Month: July 2020

july 23/RUN

3.1 miles
47th st loop
69 degrees

Ran almost two hours later because I wanted to work more in the morning and because the humidity was 100% at 8 am. Running at 10 was much better, I imagine. Sunny with lots of shade, calm. No turkeys but I did see my shadow briefly. Saw a biker and one graceful rollerblader moving so quickly and smoothly, swinging his arm like an Olympic speeed skater.

delight of the day

Nearing Edmund, past becketwood on the part near turkey hollow, I heard a truck approaching from behind with some squealing kids. As it passed me, driving very slowly, I noticed a few heads just poking out of the red truck’s bed. It turned up the next street. Nearing the end of my loop, almost back to becketwood, I encountered it again, parked in front of house, the kids yelling out delightedly, “We drove around the block in the back of the truck! We drove around the block in the back of the truck!” Such delight. Such cute, earnest, high-pitched voices! Oh, to be that free of cynicism and able to find joy in such a small but perfect moment!

Before heading out for the run, I memorized another poem, the third in my vision series: I Look Up From My Book and Out on the World Through Reading Glasses/ Diane Seuss.

I love this poem because it does a great job of capturing how I see the world sometimes–not through reading glasses, but through my diseased eyes. Sometimes the world looks italicized, slanted, not quite straight, off-kilter. And sometimes trees are nothing but the classic form of a tree — a brown trunk with leaves. Colors, when I can see them, are sometimes only smudges and smears and slashes. It’s all vague or just barely formed–the idea of the river instead of the actual view of an in-focus river. And it often feels like I’m in a haze or a daze or a fog. This is not upsetting to me; it’s more dreamy and calm and soft. Often the sharpness of the forms dependents on the quality of the light–gray days make everything look even fuzzier, bright sunny blue days make it all clearer, with more edges.

A few hours after returning home, I recorded myself reciting the poem. I just learned it this morning so I don’t know it by heart yet. Even as the pauses in this recording make me a little uncomfortable, I like how they demonstrate the moments of my forgetting and then remembering.

I Look Up From My Book, July 23

july 22/RUN

3.25 miles
under ford bridge turn around
61! degrees

Much cooler this morning! Was able to wear a short-sleeved shirt instead of a tank top and didn’t overheat. Ran south on the river road to under the ford bridge and then back. Managed a few quick glances at the river through the trees. Encountered some bikers, walkers, runners, a Minneapolis parks vehicle, a biker biking with a dog. Heard some “heavy metal” (but how heavy was it really?) music not quite blasting out of a bike’s radio. At first, I imagined that it was “Hot for Teacher” by Van Halen, but it wasn’t. I don’t know what it was, but it didn’t bother me. Much better than the patriotic country crap that some people blast. I am not opposed to all country music–the old school stuff, especially Dolly Parton or Loretta Lynn is great. What a delight it would be if I could hear someone blasting “Fist City” one day!

No roller skiers today or Daily Walker. No big groups of runners or walkers. No overheard fragments of conversation to be curious about. No black capped chickadees or geese or turkeys or annoying squirrels or swarming, sex-crazed gnats. No welcoming oaks or vining sumac or the smell of burnt toast near the lake street bridge. No rowers or coxswains or the 4 rollerbladers, swinging their arms as they speed by, perfectly in sync. No lower trails or mulching asphalt or steep short hills or dirt paths or unobstructed views of the river or the gorge.

Recited “Natural Forces” again. Still felt the lines were awkward for reciting as I ran. I noticed how I was unable to keep the flow going between each line. Instead, I had to stop for a few foot strikes, which might be the point–to give some space between each set of glances?

I really like the lines: “Five glances/to relight the stars/blown out by the hurricane,” “Eight glances/to turn the sea/into sky,” and “Nine glances/to make the trees in the wood/dance.” When I’m running through the tunnel of trees, and everything is green in late spring through early fall, sometimes the green sky becomes water to me–a sea–of green air with no surface. And when I’m running above the trees of the floodplain forest, they sway and dance, never just standing there. Some of this is due to the motion of my running, some of it is because of my bad vision. It can be a bit disorienting but it looks really cool, like I’m running in a dream. My vision makes me feel like I’m in a dream a lot of the time.

