Tag: Emily Dickinson

dec 31/BIKE

bike: 30 minutes
basement

Sometime last night, my left leg/knee started to hurt, then it snowed and left slippery sidewalks, so today I decided to be cautious and bike. Watched a replay of the Kona Ironman from 2017 while I biked. At one point, they interviewed 6 (or 5?) time Ironman winner Natasha Badmann. I remember her! She had an amazing perspective on one of the toughest parts of the course: the energy lab. She saw it as giving her energy, not taking it away — the energy of inspiration from the powerful waves off in the distance. Wow, to be that present when you’re 6 or 7 hours into a tough race is impressive. As I biked, I thought about athletes and the different ways they try to overcome the strong desire to stop, give up. I find Badmann’s approach to be a helpful lesson in letting go — not trying to control your thoughts or getting rid of your pain, but releasing them and shifting to another way of being — a way in which you’re not centered, but witnessing something beside yourself. Does that make sense?

Before biking, I had a good morning filled with ideas: 1. creating a series of short poems in which I use my favorite lines from other poets by fitting them into my running/rhythmic breathing form: 3/2 and 2. using my 3/2 form and writing poems that are one sentence long.

I also watched an amazing talk by Ed Hirsch on poetry, the poem, and the reader:

I wish there was a transcript. If there is, I can’t find it, so here are some of my highlights:

Poetry exists to inspire the reader not to inspire the writer, that the purpose of poetry is in the relationship between a poet, a poem, and a reader. And it’s in that connection between them.

Talking about his teacher at Grinnell told him:

You have the gifts to be a poet, but what you’re writing is not poetry. It’s not even close to poetry. What you’re writing down are your thoughts and your feelings but you’re not trying to craft anything, you’re not trying to make anything. You’re not writing in relationship to any other poetry. You’re not reading poetry and so you’re not really a poet right now. You are a person who writes poetry. You have to read poetry and connect your poems to what you’re reading.

He discusses reading Gerard Manley Hopkins and feeling a profound connection. It spoke deeply to him and he wanted to know/study how Hopkins could achieve this.

Holy shit, this thing’s a sonnet? You mean, he’s not just writing out his poems the way I write out mine? He’s actually making it rhyme and everything? That seems generous to me. I want to do that. I’m going to try and make something for someone in the future so that they can feel about my poem the way I feel about Gerard Manley Hopkins’ poem.

Then he talks about how Hopkins’ poem was so distanced from him by time, location, experience, yet it spoke to him more than anything else he had heard. He realized that poetry can communicate more deeply than social conversation.

Celan: a poem is a message in a bottle, not guaranteed to reach anyone; a poem is sent out to some future person

Poets are people who, not so much want to express themselves, but feel so encountered by other poems that they want to respond in kind. That’s why Emily Dickinson calls the poets she reads, “her kinsmen of the shelf.”

The reader plays an important role in the understanding of poetry. The message in the bottle only finds its life when it’s activated in you. When you become the secret addresse.

There are a few poems you read and you go, I feel almost like I’ve written the poem to which I’m actually only responding to.

poetry: the gift of privacy and participation: It gives you interiority and it also gives you connection.

Poetry as stored magic that can’t be paraphrased

Poetry exists in the relationship between the poet who wrote it, the poem which encapsulates the experience, and the reader who reads it.

His discussion here reminds me of an interview I read and posted at some point in the last few years:

We are not diminished but enlarged by grief, by our refusal to vanish, or to let others vanish, without leaving a verbal record. We need poetry to help us transform the oceanic depths of feeling into art. Poetry rises out of one solitude to meet another in recognition and connection. It companions us.

And, yes, poetry is connected to contemporary life, but it’s also always connected to other poetry. We need an archive of eloquence and response.

Interview with Edward Hirsch

oct 23/RUN

3.65 miles
turkey hollow
52 degrees

It felt good and necessary to run this morning. Yesterday I spent a lot of time on the couch reading and watching (or, more like listening to) my son play Earthbound, an old video game that Scott used to play when he was kid. Also watched a few episodes of FWA’s new (to him, but around for years) favorite anime, One Piece. I wish I could see it better with my bad eyes, because I was enjoying it. Anyway, I spent so much time sitting that my resting heart rate was at 45. I needed some exercise this morning.

added a minute later: Reading back through this entry and thinking about my need to run, I feel compelled to add that haunting this run (and also making it necessary) are what I read over coffee early this morning: horrifying headlines about the atrocities being committed against Palestinians in Gaza and the failure of the US government in not only refusing to condemn them but condoning them in their uncritical support of the Israel government. Heartbreaking.

