Month: February 2023

feb 10/WALKBIKERUN

walk: 30 minutes with Delia
neighborhood
26 degrees

Sun! A bright blue sky! Birds! Fresh, cold air! Clearer sidewalks! Wind chimes! What a wonderful walk. I moved slowly, stopping every few steps for Delia to get another sniff. I inhaled deeply, feeling the cold air open up my sinuses. I mostly listened to the birds, but a few times I saw the blur of a tiny body traveling from one branch to another. I noticed the sprawling oaks, their gnarled limbs towering over the sidewalk. I stepped on the thin sheets of ice covering puddles and heard them crack and crunch and then the water squish. I remember thinking that I wasn’t interested in naming what I was noticing, just experiencing it. I felt relaxed and open to the world and happy for these moments.

Most of the sidewalks were clear. On a few corners it was still solid ice. The corner with the mailbox was especially bad. Yikes!

I almost forgot — how could I forget? A birch tree in the middle of the block, its branches blindingly white, illuminated by the sun. Sparkling. I could almost hear a chorus singing its alleluias!

bike: 22 minutes
run: 2.35 miles
basement
outside: an ice rink

After yesterday’s slippery run, I decided I should stay inside today. Biked in the basement with some Dickinson, ran with a running podcast. As I often mention with my basement workouts, it’s difficult to find much to wonder about in such a dark, cold, unfinished space.

Before I worked out downstairs, I started planning the fifth lecture for the class I’m teaching. It’s going to be about the connections between wonder and play. I was reminded of it as I ran and listened to a professional runner turned triathlete talk about how being a beginner and having no expectations or pressure can help you to have fun in your training and in life. I started thinking about having fun and being a kid and the idea that fun and play are usually dismissed as not taking something seriously. It’s all fun and games to you. Or it’s too easy — that’s child’s play. But trying to remember your kid-self, being a beginner, opening up to fun, is something many of us have to work at — to practice — as adults. (Also, being a kid isn’t always easy.) Kelli Russell Agodon has some great things to say about play and wonder in this interview, which I plan to use in my class: Beauty and Play with Kelli Russell Agodon.

In the video interview, Agodon reads her poem, “Grace”:

Grace/ Kelli Russell Agodon

Even those who are living well
are tired, even the rockstar
who swallowed the spotlight,
even the caterpillar asleep
in a unbalanced cocoon.
Who knows how
to be happy when a lamb
is birthed just to be slaughtered
at a later date?
It’s so tiring
how every day is also a miracle—
the drunk bees in the plum
blossoms, the sliver of sun
through the branches
and on an early morning
walk we find the farmer’s
granddaughter has fallen
in love with the lamb,
so it will be saved
and named Grace.
And we are spared
for a moment, from a new
loss and life frolics
across a field of wildflowers
never knowing all it has escaped.

Thinking about the idea of no pressure or expectations, Agodon says this in another interview:

I am quantity over quality, but a lot of the really bad poems will never come out of my laptop. I love writing a poem a day. And I have no problems writing bad poems, just writing something thinking, oh that was just practice. That was just a writing exercise. That poem is never going to go anywhere. I don’t want to revise it. Again, it’s just to enjoy the creation. But when I do choose a poem to revise, then I highly craft it.

Poetry Snaps! Kelli Russell Agodon: Grace

And here’s something else she writes about taking walks and finding images:

Rumpus: I think of your poems as being “dense,” and by dense I mean tight and even crowded at times as you fly from one image to another. The imagery is always surprising, line after line. I wonder how you do that?

Agodon: I wonder how I do that, too. Could this mean I’m a word/image hoarder? Maybe my poems are the rooms you go into where everything is stacked to the ceiling? Like those antique shops that have a fascinator balancing on a Mickey Mouse phone on a blue Fiestaware plate toppling above a purple suitcase with a sticker that reads: London. Maybe it’s that I’ve always been a very visual person who notices the small strange details, and they stick with me. Like yesterday when I went for a walk, I saw a toothpaste cap under a tulip and I kept thinking—why is that there? There was a robin there and I started thinking, “What if that toothpaste cap was actually the robin’s bandleader hat.” Kooky stuff, but maybe because while I have six sisters, they were all much older than me, so much of my life felt like being an only child so I was always looking for ways to entertain myself, and I still am.