Thinking about “Natural Forces” and vision some more: what’s the difference between a glance and a glimpse? I looked it up: a glance is a brief and hurried look, a (bright) flash, a glimpse is a faint, intermittent view/ing. So a glance is a quick, sharp flash, a glimpse is a faint, glittering glimmer. And, then, the opposite of to glance is to gaze or stare, to study, scrutinize. I have almost completely lost my ability to do a quick glance and recognize what I’m seeing. If I want it to make sense, I have to stop and stare. It’s very frustrating and (I think) often socially unacceptable to stop and stare at things. So I don’t stop and stare, which also means I end up never seeing it (whatever it is/was).

Recited the poem into my phone a few minutes after I came home:

Natural Forces, July 22

july 21/RUN

3.1 miles
47th st loop
70 degrees
humidity: 85%/ dew point: 66

Ran a little later in the morning because of the rain. A steady, soft rain. Everything green and gray. Nice to sit in the front room at my desk in between two windows and think about poetry and running while memorizing Vincente Huidobro’s “Natural Forces.”

Finally made it outside right before 11 am. A few people out by the gorge, but not too crowded. Ran down to turkey hollow and saw 6! turkeys–I counted carefully. Briefly delighted in how one of the turkey’s small head bobbed in quick, awkward jerks. Ran through some puddles and on some muddy grass. Ended by running on loose gravel on Edmund Boulevard; they’re re-sealing the streets in my neighborhood this week. I can’t remember if they ever clear off this gravel or just wait for it to be worn down by car wheels. Didn’t mind running on the gravel but I’m not interested in doing it for the next couple of weeks. I liked how noisy it was, announcing my foot strikes to anyone/anything nearby. Crush! Crush! Crush!

As I ran, I recited “Natural Forces” over and over again. Not hard to remember but not easy to match with my foot strikes. I found myself rushing through it and then, when I tried to pronounce–in my head– every word, the lines sounded so slow and clumsy. I should try recording myself reciting this as I’m running. What would it sound like?

I originally found and posted this poem at the end of January. Here’s what I wrote:

Such power with these glances! I read a little something about Huidobro and his belief in creacionismo and man as god/godlike and “a space where the poet could assume a role as the divine”. Wow, oftentimes because of my vision I feel the opposite with my glances: I’m unmaking the world. Oh–I want to think about this some more! Here’s some info about this poet from a google doodle on his 127th birthday. 

Copied the poem into my notebook and wrote: The power of the poet! The power of one who notices, who pays attention! Love this idea of paying attention as a way to imagine/create a world. Is it possible to disentangle this making of a world from hubris and pride and power over?

Natural Forces/ Vincente Huidobro

One glance
to shoot down the albatross

Two glances
to hold back the landscape
at the river’s edge

Three glances
to turn the girl
into a kite

Four glances
to hold down the train
that falls into the abyss

Five glances
to relight the stars
blown out by the hurricane

Six glances
to prevent the birth
of the aquatic child

Seven glances
to prolong
the life of the bride

Eight glances
to turn the sea
into sky

Nine glances
to make the trees of the wood
dance

Ten glances
to see the beauty that shows up
between a dream and a catastrophe

Not too bad. I forgot the poet’s name and messed up a few lines, but got most of it right. I do think I want to spend another day on it, paying attention to the rhythm of it while I run. I’m not sure I get the line about the aquatic child. Favorite lines: turn the sea into sky; to make the trees of the wood dance; to see the beauty that shows up between a dream and a catastrophe.

Natural Forces, July 21

Can my glances make worlds? I don’t like the arrogance of that claim but I like the idea of my vision creating new ways to see/observe things.

july 20/RUN

3.1 miles
big loop*
68 degrees

*44th ave, north/32nd st, east/river road, south/42nd st, west/edmund, south

Another good run. Cooler and very calm, still, quiet. Don’t remember hearing (m)any birds, no conversations, no rowers. At least 3 separate times, I thought I was hearing the clickity-clack of roller skiers, but was actually hearing a bike with noisy wheels or messed up gears or something. Strange that it happened 3 times when I don’t remember ever making that mistake before. Was it the quality of air? Hardly any wind this morning. Sunny, but not bright. Did I see my shadow? Can’t remember.

Recited “The Gate” one more day and thought about gates and openings and doorways and thresholds and windows and spaces where movement and breathing and new stories/ways of being are possible. I think this is my new theme for the month and/or for a series of poems/essays.

Recorded myself reciting it just after finishing my run–my heart rate was probably around 140 or so as I spoke. I got it mostly right but messed up the second to last “this.” The order she writes the three thises–“This is what you’ve been waiting for, ” “And he’d say, This,” and “This, he’d say” is important. It doesn’t have as much impact the way I recited it.

