. Exploring the idea of wind as both a noun for a weather condition and a verb for wrapping something around something else — a scarf around a neck — or for traversing a curving course.
  6. Returning to the Beaufort Scale

april 2/RUN

5.2 miles
ford loop
38 degrees
snow flurries into rain drops

Woke up this morning to snow. What? A little stuck on the deck but nowhere else. Sometime during the run it turned into rain. Or, was that sweat? I think it was rain.

A good run. Right before I left the house, I had a little calf pain — a few flares of dull pain. Why? Not sure, but I decided it would be fine. In fact, it might help to go out and move. It was and it did. Whenever my calf grumbled, which it didn’t do very often, I sang the song, “Old Friends” from Merrily We Roll Along in my head. Hey old friend/ are you okay old friend? I’m trying to shift my perspective and remember to think about my body, pain, worry as old friends.

Before the run, I was adding some things to my “How to be” project on Undisciplined about not looking away:

An occasional poem by Danni Quintos:

Once I wrote a poem on a bridge
because you told me to find my ghosts.
I remembered you once said, Our job as poets
is to not look away. I looked & wrote
the scariest thing I could think & after
you read it, you gave me a book
(to borrow) which I hugged so hard
that the million synonyms inside
could hear my heart beating.

This looking, described above by Finney and Quintos, this black-eyed opening—this not looking away—is a poetics, yes, but as any poetics is, it is also an ethics. What we look at, what we see, and how, and if we say what we see, is an ethics.

Be Camera, Black-Eyed Aperture / Ross Gay

Unable to see faces, often staring into a void or a smudge or a darkness, it is hard to see, difficult to not look away. How do I reimagine this ethical beholding in ways that I can practice? What might not looking away mean without the looking? Not turning away? 

This is a problem of language, and more than a problem of language, I think. 

Behold is to eyes as ___ is to ears?
An ear-witness?

While I was running, I wanted to think about how I could reframe this not looking away. What does being present, noticing, witnessing mean for me? A thought popped into my head: be with the bird. To be with the bird — to notice them, not try to identify or know or classify them. Ever since I heard J Drew Lanham discuss this concept with Krista Tippett, I’ve loved it. Today I tried to be with the birds. Mostly I was, except for when my calf flared or when I smelled burnt toast —

The other day, I told my son that it smelled like coffee or burnt toast outside. He asked jokingly, are you having a stroke? Maybe I’ve heard this before and had forgotten, but the smell of burnt toast is, according to Scott and FWA, the sign of a stroke. . . . Just looked it up, and there’s no evidence to support that claim. Whew. Anyway, it is irritating and ridiculous and embarrassing to admit that I did contemplate whether or not I might be having a stroke as I smelled the burnt smell. Fairly quickly I concluded: no fucking way. It’s just smoke from somewhere.

Be with the Bird, 10 Things

  1. the soft, sharp knocking on wood somewhere
  2. a flicker from a tree branch, flight, then a shower on my head, then birdsong
  3. an eagle-less tree by the bridge
  4. tweet tweet tweet
  5. chirp chirp
  6. fee bee
  7. a thought: could it be what I’m hearing is not birdsong, but bird warning calls alerting others to my presence?
  8. birds singing in the far off trees
  9. birds calling in the bushes beside me
  10. another thought: do birds like the rain?

a few poetry inspirations

1 — my weather description: snow flurries into rain drops. This transformation of states reminded me of a poem I read in an entry of april 2, 2020:

Because You Asked about the Line Between Prose and Poetry/ Howard Nemerov – 1920-1991

Sparrows were feeding in a freezing drizzle
That while you watched turned to pieces of snow 
Riding a gradient invisible
From silver aslant to random, white, and slow.

There came a moment that you couldn’t tell.
And then they clearly flew instead of fell.

Of course today, the water went the opposite way, snow to rain. So poetry to prose?

2 — to rain, raining. As I ran beside the gorge, I frequently heard water falling below me. The snow/rain was creating waterfalls on the limestone and through the sewer pipes, making it sound like it was raining. Suddenly I thought: there’s no rain, but it’s raining, which reminded me of a poem I posted a few days ago:

an excerpt from Raining, Outlined/ Margarita Pintado Burgos

Translated from the Spanish by Alejandra Quintana Arocho

The forest. To say the forest. To suggest some music.
To carve the breeze.
To see a landscape. See it raining. Without rain but with raining.

march 31/RUN

5.5 miles
marshall loop, variation
38 degrees

Back to the running-with-Scott-on-the-weekend tradition. Today a variation of the marshall loop that we probably won’t try again. Over the lake street bridge, up the marshall hill, right at cleveland past St. Thomas and Summit, right on St. Clair, then down to the east river road. St. Clair was mostly a long downhill which sounds nice but was a little too steep.

For the first mile, we talked about the differences between Big Bang (which we don’t like) and Community (which we do). My theory: many of the differences are about the shows relationship to what it means to be normal.

The river looked so cool today — brown, mostly calm but with slight ripples. A bright circle of light and wavy texture — the sun and clouds reflected on the water.

The river was calm enough to see the bridge’s upside down smile reflected on its surface.

Heard the St. Thomas bells, some birds, a squeaking squirrel. The trails weren’t crowded because today is Easter.

added a few hours later: before and after the run (also after dropping FWA back off at college), I worked on my latest birding poem. Will I try to get these published? Maybe, but I’m more interested in them as the opportunity to work on how to turn my daily observations, mostly using peripheral vision and/or senses other than sight, of birds into poems. Something was missing in my poem from yesterday, so I thought about it some more this morning. Yesterday, I kept thinking about how the birds’ singing didn’t hesitate at all as the plane flew above them. This morning I suddenly thought: what if their song was the response to plane — a warning song? I looked up birds and their reactions to planes and found this article, with a line that conjured an image for me.

the line:

Using modern electronic instruments, it is possible to measure the heart rate of brooding birds. Measurements show that these birds often react to the appearance of airplanes with a marked increase in heart rate, in other words they become nervous, even if no outward reaction is visible.

the image: tiny heart beats beating out a rhythm underneath the trill and buzz tune.

A plane’s buzz
mixed with

frantic trills
in trees.

Underneath
this tune

tiny hearts
beat in

a rapid
rhythm

ancient and 
modern.