Wired for Wordplay: Kelli Russell Agodon

Reading this interview, I found out about another book Agodon write: Letters from the Emily Dickinson Room. Very cool! I ordered the ebook.

feb 9/RUN

4.45 miles
minnehaha falls and back
34 degrees
50% jagged ice / 25% slick ice / 25% clear path

I probably should have waited a few more hours to run. Now that the sun has finally come out and it’s another degree warmer, all the ice everywhere might melt. Oh well. This was a tough run. I still enjoyed most of it, but I had to stop and walk several times in order to avoid falling on ice. Now my upper back and knees are sore from the effort of staying upright.

Kids, 3 versions

  1. Running on Edmund, nearing Dowling Elementary, I wondered why it was so quiet. Where were all the kids on the playground? Then, suddenly, I heard them. Laughing and yelling. I decided the moisture in the air must be absorbing the sound, not allowing it to travel too far
  2. At the falls, I heard a few more kids. Standing above, at my favorite spot, I could hear voices below. Were they climbing on the trail that leads to below the falls? I imagined that path was as icy as mine, and I hoped not.
  3. Returning on Edmund, running past Dowling, more kids. This time in the big field by the community garden — at least I think that’s where they were; I only heard them, didn’t see them. So loud and raucous! Frantic, worked-up (or wound up?) screams. Excitement? Too much sugar? Something else? I encountered another runner — a man pushing a jogging stroller — and imagined after I passed him that I had asked, What’s going on over there?!

Here’s the Linda Pastan poem of the day. I’m pairing it with a wonderful Tony Hoaglund poem I found tat involves swimming laps and screaming underwater.

Almost An Elegy: For Tony Hoaglund

Your poems make me want
to write my poems,

which is a kind of plagiarism
of the spirit.

But when your death reminds me
that mine is on its way,

I close the book. clinging
to this tenuous world the way the leaves

outside cling to their tree
just before they turn color and fall.

I need time to read all the poems
you left behind, which pierce

the darkness here at my window
but did nothing to save you.

Don’t Tell Anyone/ Tony Hoaglund

We had been married for six or seven years
when my wife, standing in the kitchen one afternoon, told me
that she screams underwater when she swims—

that, in fact, she has been screaming for years
into the blue chlorinated water of the community pool
where she does laps every other day.

Buttering her toast, not as if she had been
concealing anything,
not as if I should consider myself

personally the cause of her screaming,
nor as if we should perform an act of therapy
right that minute on the kitchen table,

—casually, she told me,
and I could see her turn her square face up
to take a gulp of oxygen,

then down again into the cold wet mask of the unconscious.
For all I know, maybe everyone is screaming
as they go through life, silently,

politely keeping the big secret
that it is not all fun
to be ripped by the crooked beak

of something called psychology,
to be dipped down
again and again into time;

that the truest, most intimate
pleasure you can sometimes find
is the wet kiss

of your own pain.
There goes Kath, at one pm, to swim her twenty-two laps
back and forth in the community pool;

—what discipline she has!
Twenty-two laps like twenty-two pages,
that will never be read by anyone.

Reading these poems again, I’m struck by their last lines, both about Hoaglund’s poems: 1. the ones Pastan read that could pierce the darkness but not save Hoaglund and 2. the unread ones that aren’t for anyone else, but offer some sort of private pleasure in the face of suffering.

Poetry is not meant to save us from dying, but that doesn’t mean it can’t save our lives.

feb 8/RUN

3.25 miles
trestle turn around
40 degrees
75% bare, wet, puddled pavement

A late afternoon run on a sunny, warm (warm for February in Minnesota) day! The path was wet, with lots of puddles, some slick spots, and lots of sloppy snow. Twice I had big slips. My one leg flew off to the side and I waved my arms involuntarily, but I didn’t seem to lose momentum and my body never felt the fear of falling — that fear deep in the pit of my stomach that quickly spreads to the top of my head and makes my whole body tense up.

10 Things

  1. the warm sun on my face — it felt like spring
  2. the late afternoon shadows — I can’t remember a specific shadow, maybe shadows of trees over the gorge?
  3. a siren behind me as I ran up from under the lake street bridge. It sounded close and like it was stopping. I think I heard the siren double beep and then stop
  4. some little yippy dogs freaking out down below at the minneapolis rowing club. So frantic! What’s going on down there? I worried for a minute, wondering if I was actually hearing someone screaming, but decided it was definitely some exuberant dogs
  5. Also heard a strange moan or whine coming from the rowing club — not a human moan, but one coming from a machine
  6. so much whooshing of car wheels through deep puddles on the edges of the road
  7. lots of bikes deciding to bike on the mostly dry road instead of the be-puddled path
  8. my shoes and socks were soaked before I reached the first mile. After the run, the white socks were now speckled in brown grit
  9. smelled pot as I ran past a parking lot
  10. heard a few random geese honks closer to the river

I didn’t look at the river or notice the ancient boulders or greet the welcoming oaks. Didn’t hear any birds — wait, I think I heard a crow at the beginning —or music coming from a car radio or a bike or someone’s phone.