For most of the run, I was rerouted by obstacles: city workers trimming trees — turn right, here! — trucks sweeping the streets — now left — a parks’ vehicle clearing off leaves on the path — better stay in the grass! — a few more parks’ trucks patching the path — time to cross back over to the road! — a young kid with an adult — no narrow Winchell Trail for me today. A meandering run.

I could make a list of things I noticed — shrieking squirrels, squeaking leaves, wet and sloppy mud, yellow and red and orange leaves, beeping trucks — but the thing I’d like to remember most is the circle of bright, burning light through the gap in the trees as I ran down the small hill just past the double bridge: the sun reflecting off the rough surface of the river. Wow! No color, just pure shine, burning bright through the trees.

Rust

Before I went out for a run, I began to gather words about rust and planned to think about rust as I moved. Maybe it was the distraction of all of the detours or my sore legs or the joy of being outside, but I forgot. Here are the words I gathered:

1 – from Leaves/ Lloyd Schwartz

You’ll be driving along depressed when suddenly
a cloud will move and the sun will muscle through
and ignite the hills. It may not last. Probably
won’t last. But for a moment the whole world
comes to. Wakes up. Proves it lives. It lives—
red, yellow, orange, brown, russet, ocher, vermilion,
gold. Flame and rust. Flame and rust, the permutations
of burning.

2 — from 8 august 2023

Listening to the line in Taylor Swift’s “Bad Blood”: 

Did you have to do this?
I was thinking that you could be trusted
Did you have to ruin what was shiny?
Now it’s all rusted

and thinking about shiny vs. rusted, and rust in the fall, then I noticed some rust on one of the big metal tubes all around the neighborhood that the city is using for their sewer work — Scott says these tubes get placed vertically in the ground and the workers stand in them as they do their work.

3 — from 18 april 2023

I’m very interested in rust as a color too. I last mentioned in on March 13, 2023 with Schuyler and ED’s “elemental Rust.” I’m thinking of it less as a color-as-noun (like brownish reddish orange), more as color-as-verb and in relation to erosion, decomposing, crumbling — this is where it connects with texture. Does this make any sense, even to me? Not sure, but it seems helpful to think of rust in relation to shiny. Are they in contrast to each other? Only if you imagine shiny and sparkling as new, which isn’t always the case.

4 — Crumbling is not an instant’s Act (1010)/ EMILY DICKINSON

Crumbling is not an instant’s Act
A fundamental pause
Dilapidation’s processes
Are organized Decays —

‘Tis first a Cobweb on the Soul
A Cuticle of Dust
A Borer in the Axis
An Elemental Rust —

Ruin is formal — Devil’s work
Consecutive and slow —
Fail in an instant, no man did
Slipping — is Crashe’s law —

5 — from 11 march 2023

The sky
Colors itself rosily behind gray-black and the rain falls through
The basketball hoop on a garage, streaking its backboard with further
Trails of rust, a lovely color to set with periwinkle violet-blue.

A rosy sky behind gray-black clouds? Not pure reddish-pink or pinkish-red but the hint of it behind something darker. The rust — did I see rust anywhere on my run? I don’t think so.

6 — from 8 march 2023

Before heading out for my run, I had started revising my “How to Sink” poem. Thought I might get some inspiration by the gorge. Later, as I ran, I realized that I should wait to finish this poem when it’s spring, or at least warmer, when everything is dripping and oozing and flowing down to the river. I thought of this as the sharp flurried stabbed my face. Was thinking that I should do a “How to” poem related to water through the seasons. 

Summer = How to Float

Spring = How to Sink

Winter = How to Settle? — something about snow that’s packed, layer, staying (not melting), compacting — How to be compact? or, How to Shrink?

Fall = I need to think about this one some more. What does water do in the fall? Maybe something related to decomposing — leaves falling, drying up, becoming brittle? water leaving — freezing — frost? fog? or, How to Rust?

7 — from 20 january 2023

Noticed all of the rusty orange leaves still on the trees near the tunnel of trees. 

8 — from 13 november 2022

rusty brownish red stain on the lake st bridge

9 — from Perennials/ Maggie Smith

You can hear 
the sound of wind, which isn’t
wind at all, but leaves touching. 
Wind itself can’t speak. It needs another
to chime against, knock around.
Again & again the wind finds its tongue,
but its tongue lives outside
of its rusted mouth.