The Gate, July 20

Yesterday, reading Ted Kooser’s Delights and Shadows, I found these two poems that I really liked:

Grasshopper/ Ted Kooser

This year they are exactly the size
of the the pencil stub my grandfather kept
to mark off the days since rain,

and precisely the color of dust, of the roads
leading back accross the dying fields
into the ’30s. Walking the cracked lane

past the empty barn, the empty silo,
you hear them tinkering with irony,
slapping the grass like drops of rain.

The Early Bird/ Ted Kooser

Still dark, and raining hard
on a cold May morning

and yet the early bird
is out there chirping

chirping its sweet-sour
wooden-bully notes,

pleased, it would seem,
to be given work,

hauling the heavy
bucket of dawn

up from the darkness,
note over note,

and letting us drink.

july 19/RUN

3 miles
river road, south/north
71 degrees

Ahhh!! A beautiful morning. Even though it was 71, it didn’t feel too hot. Just after reaching the river road — about .3 miles in — I encountered a woman listening to music without headphones as she ran. I’m pretty sure the song playing was “I Wanna Sex You Up” by the 90s boy band, Color Me Badd — the part at the beginning where they sing “ooo ooo ooo ooo” and just before “tick tock you don’t stop.” Wow. I will choose to believe that that was the song she was listening to and remain impressed that she was willing to listen to such a cringe-worthy song without headphones in a public place. Nice.

For the rest of my run, I recited “The Gate” by Marie Howe in my head. There were a few lines that I couldn’t remember exactly–was it “the gate I would step through” or “walk through”, “the world” or “this world”, “holding up my cheese and mustard sandwich” or just “holding my cheese and mustard sandwich”? I thought about the differences in meaning and rhythm that these word choices might make. Then I started thinking about the line, “having folded every sheet, rinsed every glass he would ever rinse.” At first, I couldn’t remember what he had folded–was it a towel, a shirt, a sheet? Then, when I remembered sheet and I thought about the subtle differences in meaning between folding a sheet — evoking the intimate space of a bedroom — versus a shirt or a towel. Did Howe immediately think of sheet, or did she deliberate over different choices before settling on it? It was fun to spend some time reflecting on word choice as I ran. I love how packed and precise poetry is, and often in ways that aren’t readily visible but that you can feel as you read it–even when you don’t realize you’re feeling it.

After 30 seconds after I stopped running, I recorded myself reciting the poem: several errors with word choice. I better practice it some more! The most egregious error (at least to me), instead of saying, “This, he’d say, sort of looking around” for the last line, I said, “And he’d say, This.” Starting with “this” is so much stronger.

The Gate, July 19

july 18/RUN

2.5 miles
43rd ave, south/42nd st, west/edmund, north
74 degrees
humidity: 87%/ dew point: 71

Hot this morning! Very crowded too. Started out running with Scott but after avoiding too many people together, we decided to split up. Some clueless walkers, but mostly just lots of people. Encountered several cars on Edmund too. Don’t remember any roller skiers or runners. No rowers or river views. Any birds? Not that I heard. Finished by running around the block. Discovered it was .5 miles. Good to know.

Discovered Copper Canyons wonderful collection of poems about connection during COVID yesterday via twitter. So good! Scrolling through them, I found two that connect with the poems I’m reading/thinking about right now:

joy and suffering beside each other (Ross Gay, Book of Delights)

What Issa Heard/ David Budbill

Two hundred years ago Issa heard the morning birds
singing sutras to this suffering world.

I heard them too, this morning, which must mean,

since we will always have a suffering world,
we must also always have a song.

“This is what you’ve been waiting for” (Marie Howe/ “The Gate”)

Goshen/ Ruth Stone

For fifteen years I have lived in a house
without running water or furnace.
In and out the front door
with my buckets and armloads of wood.
This is the mountain.
This is the fortress of ice.
This is the stray cat skulking in the barn.
This is the barn with vacant windows
that lifts like a thin balsa kite
in the northeasters.
These are the winter birds
that wait in the bushes.
This is my measuring rod.
This is why I get up in the morning.
This is how I know where I am going.

july 17/RUN

2.5 miles
river road, south/north
75 degrees
humidity: 77%

Warmer this morning. Sunny. Decided to listen to a playlist this morning–Van Halen’s “Hot for Teacher,” Crowded House’s “Don’t Dream It’s Over”, Bruno Mars’ “Uptown Funk” and Sia’s “Cheap Thrills”. A relaxed first mile, a much faster second mile mostly because I was behind a roller skier at the start of the second mile that was going about the same pace that I was. I imagined staying in her COVID slipstream for the rest of the run–no thanks! So I sped up a lot to pass her and then kept the pace so she wouldn’t pass me again. First mile: 9:26; Second mile: 8:11.