This was a great afternoon run. I like running at this time, when the sun is slowly sinking. My only problem: the paths are usually much more crowded. Still, I’d like to try and add in some more of these runs so I can study the sun and the shadows.

Here’s my Linda Pastan poem for today. I don’t think there were any clouds to admire, but I’m posting it anyway!

The Clouds/ Linda Pastan

From a high window
I watch the clouds—

armada
of white sails

blown by the wind
from west to east, as if

auditioning for me,
as if they needed

nothing more
than to be in a poem.

What a delightful little poem! I think this counts as one of Mary Oliver’s little alleluias on the page.

feb 7/RUN

4.45 miles
minnehaha falls and back
31 degrees
100% slick, sloppy mess

Yuck! With warmer temperatures comes puddles, slicker ice, and soaked socks. Most of the trail was covered in little brown lakes. Oh well. The sun was warm on my face, and I felt almost too warm in my layers, so I was happy to get out there and run. Because I was trying out my new bluetooth headphones, and because the path was so challenging, I was distracted. Did I notice at least 10 things? I’ll try:

10 Things I Noticed

  1. running south into the sun, the slick path sparkled
  2. kids yellling at the playground. I think I heard one deep voice — was it a teacher?
  3. there was a very big puddle in the street at 42nd, right by the path. As cars drove through it, I could hear all the water splashing up onto the curb — glad I wasn’t running there!
  4. passed the same group of 3 walkers + 2 dogs in both directions on the narrow bridge
  5. the river was mostly open, with streaks of white ice
  6. a few people at the falls, near the bridge
  7. a man and a dog playing in the snow near the longfellow poem at the falls
  8. unable to avoid it, I ran straight through a deep puddle on my tiptoes
  9. glanced over at the house with the poetry in the window to check if there was a new poem. Too much snow to see the sign with the poem title
  10. the long dark tree branch of the mostly dead tree on the corner stretched across the path and the road. I wondered, as I ran under it, if it would fall on me

As part of my February challenge, I’m reading poems from Linda Pastan. Here’s the one for today:

Practicing/ Linda Pastan

My son is practicing the piano.
He is a man now, not the boy
whose lessons I once sat through,
whose reluctant practicing
I demanded–part of the obligation
I felt to the growth
and composition of a child.

Upstairs my grandchildren are sleeping,
though they complained earlier of the music
which rises like smoke up through the floorboards,
coloring the fabric of their dreams.
On the porch my husband watches the garden fade
into summer twilight, flower by flower;
it must be a little like listening to the fading

diminuendo notes of Mozart.
But here where the dining room table
has been pushed aside to make room
for this second- or third-hand upright,
my son is playing the kind of music
it took him all these years,
and sons of his own, to want to make.

I love the gentle way this poem unfolds, how it reminds me of my son and demanding he practice his clarinet, and its idea that practice accumulates and can take decades to lead to the things we want to do.

The practicing son in this poem reminds me of another poem I posted in the fall, Transubstantiation:

my six-year-old grandson, in the early
August rainy morning, piano-practices
“The Merry Widow Waltz.” Before
I was a widow, that song was
only a practice piece, a funny
opera

feb 6/SWIM

2 miles
ywca pool

Met RJP at the pool again after she was done with her classes. Added in about 1000 yards of swimming with the pull buoy. I tried reciting the poem I memorized yesterday — Linda Pastan’s “Vertical” — while I swam, but it was difficult. I couldn’t sync up the lines with my breathing rhythms. I don’t think I was ever able to recite the whole thing, only the first bit: “Perhaps the purpose of leaves is to conceal the verticality of trees which we notice in December as if for the first time: row after row of dark forms yearning upwards.”