9 — from 22 october 2021

As I was running through minnehaha regional park, I thought about the things that have stayed the same, the things that have changed, and what seems to still be present as living and vital, and what only remains in decay, or in the faintest traces of what it had been. I was thinking about this as I ran by the playground, which was redone five or so years ago, but still has some old equipment, like the creaky, rusty swings. Something about that reminded me of a few lines from Poe’s “The Bells,” especially the bit about the rust.

Hear the tolling of the bells—
                 Iron bells!
What a world of solemn thought their monody compels!
        In the silence of the night,
        How we shiver with affright
  At the melancholy menace of their tone!
        For every sound that floats
        From the rust within their throats
                 Is a groan.

10 — from 28 october 2021

Reading through Poe’s “The Bells” again, I’m thinking about how the bells in this verse are not clock bells, tracking the precise, steady passing of time (which reminds me of the lines about the blind, dumb clocks and no time for the martyr). These bells toll, groan, moan, roll, throb, sob, knell. The sound of the bells floats from rusty throats, is muffled, melancholy. When it is mentioned that they keep time, it is not the time of life, but of death.

sept 24/RUN

5.5 miles
marshall loop to Fry
62 degrees
humidity: 90% / dew point: 61


Cool, sticky, thick air. Lots of sweating. For our weekly Marshall loop. Scott and I ran several more blocks (past Cretin, Cleveland, Prior, and Fairview) to Fry, then over to Summit and back down to the river. We heard the bells at St. Thomas chiming 2 or 3 different times — or more? Scott talked about the Peter Gabriel tour video he watched last night. What did I talk about? I can’t remember. Oh — at one point, I pointed out the light passing through a tree above Shadow Falls, making it glow. The beauty of September light! I also talked about Glück’s line about the light being over-rehearsed and how the bushes and flowers and trees looked worn, past their prime, over-rehearsed.

10 Things

  1. a line of dead leaves floating on the surface of the river, almost under the lake street bridge
  2. slippery, squeaky leaves covering the sidewalks
  3. between fairview and fry the sidewalk narrowed — Scott guessed that it might be as narrow as 4 ft (it’s supposed to be 6, but is often 5)
  4. drops of water falling off some leaves, illuminated by the sun
  5. ORANGE! several bright orange and burnt orange trees
  6. lions, pineapples, bare-chested women with wings — lawn ornament on Summit
  7. waffles, falafel, “mixed” popcorn, Thai, ice cream — restaurants/stores passed on the run
  8. overheard: it’s hard to tell how well the Vikings will do — a biker to 2 other bikers
  9. looking across from the east side to the west bank of the river, thinking I was seeing some sort of color — not BRIGHT color, but the idea of it: red instead of RED! Asked Scott and he said, Wow, that’s some RED! [how color works for me]
  10. 3 roller skiers on the bridge — no clicking and clacking because there wasn’t room for them to swing their poles

One of my favorite local poetry people (and one of my former teachers) posted this mushroom poem by Emily Dickinson. A nice contrast to another one of my favorite mushroom poems by Sylvia Plath:

The Mushroom is the Elf of Plants — (1350)/ Emily Dickinson

The Mushroom is the Elf of Plants –
At Evening, it is not
At Morning, in a Truffled Hut
It stop opon a Spot

As if it tarried always
And yet it’s whole Career
Is shorter than a Snake’s Delay –
And fleeter than a Tare –

’Tis Vegetation’s Juggler –
The Germ of Alibi –
Doth like a Bubble antedate
And like a Bubble, hie –

I feel as if the Grass was pleased
To have it intermit –
This surreptitious Scion
Of Summer’s circumspect.

Had Nature any supple Face
Or could she one contemn –
Had Nature an Apostate –
That Mushroom – it is Him!

Tarry is to delay or be tardy.
The tare is the weight of a container when it’s empty.
A scion is a young shoot or twig of a plant, especially one cut for grafting or rooting OR a descendent of a notable family.

Favorite lines today:

The Mushroom is the Elf of Plants –
At Evening, it is not
At Morning, in a Truffled Hut
It stop opon a Spot

As if it tarried always
And yet it’s whole Career
Is shorter than a Snake’s Delay –
And fleeter than a Tare –

So good!

sept 14/SWIM!

1.5 loops
lake nokomis main beach
79 degrees
windy choppy

So glad I wore my wetsuit! Also glad that I’m an excellent swimmer who doesn’t panic easily. That was a tough swim. And that was some rough water. Normally in an open swim, even one where I’ve picked up the pace or am swimming for more than an hour, my heart rate stays between 120 and 130. In today’s swim, my heart rate was 158. Wow.

10 Things

  1. seagulls, part 1: more than a dozen, floating in the water
  2. seagulls, part 2: flying furiously, stirred up by a little kid chasing them from shore
  3. before my swim: an almost empty beach, the sand had been tamped down by a park vehicle’s wheels
  4. after my swim: 3 sunbathers and one guy in jammers (men’s swim shorts that look like bike shorts) about to swim
  5. whitecaps
  6. swam over a few ghost vines reaching up from the bottom
  7. the giant swans are still in the water, tethered together by a dock
  8. only one sailboat with a white sail out in the water
  9. cloudy, murky water, impossible to even see my hand in front of me below the surface
  10. before the swim: a motorcycle pulling into the parking lot, blasting “Love Shack” — you’re what? tin roof … rusted

an unexpected ramble about libraries and unfamiliar places and my vision struggles

Picked up my first physical (non ebook) at the library yesterday. Last time I’ve been inside the library was sometime in early 2020, before the pandemic, and before the library suffered heavy fire damage during the George Floyd uprising, when white supremacists tried to burn it down.

There are lots of reasons I haven’t made it back to the library since then — I mostly read ebooks which you check out online because the light from the screen is always bright enough for me, while I often have to read physical books outside in direct sun to see the words. During and after the pandemic, I’ve been less willing to go into public spaces. I can’t drive anymore and the library is too close for a bus, but too far for an easy/quick walk.

Maybe the biggest reason: I’ve been scared. Walking into a building, I can’t read the signs that tell me where to go or notify me of something, like a new policy. What if I can’t find where to go? What if they’ve changed how to pick up holds, where to check them out? Of course, I could ask and I have been willing to do so, but it’s hard. Even if I ask, first I have to endure that moment of unknowing and confusion, when I enter a building and can’t see people’s faces, read signs, orient myself quickly.* This is Emily Dickinson’s moment in “We Grow Accustomed to the Dark” — A Moment — We uncertain step/For newness of the night –. Also, even though I’ve been working on it, it’s still hard to ask for help — to take the time, to bother someone, to not know how to do something. I’m hoping asking will get easier and I’ll care less and less about having to do it. For now, I have a different solution: Scott (or my kids or a friend) can come with me to a new place the first time, to help with any confusion I might have. Once I know how it works, I can come back on my own.

* To add to this: it’s not just that I’m uncertain, confused. Sometimes, my brain makes very bad guesses — often the exact opposite of what is actually there — and I overconfidently act on them. The more wrong I am, the more likely I am to boldly act. This is embarrassing — I look stupid or sound crazy/ridiculous, but it is also dangerous. Scott has witnessed this enough times to verify my assessment. I believe this is related to my failing vision, but I don’t know how. So strange and frustrating because I don’t seem to have any control over it, and I like to have control.

Gary Snyder’s Riprap

The book I had requested and picked up is one I’ve wanted to read for several years now: Gary Snyder’s Riprap and Cold Mountain Poems. I read/skimmed through it yesterday afternoon, and there are several poems that I’d like to read closely and study. I think they might help me with my series of Haunts poems. I like his sparse, matter-of-fact approach. I also like his love for walking/hiking. I think that I’ll devote the second half of September to his work! I just requested a few more books from the library.

Here’s a poem I’d like to start with:

Above Pate Valley/ Gary Snyder

We finished clearing the last
Section of trail by noon,
High on the ridge-side
Two thousand feet above the creek
Reached the pass, went on
Beyond the white pine groves,
Granite shoulders, to a small
Green meadow watered by the snow,
Edged with Aspen—sun
Straight high and blazing
But the air was cool.
Ate a cold fried trout in the
Trembling shadows. I spied
A glitter, and found a flake
black volcanic glass—obsidian—
By a flower. Hands and knees
Pushing the Bear grass, thousands
Of arrowhead leavings over a
Hundred yards. Not one good
Head, just razor flakes
On a hill snowed all but summer deer,
They came to camp. On their
Own trails. I followed my own
Trail here. Picked up the cold-drill,
Pick, singlejack, and sack
Of dynamite
Ten thousand years.

I want to spend more time with this. After the 3rd or 4th reading: love the line breaks and how they keep it moving. Also how some of the lines have new meaning when read alone:

Edged with Aspen–sun
Hundred yards. Not one good

august 24/RUNSWIM

run: 5K
2 trails
72 degrees
dew point: 68

Cooler this morning than yesterday, but that dew point. Ugh! It felt good to run again after taking a short break. My last run was this past Saturday. I started at 7:30. I Listened to the gorge for 2 miles of the run, the put in headphones and started with Swift’s 1989, ended with The Wiz.

Another white-sky morning. I suppose the lack of sun made it feel a little coole, but it also made it feel gloomier.

Quiet. The river road was crowded with cars, their wheels whispering.

I ran on the dirt path between edmund and the river road. Heard some runners chatting across the road. After a few minutes, their voices drifted away behind me.

I don’t remember hearing any birds or acorns dropping, but I do remember the trickling of water through the sewer pipe near 42nd and the buzzy roar of a parks’ riding lawn mower above me as I ran below on the Winchell Trail.

I briefly glanced down at the river and thought: steamy, stagnant.

Haze in the air, hovering. Thoughts about my dying father-in-law hovering too. We went to visit him yesterday afternoon and he was asleep in a hospital bed in his bedroom. Quiet, dark, the only sounds the steady pulse of his oxygen and CPAP machines and Scott gently trying to wake him — Dad Dad Dad Dad. He had slept all day. This is it; we’ve entered the final stage. Another tender September is nearing.

Earlier this morning as I finished my coffee, I refreshed my memory on a poem I memorized a few years ago: Push the button, hear the sound by Helen Mort:

Listen to the lorikeet’s whistling song.
Can you hear the call of the mynah bird?
Can you hear the flamingos in the water?
Can you hear your small heart next to mine
and the house breathing as it holds us?
Can you hear the chainsaw start, the bones
our neighbor’s eucalyptus breaking?
It’s summer, high, emptied. Listen to the ground,
giddy with thirst. Listen to the dog shit
on the lawns, the murderous waterboatmen
skimming the green pond. Can you hear
the roses rioting on the trellis? Can you
make a noise like a cheeky monkey? There are
sounds your book lacks names for.

I recited it in my head a few times as I ran, recited it to my phone after I was done. I love how Mort moves back and forth from the command, Listen, to the question, Can you hear? In 2020, I made a list of her “listens” and “can you hears?” and then came up with some of my own: August 9, 2020

And finally, the Turkeys. I almost forget them — how I could forget the turkeys? Running the narrow dirt path between Minnehaha Academy and Becketwood (the gauntlet), I had to veer wide to avoid 3 turkeys chilling out in the grass. As I approached, the closest one trotted away, its wings flapping.

seen and read

Day two of the view of my window — not the view from, but the view of. Decided to go outside and inspect the spider web from the yard, looking through the window from the outside in. The web is still there and this spider looks even bigger up close. Wow, this spider! So big, especially the abdomen. Could she be pregnant? If I keep watching every day, will I be able to see her egg sac explode? How does that work? (Here’s a picture Scott took of the spider and posted on Instagram.)

Late morning, sitting on the HOT (feels like 99 degrees) deck, reading A Good House for Children, an excellent gothic novel featuring two of my favorites: a creepy house and the Dorset coast! One of the moms, Orla, has just taken a few polaroid pictures of her young, mute son:

Orla stood along by the window and watched the Polaroids develop in their enigmatic way, the images appearing as if through a clearing mist. Digital may have been sharper, but she generally preferred the texture of Polaroid, how it make everything look both blurred and hyper-real.

About this description, I wrote in my plague notebook (almost done with vol. 16!): digital photos, sharp images — illusion, saccadic masking, no movement, frozen.
Polaroids, the feel of things, a vague sense of movement everywhere, the illusion of vision made visible.

for my fall class

I’m teaching another addition of my “Finding Wonder in the World and the Words While Outside and in Motion” this fall and I might use this poem and Shira Erlichman’s introduction of it for thinking about the value of, and the problems with, naming:

I’ve recently fallen in love. She is fifty-five feet tall and her body is a hive of leaves where little birds zip and hide. She’s a tree. Whenever I round the particular corner toward her emerald and chirping body, I can’t help but give Esperanza a little wave. I didn’t realize I’d named her until, one day while walking our dog, I mentioned to Angel, “Oh look, Esperanza!” Her head up in the sky, she is way too cool to notice me. I admit, when passing her staggering height and chattering trunk, her ivy coat permeating that endless confidence, I get giddy. Like I’ve spotted a celebrity.

