almost Franklin hill turn around
Took several days off from running because my kneecap seemed liked it had displaced on Friday night, while I was sleeping. I was certain that I would be out for another month but suddenly, it felt better. Still sore, but much better. Very grateful. Whenever I injure my knee, I don’t worry as much about running as I do walking. Running is great, but walking is necessary.
Today’s run was wonderful. Cold and windy, but I didn’t care. I got to run without pain or uncertainty. Listened to my running playlist and blocked out the noise of the wind rushing past my ears. Didn’t encounter too many runners or walkers. What do I remember? I noticed the runner with the bright yellow shirt and thought about how my orange shirt was just as bright. I smiled a lot and almost spread my arms wide in a big hug. Encountered several runners going fast. Thought about running all the way to the bottom of the Franklin hill but decided to stop just under the bridge and turn around. Noticed that my right knee was a little sore and wondered if it would be a problem when I finished (it wasn’t). Was able to mostly run on the walking path instead of only on the bike path. Didn’t see any bikers or roller skiers or big packs of runners. Twisted my foot a little on a patch of ice.
A few days ago, I discovered a new poetic form: contrapuntal. I decided to write one about 2 sounds that crunching snow makes when I walk on it.
Here are my notes:
First, I noticed the noise: a crisp, sharp, snap. Delightfully dissonant, cutting through the quiet and the soft settling of my foot on the snow-covered path. Did I like it partly for its grating, grinding quality?
Then, I noticed its counterpoint: a soft, steady crush of crystals that never ceased. Sometimes creaking, occasionally squeaking. Always there, buzzing, humming under the other noises—birds chirping, planes rumbling, a car door slamming.
Before I had only made note of the noise and how it shattered my idea of snow as silent. Now I wondered how the different noises fit together. Why two? What was causing the multiple melodies? The crack crack crack with the crushcrushcrushcrushcrush?
Then, I understood. The two sounds traveled, trading off between my feet. As one foot cracked, the other crushed. Right crack left crushcrushcrush left crack right crushcrushcruch. The biomechanics of a step amplified! My body singing through snow!
And here’s my poem: