may 28/RUN

2.5 miles
1.5 miles loop + extra
68 degrees
humidity: 45%

Last night was heartbreaking and scary. Peaceful protests, escalated by the police, turned violent. Building looted, burned. I live about a mile and a half away and could hear the sirens and smell the smoke all night. Will it happen again tonight? Such justified anger and rage over decades of racist policies and practices.

Wasn’t sure if I would run this morning but decided it might help me feel slightly less panicked and upset. Listened to my playlist and ran a few stretches much faster than usual. Running helped. Didn’t think about the poem I recently memorized–Threshold/Maggie Smith. Didn’t hear any birds or see any roller skiers. I did see the river briefly through the trees.

A few hours after I was done, sitting on the couch, almost drifting off for a nap, I thought about the lines in Smith’s poem: “Imagine yourself passing from and into. Passing through doorway after doorway after doorway.” The first few times I read these lines I wasn’t sure I liked the idea of passing through more than one doorway/threshold. But I’m warming to it. I kept thinking about the different doorways I pass through–and what I exit (from) and enter (into)–as I make my way to the river. The door to my house, the end of my block, the boulevard and parkway before the trails, the warming up of my body, the loosening of my mind. Not sure if that makes sense, but I’d like to think about it some more.

As I’m writing this, I’m also thinking about Smith’s desire not to be on both sides of the door at once, but to pass through doorway after doorway after doorway, to keep moving, which is the name of her new book.

This poem. Wow.

What Kind of Times Are These/ ADRIENNE RICH

There’s a place between two stands of trees where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.

I’ve walked there picking mushrooms at the edge of dread, but don’t be fooled
this isn’t a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear.

I won’t tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light—
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.

And I won’t tell you where it is, so why do I tell you
anything? Because you still listen, because in times like these
to have you listen at all, it’s necessary
to talk about trees.

I knew I recognized this poem. I encountered it a few months ago in this poem: November 30, 2016. And I watched Adrienne Rich read it here.

may 22/RUN

3 miles
2.5 mile loop + extra
61 degrees

Green gloom with white sky today. Please come back Sun. I like that it’s warmer outside, but I wish it wasn’t so cloudy. I want to see my shadow and the light green glow by the gorge. Decided, for the first time in a long time–a month, at least?–I ran with headphones. It helped a little to listen to AC/DC, Lizzo, Beck, Prince. For a few minutes, I felt like I was flying. Didn’t think about the poem I’m reciting this week. Did I think about anything–other than, how fast am I running, or why does this seem so hard, or I am a badass running up this hill?

Yesterday afternoon I decided to test how well I could still recite all the poems I’ve memorized. Not too bad. The hardest one was the last few lines of Lovesong for the Square Root of Negative One by Richard Siken. Maybe when I’m running loops this summer I could recite different poems on different loops? A fun challenge, maybe?

Wow, this poem! I want to spend more time with it, learning all the lines about listening. So good.

Push the button, hear the sound/ HELEN MORT

Listen to the lorikeet’s whistling song.
Can you hear the call of the mynah bird?
Can you hear the flamingos in the water?
Can you hear your small heart next to mine
and the house breathing as it holds us?
Can you hear the chainsaw start, the bones
of our neighbor’s eucalyptus breaking?
It’s summer, high, emptied. Listen to the ground,
giddy with thirst. Listen to the dog shit
on the lawns, the murderous water boatmen
skimming the green pond. Can you hear
the roses rioting on the trellis? Can you
make a noise like a cheeky monkey? There are
sounds your book lacks names for. Can you
hear the sleepless girls in Attercliffe?
Can you hear the aspirin of the sun dissolving?
Listen to the casual racists in the family pub.
Listen to the house Shiraz I drink as if
it’s something’s blood. Listen to my fear,
blooming in the vase of my chest,
and listen to how I water it. Can you hear
your grandfather’s lost childhood? Can you hear
the suburban library shutting? The door closing?
The books still breathing? O can you hear
the budget tightening? It’s almost dark.
Listen to the noisy penguins on the ice.
Listen to my late-night online purchases.
Orange lipstick. High-waisted bikini briefs.
Types of plant that will never die. Listen
to your half-sister hissing to her friends at 2 a.m.
You hang up. No, you hang up. Listen
to the panic in their emojis. Can you hear
your father lighting his first cigarette?
Can you hear the foxes mating all the way
to oblivion? Their sounds are inhuman,
too human, scaling the high fences,
pressing our windowpanes. Listen
to the utter indifference of the stars.
The night is full of holes and we
grate our bodies against them.
Can you hear that, Alfie? Can you hear me
holding you, closer than my life?
Listen to “The Trout” by Schubert.
Listen to the blackbird’s chirpy song.
Listen to this waltz by Paganini.
Listen to the stage as we walk clean
off the front of it, into the audience,
the pit, the silent orchestra.