Then there’s Bernadette, another celebrity of my block. The little Dachshund-Terrier mix belongs to an older gentleman who dons coke-bottle glasses. When I see her golden-brown body wiggling down the block I actually shout, like paparazzi, “Bernadette! Bernadette––over here!” Her kind owner is used to this by now. Bernadette throws me the look of a seasoned starlet on the red carpet, then flops onto the ground and offers up her belly.

There are more neighborhood stars that catch me swooning. On one Wednesday night per month, my closed windows can’t keep out the raucous karaoke flowing from a nearby bar. At the first hint of a wild note, my heart’s flashbulb pings. “Zo-om-bie, Zo-om-bie,” spills into my living room, poorly, enthusiastically. An auditorium of cheers and laughs trails behind. “You guys,” I mutter to the disembodied voices of strangers entering my living room, “You’re crushing it.” Someone with an extra heap of chutzpah careens screechingly through Lady Gaga’s ‘Bad Romance’ and my heart flutters.

What makes someone famous? The dictionary says it’s the “state of being known or talked about by many people.” But Esperanza, Bernadette, and a boisterous Wednesday night karaoke choir all feel like celebrity sightings. Did I mention the daffodils? When they all of a sudden poked their heads out this spring I could hear my neighbors gossiping, “Did you see them? Did you see?” It’s not fame that made them famous. Today’s poet resituates our cultural obsession with stardom and flips on its head who gets to be fanatically revered.

Episode 947 of The Slowdown Show

Famous / Naomi Shihab Nye

The river is famous to the fish.

The loud voice is famous to silence,
which knew it would inherit the earth
before anybody said so.

The cat sleeping on the fence is famous to the birds
watching him from the birdhouse.

The tear is famous, briefly, to the cheek.

The idea you carry close to your bosom
is famous to your bosom.

The boot is famous to the earth,
more famous than the dress shoe,
which is famous only to floors.

The bent photograph is famous to the one who carries it
and not at all famous to the one who is pictured.

I want to be famous to shuffling men
who smile while crossing streets,
sticky children in grocery lines,
famous as the one who smiled back.

I want to be famous in the way a pulley is famous,
or a buttonhole, not because it did anything spectacular,
but because it never forgot what it could do.

Maybe think about this poem in relation to my poem, “The Regulars,” and Emily Dickinson’s “Nobody”?

swim: 4 loops
lake nokomis open swim
86 degrees

The last open swim of the season. Not enough lifeguards for a full course, so it was another there and back with 2 orange buoys and one green. Swimming the course, I realized 3 things: I can see the green buoys much better than the orange ones; I am much less likely to encounter off-course swimmers almost swimming into me when the course is a wide loop, than when it’s a there and back (several near misses last night); and because of the shortened course, I’ve missed out experiencing my favorite stretch one more time. It’s the stretch between the final green buoy at one end of the big beach and the first orange buoy past the other end. There’s something strange and dreamy about this wide stretch: it seems longer than other stretches; it’s the one stretch where I am usually able to see the orange buoy looming ahead of me; often, when the water’s choppy, the waves are behind me here, pushing me along, almost as if I were on a people mover; and it’s comes at the end of the loop, so I’m in a state of relief (another loop done!) and recovery (preparing for the next loop or slowing down for the shore).

I would love to craft a poem that might capture a little of the strange dreaminess of these moments — probably around 10 minutes?: vast, wide, open — not endless because I can see the orange buoy end, serene. This moment comes right after the intensity of rounding the final green buoy: the traffic jam of swimmers, the way the current pushes me forward, the changing of views from shore to water, water, everywhere. Yes! Maybe I’ll try.

august 21/BIKESWIMBIKE

bike: 8.5 miles
lake nokomis and back
degrees: 71/75

Gloomy this morning, not gray but white. White skies are the worst. Gray, blue, even green skies are interesting, but white skies are flat and empty and no fun. They’re strange, but in a way that feels oppressive instead of mysterious. One good thing about this overly white light: unlike gray skies, the white doesn’t make it a lot harder to see and make sense of things.

A good bike ride. Didn’t need to pass anyone. No asshole bikers yelled at me. I’ve memorized all the cracks and curves on the path, so I knew where I was going.