10 Things

  1. cloudy water, at least as much, maybe more?, crud than the last time I swam: floating hairballs, some strange stain on the wall tiles in my lane
  2. when I got in the pool, there was only one other swimmer. More people came, then left. At one point, most of the lanes were filled, but it was never too crowded
  3. I could see that a storm was moving in by how the pool floor kept getting darker then lighter as the thickening clouds moved past the sun
  4. heard a click underwater several times. Decided it was caused by the swimmer next to me — her knee of elbow clicking as she did the breaststroke
  5. watching my daughter swimming freestyle underwater — looking strong and serious. Once as I passed her, I kept my head below looking over at her until she looked back
  6. doing my starting ritual of pushing off and them swimming underwater until I reached the blue line and the end of the shallow water, I held my arms out straight in front of me, almost squeezing my ears. I felt like I could have stayed underwater until I reached the wall
  7. the muscle I felt most while I was swimming today was my calf, and especially as I kicked harder during my first lap. It wasn’t sore, and it didn’t hurt, I just felt it more
  8. following behind my daughter, trying to stay slow and never pass her, I started my flip turn then stayed at the wall, suspended underwater
  9. worked on my flip turn, trying to flip with my core, and not my arms
  10. every so often, when the sun came out from behind the clouds, I saw a circle of light on the pool floor

Yesterday I posted a poem from Linda Pastan that describes a sparrow as “brief as a haiku.” That made me think of the first poem in her final collection, Almost an Elegy:

Memory of a Bird/ Linda Pastan

Paul Klee, watercolor and pencil on paper

What is left is a beak,
a wing,
a sense of feathers,

the rest lost
in a pointillist blur of tiny
rectangles.

The bird has flown,
leaving behind
an absence.

This is the very
essence
of flight—a bird

so swift
that only memory
can capture it.

All of this quick movement and the brevity of the bird in flight, also made me think of another poem by Pastan I discovered today:

The Birds/ Linda Pastan

are heading south, pulled
by a compass in the genes.
They are not fooled
by this odd November summer,
though we stand in our doorways
wearing cotton dresses.
We are watching them

as they swoop and gather—
the shadow of wings
falls over the heart.
When they rustle among
the empty branches, the trees
must think their lost leaves
have come back.

The birds are heading south,
instinct is the oldest story.
They fly over their doubles,
the mute weathervanes,
teaching all of us
with their tailfeathers
the true north.

Because of my interest in peripheral vision and what it means to see movement (as opposed to sharp, fixed details), I’m always trying to find poems that offer details and descriptions of movement. I love how much Pastan focuses on how the birds move — they swoop and gather, cast wing shadows, rustle like leaves. She doesn’t offer any descriptions of their color, size, or sound. She doesn’t even name them. I don’t miss those details. The description of their movement is enough.

I love all of this poem, but today, especially this:

They fly over their doubles,
the mute weathervanes,
teaching all of us
with their tailfeathers
the true north.

Their doubles, the mute weathervanes? Tailfeathers as teachers? So good!

feb 5/RUN

3.9 miles
river road, north/south
22 degrees / feels like 12
75% snow and ice-covered

Another good run. Not too cold, sunny. Near the beginning, I ran with my shadow. The road was slick in spots — that invisible ice that you can’t see, only feel. Greeted Mr. Morning! and a few runners. Noticed the river at the trestle. It was open in a few places just below. The open water wasn’t dark, but gray. Heard the drumming of a woodpecker, the screech of a blue jay, 2 quick caws on repeat from a crow, and countless chirp chirp chirps from some other birds. The path was slightly better, but still mostly uneven ice and snow. Maybe this week, as it climbs to the 30s, the rest of it will melt?

After I finished running, when I was walking home, I remembered that I had memorized the first sentence of Linda Pastan’s “Vertical.” I had intended to recite it in my head as I ran. I was too distracted by the path and forgot. Walking home, I whispered it into the cold air:

Perhaps the purpose
of leaves is to conceal
the verticality of trees
which we notice
in December
as if for the first time:
row after row
of dark forms
yearning upwards.

Last night I went to Moon Palace books and bought Linda Pastan’s last collection, Almost an Elegy. The rest of February will be dedicated to her and her words — reading them, memorizing them, being with them.

After the Snow/ Linda Pastan (from Insomnia)

I’m inside
a Japanese woodcut,

snow defining
every surface:

shadows
of tree limbs

like pages
of inked calligraphy,

one sparrow,
high on a branch,

brief as
a haiku.

Here
in the Maryland woods, far

from Kyoto
I enter Kyoto.

feb 4/RUN

4.3 miles
lake nokomis — one way
19 degrees / feels like 10
50% snow and ice-covered

Hooray for moving outside! Hooray for warmer air! Hooray for getting to run to Lake Nokomis! It felt good to be outside breathing in fresh air. My legs and lungs felt strong. At one point, I remember breathing in deeply through my nose, then out through my mouth and watching the frozen breath as it hovered in front of me.

layers:

  • 2 pairs black running tights
  • 1 bright yellow TC 10 mile racing shirt (2018)
  • 1 pink jacket with hood
  • 1 black winter vest
  • 1 pair of black gloves, 1 pair of pink and white striped gloves
  • 1 fleece lined cap with brim
  • a gray buff
  • 1 pair of socks

Only a few layers short of my most layered look. Maybe someday I’ll invest in an expensive running jacket and be able to wear less layers, but maybe not.