Because I was listening to music, I didn’t recite the poem I memorized yesterday afternoon, Marie Howe’s “The Gate.” I’ve decided to memorize 5 different poems by her:

  • The Meadow from The Good Thief (1988)
  • The Gate from What the Living Do (1999)
  • What the Living Do from What the Living Do (1999)
  • Magdalene: Seven Devils from Magdalene: Poems (2017)
  • Singularity (2019)

The Gate/ Marie Howe

I had no idea that the gate I would step through
to finally enter this world

would be the space my brother’s body made. He was
a little taller than me: a young man,

but grown, himself by then,
done at twenty-eight, having folded every sheet,

rinsed every glass he would ever rinse under the cold
and running water.

This is what you’ve been waiting for, he used to say to me.
And I’d say, What?

And he’d say, This, holding up my cheese and mustard sandwich.
And I’d say, What?

This, he’d say, sort of looking around.

The first line of this poem, about the space her brother’s body made as the gate she would step through to finally enter this world, was confusing to me at first but it has something to do with grief and how his death helped her to remember and value living — but I think there’s more to it than that. I love the way she describes that he’s dead, “done at twenty-eight, having folded every sheet, rinsed every glass he would ever rinse under the cold and running water.” And I love the use of “This” here — the this, encompassing everything and not one thing in particular.

Spending a little more time googling Howe and thinking about her work, I found a very helpful essay from 2008 on oprah.com: Not to Look Away. In it, she talks about her friend Jason who’s funeral she was attending and the gate:

I’m looking for the gate, Jason used to say when he was in pain. I can’t find the gate, but I’m looking. What was this gate my friend Jason was looking for? Maybe he wanted to find the door in the room of suffering, so that he might walk through it into another story. 

and here’s how she describes what story can do:

Is this what a story can do? Emerge from the most painful event and transform it into something else, too? So sad. So funny. Both. And life is there, for a moment, almost adequately represented. 

the story as window?

The days and nights of my life walk by, arm in arm with time, and the gate to the new story stands just outside the circle of my attention. Sometimes I lie here, Jason said, and walk through the old house of my childhood, through all the rooms, and look out all the windows. 

This might be the most difficult task for us in postmodern life: not to look away from what is actually happening. To put down the iPod and the e-mail and the phone. To look long enough so that we can look through it—like a window.

To be present, not to look away, and to transform suffering into something else also–still suffering but more too. Wow, this makes me think so much about Ross Gay and his idea of joy and suffering in the Book of Delights (I checked it out of the library a year ago, and just ordered my own copy arriving today)!

july 16/RUN

3 miles
1 big loop + 2 smaller loops*
64 degrees
humidity: 79%

*big loop = 36th st to 42nd ave / little loop 1 = 36th st, down hill to 34th st, up hill to 36th st / little loop 2 = 36th st to 38th st to 36th st

Another beautiful morning. Checked out my form in my shadow as she ran beside me. Listened to the cardinals. They were loud enough that I couldn’t hear any other birds–was it all just cardinals? Tried to recite “Love Song For The Square Root of Negative One” but had trouble getting past, “I am the hand that lifts the rock, I am the mind that strings the worm.” Overheard a woman, pushing a stroller, talking loudly on the phone, “I mean…I have a job and some savings…”–not sounding upset but judgmental. What was she talking about and why SO LOUDLY for everyone to hear? Encountered a few roller skiers, bikers, walkers, runners, dogs, cars (when I turned off the river road and went on Edmund). No squirrels or crows or woodpeckers. No rowers or Daily Walker or little old ladies with straw hats or the tall man in black or anyone I remembered ever seeing before. No intense colors or strange running gaits. No views of the river or the ravines. Only an abundance of calming green.

During the last 1/2 mile or so I recited “The Meadow” again which helped the last bit go faster. Then, a minute after I stopped, as I walked home, I recited it into my phone. I have a few pauses because I got distracted by someone walking nearby or when a woman stopped to tell a neighbor how much she loved their garden–I love that garden too. (If you listen closely, you can almost hear it on the recording).

The Meadow, July 16