The bike ride to Nokomis is only 20 minutes, but it feels longer because you bike through so many different areas — the tight, winding river road, the edge of the crowded and hectic minnehaha park, beside minnehaha parkway then near minnehaha creek, past lake hiawatha and up a big hill, over minnehaha parkway, around a stretch of lake nokomis. As I biked, I tried to remember how grateful I am to still be able to bike — to have this independence — and tried to forget all the places I had to bike through before I reached the beach.

swim: 2 loops (9 little loops)
lake nokomis main beach
71 degrees

Because it’s the last week of open swim and because of sore IT bands, I’m doing more swimming and less running this week. Today’s swim was wonderful. Even though it was windy, the water wasn’t too choppy. No other swimmers or ducks or geese, one seagull, 2 or 3 kids, a boat. Every so often the arm that was that pulling through the water would touch a vine reaching up from the bottom of the lake. I had a brief flash of imagining the vine was evil and wanted to wrap itself around my wrist to drag me under. I didn’t feel freaked out by this thought, just curious.

10 Things

  1. watching my air bubbles underwater — We calmly trailed over them/and under them, shedding/air bubbles, little white/ balloons
  2. pinkish orangish buoys, faded from years of use, bobbing in the water — lining up my path to swim-while-barely-seeing through the small gap between them
  3. looking at the white buoy under water — its lower end covered in greenish brownish muck, the rope tethering it to the bottom of the lake barely there in the cloudy water
  4. one seagull standing in the sand at the edge of the water
  5. hearing only a steady slosh as I swam, then stopping to hear the almost of the world above the water
  6. that quiet being occasionally disrupted by a kid’s voice
  7. buzzzz — someone’s constructing/reparing? something at painted turtle, I think. Are they building the structure they need to be able to serve beer?!
  8. the water is shallow almost all the way to the edge of the swimming area
  9. my yellow backpack, sitting alone, propped against the lifeguard stand
  10. opaque water out by the white buoys, clear water near the shore

Came across this poem by Robert Frost this morning. I’d like to put it beside May Swenson’s bird deep in the woods in “October” and Emily Dickinson’s purple woods in “A lane of yellow led the eye” and darkness in “A murmur in the trees to note”:

Come In/ Robert Frost

As I came to the edge of the woods, 
Thrush music — hark! 
Now if it was dusk outside, 
Inside it was dark. 

Too dark in the woods for a bird 
By sleight of wing 
To better its perch for the night, 
Though it still could sing. 

The last of the light of the sun 
That had died in the west 
Still lived for one song more 
In a thrush’s breast. 

Far in the pillared dark 
Thrush music went — 
Almost like a call to come in 
To the dark and lament. 

But no, I was out for stars; 
I would not come in. 
I meant not even if asked; 
And I hadn’t been. 

a few more things I forgot (added hours later)

First, I forgot to mention how I recited 2 poems in my head as I swam loops 5-7. During lap 5, I recited “I measure every grief I meet.” It was a little awkward trying to match the rhythms of Dickinson’s words with my breathing every 5 strokes. In loops 6 and 7, I recited, “The Social Life of Water.” I get hung up a little on the line, Thunder throws itself on estuary. At first I forgot it altogether, jumping straight to Waterspout laughs at joke of frog pond. Then I couldn’t remember what thunder did to the estuary. Finally I got it sorted out and made it to the end — not able even to guess what you are excluded — by the end of loop 7.

Second, on Sunday I decided I was too tired and sore to swim. Instead, Scott and I took Delia on a walk. We let her off her leash in the field at Howe School and as she ran I noticed wings all around. Monarchs? No, Scott said, dragonflies. A dozen dragonflies! I’ve never seen so many at once. Whenever I see a dragonfly, I think of my mom, who loved them. What a gift to be reminded of her so much! And how cool to see so many wings zooming about!


july 26/RUNSWIM

3.3 miles
trestle turn around
71 degrees
humidity: 94% / dew point: 67

Hot and steamy today. Went out for my run right after the rain ended. Everything wet, dripping, swampy. Headed north through the tunnel of trees. Noticed a tall, precarious stack of small stones on the ancient boulder. Was passed by a shirtless runner with a bright yellow baseball cap on backwards. For the next five minutes of my run, I watched as his bright yellow head slowly bobbed out of sight. Encountered another biking camp group — 20 or 30 kids in yellow vest on the bike path. Not sure how they were doing it, but they managed to get several cars to honk for them. Turned around at the stairs just past the railroad trestle.

For most of the run it was overcast, but at the very end, as I ran back through the neighborhood, some sun emerged and my shadow joined me. Hello friend!

Listened to 1 biker talking to another — most of it was just out of range, but I heard, I always slow way down there and look carefully, otherwise I keep going, the biking kids, and cars. After turning around, put in headphones. Started with Billie Eilish’s latest song for the Barbie movie, “What Was I Made For,” then was inspired to put on The Wiz and the Tinman’s song, “What Would I Do If I Could Feel?”