10 Things I Noticed

  1. the call, but not the drumming, of a pileated woodpecker
  2. the path on the biking side of the pedestrian bridge had packed down snow that was uneven, but not too slick. It had little flecks of light brown — sand? grit? dirt that Minneapolis Parks put down to make it less slippery?
  3. a fat tire! I could hear the crunching of their wheels as they approached from behind. After they slowly passed me, they stopped just past the locks and dam #1. Why? To rest? To figure out where they were? To take a picture?
  4. a few days ago I mentioned hearing construction noises near the falls. Heard them again today. Pounding hammers at another new apartment building going up on the other side of Dairy Queen
  5. heard a high-pitched whine near all of the apartments; it was coming from a gas vent by the roundabout
  6. minnehaha creek was mostly frozen, with a few stretches of open water
  7. heard, but didn’t see, kids’ voices — yelling, laughing — somewhere on the creek
  8. more voices down by the dock, near the shore, at lake hiawatha
  9. noticed the creek water leading into the lake was not completely iced over
  10. there were stretches where the path was an inch of solid brown ice, but most of it was a combination of bare pavement, stained with salt, patches of packed snow and smooth ice

I don’t remember noticing anything particular delightful. I devoted a lot of attention to my effort, staying relaxed, and avoiding slippery spots.

I follow the Mary Oliver Bot on twitter and they posted a line from this beautiful poem:

The Moths/ Mary Oliver

There’s a kind of white moth, I don’t know
what kind, that glimmers
by mid-May 
in the forest, just 
as the pink mocassin flowers
are rising.

If you notice anything, 
it leads you to notice
more
and more.

And anyway
I was so full of energy.
I was always running around, looking
at this and that.

If I stopped 
the pain
was unbearable.

If I stopped and thought, maybe
the world
can’t be saved, 
the pain 
was unbearable.

Finally, I noticed enough.
All around me in the forest
the white moths floated.

How long do they live, fluttering
in and out of the shadows? 

You aren’t much, I said
one day to my reflection
in a green pond, 
and grinned.

The wings of the moths catch the sunlight
and burn
so brightly.

At night, sometimes, 
they slip between the pink lobes
of the moccasin flowers and lie there until dawn, 
motionless
in those dark halls of honey.

feb 3/BIKERUN

bike: 20 minutes
run: 3.1 miles
basement
outdoor temp: 0 degrees / feels like -13

Inside today. Some Dickinson while I biked, a podcast (You are Good) while I ran — well, for most of my run. The last few minutes I listened to a playlist. Audio books and playlists make the time pass much faster when I’m on the treadmill.

I’m ready for the bitter cold to be done. Much less inspiration inside. Did I notice anything other than the single lightbulb reflecting in the dark window?

A poet that I like, Linda Pastan, died a few days ago. The first poem of hers that I read was “Vertical.” I found it just as I was starting to fall in love with poetry and the way it helped me to notice and be in wonder of a place. I spent a lot of time with that poem, even writing a response in which I used its first sentence to wander and wonder about trees. Since 2017, I’ve gathered and posted several of her poems, including:

And here’s one more I just found:

At My Desk/ Linda Pastan

To William Stafford

How many times
I have sat this way
with the poem’s intractable silence
between me and the world,
with the tree outside the window
refusing translation:
my leaves are more than syllables
it seems to say.

I think of you
miles west
floating on the tide of language
so easily, giving only
a scissor kick now and then,
coming to shore
some unexpected
but hospitable place.

Still we share between us
a certain stubbornness,
rising each morning
to the blank page,
climbing the ladder of light
at the window all day,
listening, both of us,
as hard as we can.

added Feb 14, 2023: Rereading this poem, I remembered something Pastan had said about Stafford in her Paris Review interview:

Often when I sit at my desk unable to write, “blocked” as they put it, I open a Stafford book and start to read. He makes it sound so easy, almost conversational, that I find I have to answer him, and so I start to write. My first four or five lines may have a Stafford ring to them, but then my own voice kicks in and I am on my way. I loved and admired William Stafford both as a man and as a poet. I hate to use adjectives like wise or humble but they seem to fit him as comfortably, as unpretentiously, as an old sweater.