I started thinking about my desire to use my runs to help open me up to the world — to feel things deeply and generously. And now, as I write this, I’m thinking about Emily Dickinson’s poem about grief and the formal feeling that comes after it, “After great pain, a formal feeling comes,” which I first posted about on this blog in march of 2021.

10 Wet Things

  1. sidewalk puddles
  2. half my street for a short stretch
  3. the leaves on the sprawling oak tree near the ancient boulder
  4. the edges of the trail
  5. one branch leaning over the trail, brushing my face
  6. my face — from sweaty effort, running through rain-soaked branches, under dripping bridges
  7. the air — hazy, steamy, fog hovering just above the trail
  8. the tip of my pony tail
  9. wheels — bike, car, stroller
  10. mud on the dirt trail, mostly where the ruts are the deepest

This was the daily poem on poems.com. A great winter poem to revisit in January. I love Major Jackson’s poetry.

lxxxi. / Major Jackson

Pine shadows on snow like a Jasper canvas,
if only my pen equaled the downy’s stabbing beak
this January morning, her frantic
chipping, more resolve than frenzy, to make a feast
of beetle larvae, if only my wood-boring eyes
could interrogate the known like pillars of sunlight
through fast-moving clouds scanning the side
of Corporation Mountain where on a distant ridge
white plumes dissolve like theories. I cannot hear
through winter’s quiet what’s worth saying.
Saplings stand nude as Spartans awaiting orders.
The entire forest is iced-up and glistening.
Sealed in its form, the austere world I’ve come
to love beckons, earth runnels soon resurrected
into a delirium of streams and wild fields. Till then,
branches like black lines crisscrossing the sub-Arctic.

swim: 3 loops (6 cedar loops)
cedar lake open swim
92 degrees

A warm night with very little breeze. Not good for cooling Scott off on the shore, but good for me and swimming in calm water. For the first few loops it felt a little harder to breathe — was it the heat? Felt a little sore during this swim — just under my right shoulder.

The coolest thing about my swim: just heading out from shore, swimming over some vegetation, dozens of small fish (much bigger than minnows) swam right below me, almost as if I was acting out Anne Sexton’s poem, The Nude Swim, real — All of the fish in us had escaped for a minute. Were these all of my fish, escaping into the water? Or, were these Sexton’s real fish that don’t mind my fish having escaped? Either way, a super cool image! As I think about it some more, I like imaging these fish as escaping from me — swim free little Sara fish!

added the next morning: Just remembered something else about the swim. Mostly the water was warm, which felt nice when I first entered the water, but as I rounded the far buoy, the one at Hidden Beach, I swam through a few pockets of very cold water, which felt nice after swimming in such hot air.

june 25/RUN

3.7 miles
marshall loop
70 degrees / dew point: 61

It started raining off and on around 8:30. I don’t mind swimming in the rain, but I wasn’t sure the lifeguards would go out on the lake in this weather. So no open swim. Instead I ran in the early afternoon. Sticky, but not too hot. No sun. Not too many people. Saw some rowers on the river. The surface of the water was a strange texture, roughened by the wind.

memorable moment

Nearing the 3 way intersection at the river road and 36th: a swarm of vespas — 15? One after the other. Not all of them were bright yellow, but at least one was. Wow.

wordle challenge

5 tries: bench / prose / lower / gored / rodeo

In her dream there’s always a bench.
Often the benches I run by have small plaques on them, dedicated to some lost loved one. I hope my family does this for me.

They shut me up in Prose/ Emily Dickinson

They shut me up in Prose –
As when a little Girl
They put me in the Closet –
Because they liked me “still” –

Still! Could themself have peeped –
And seen my Brain – go round –
They might as wise have lodged a Bird
For Treason – in the Pound –

Himself has but to will
And easy as a Star
Look down opon Captivity –
And laugh – No more have I –

lowercase

maggie and millie and molly and may / e.e. cummings

maggie and milly and molly and may
went down to the beach(to play one day)

and maggie discovered a shell that sang
so sweetly she couldn’t remember her troubles,and

milly befriended a stranded star
whose rays five languid fingers were;

and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and

may came home with a smooth round stone
as small as a world and as large as alone.

For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea

A few days ago, I read the book in The Odyssey titled, “Bloodshed.” Very gory. So many spears and arrows and swords and bloody, gored bodies.

I had probably heard the phrase before, but my first memory of this isn’t your first rodeo is from my physical therapist describing how my kneecap has probably slid out of its groove many times before without me fully realizing it.