I love how she trades off between lines with the question, Can you hear, and the command, Listen. I love the line, “there are sounds your book lacks names for” and roses rioting and indifferent stars, the thirsty ground, the panic in their emojis.

april 8/RUN

3.25 miles
river road path, south/river road, path, north/edmund, south
50 degrees
Deaths from COVID-19: 39 (MN)/ 12, 912 (US)

Yesterday in the late afternoon it was almost 70 degrees! Today, at 8:45 am, 50! Wow. It’s warming up. Having windows open, hearing more birds, feeling the sun on bare arms. It all helps me to endure this terrible pandemic. Ran on the river road path heading towards the falls. Not too many people. Ran back on the part of the road that has been temporarily turned into a pedestrian path. More people out today, but still not bad. 6+ feet of distance the whole way! I liked running above the river although I can’t remember what I saw or heard below. Too busy listening to a playlist, I guess. Ran my second mile faster then took a quick walk break before running by the ravine and the welcoming oaks. Saw a few runners, walkers, dogs, bikers. No roller skiers. No Dave, the Daily Walker. No shadows–mine, or planes, or big birds. Usually, there is a constant buzz or hum or rumble of a plane somewhere overhead. How many planes are flying out of Minneapolis right now? (Looked it up: about 100 flights listed for the day, 47 of them cancelled. Not sure how that compares to a “normal” day. Still seems like too many flights to me. )

Update on planes: Sitting at my desk with the window open, writing this, I am hearing a plane roaring above me. It’s the first one I’ve noticed in a while.


I like the idea of this poem–reflecting on what you didn’t know you loved until finally you did. I like how it’s a list–a long list. I’m thinking that this poem could be an inspiration for a poem about what I didn’t see. Maybe what I’m not seeing during this pandemic? Things I don’t realize I’m missing until suddenly I do? Perhaps this is a variation on a writing prompt I created: #61 Run beside the gorge. Afterwards, think about your run in terms of what wasn’t there, but usually is. Make a list of what you missed. Write a poem that creates something out of that lack.

Things I Didn’t Know I Loved/ Nazim Hikmet – 1902-1963

it’s 1962 March 28th
I’m sitting by the window on the Prague-Berlin train 
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain 
I don’t like
comparing nightfall to a tired bird

I didn’t know I loved the earth
can someone who hasn’t worked the earth love it 
I’ve never worked the earth
it must be my only Platonic love

and here I’ve loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can’t wash in the same river even once
I know the river will bring new lights you’ll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
                         and will trouble those after me
I know all this has been said a thousand times before 
                         and will be said after me

I didn’t know I loved the sky 
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish 
I hear voices
not from the blue vault but from the yard 
the guards are beating someone again
I didn’t know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest 
beeches are Russian the way poplars are Turkish 
“the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
                         lover like a young tree. . .
I blow stately mansions sky-high”
in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief 
                                        to a pine bough for luck

I never knew I loved roads 
even the asphalt kind
Vera’s behind the wheel we’re driving from Moscow to the Crimea 
                                                          Koktebele
                               formerly “Goktepé ili” in Turkish 
the two of us inside a closed box
the world flows past on both sides distant and mute 
I was never so close to anyone in my life
bandits stopped me on the red road between Bolu and Geredé
                                        when I was eighteen
apart from my life I didn’t have anything in the wagon they could take 
and at eighteen our lives are what we value least
I’ve written this somewhere before
wading through a dark muddy street I’m going to the shadow play 
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
                                       going to the shadow play
Ramazan night in Istanbul holding his grandfather’s hand 
   his grandfather has on a fez and is wearing the fur coat
      with a sable collar over his robe
   and there’s a lantern in the servant’s hand
   and I can’t contain myself for joy
flowers come to mind for some reason 
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika 
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky 
I didn’t know I loved flowers
friends sent me three red carnations in prison

I just remembered the stars 
I love them too
whether I’m floored watching them from below 
or whether I’m flying at their side

I have some questions for the cosmonauts 
were the stars much bigger
did they look like huge jewels on black velvet
                             or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don’t 
   be upset comrades but nonfigurative shall we say or abstract 
   well some of them looked just like such paintings which is to 
   say they were terribly figurative and concrete
my heart was in my mouth looking at them 
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad 
I never knew I loved the cosmos

snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind 
I didn’t know I liked snow

I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors 
but you aren’t about to paint it that way
I didn’t know I loved the sea
                             except the Sea of Azov
or how much

I didn’t know I loved clouds
whether I’m under or up above them
whether they look like giants or shaggy white beasts

moonlight the falsest the most languid the most petit-bourgeois 
strikes me
I like it

I didn’t know I liked rain
whether it falls like a fine net or splatters against the glass my 
   heart leaves me tangled up in a net or trapped inside a drop 
   and takes off for uncharted countries I didn’t know I loved 
   rain but why did I suddenly discover all these passions sitting 
   by the window on the Prague-Berlin train
is it because I lit my sixth cigarette 
one alone could kill me
is it because I’m half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue

the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn’t know I loved sparks
I didn’t know I loved so many things and I had to wait until sixty 
   to find it out sitting by the window on the Prague-Berlin train 
   watching the world disappear as if on a journey of no return

                                                     19 April 1962
                                                     Moscow

march 30/RUN

4.1 miles
river road, north/edmund bvld, south
39 degrees
Deaths from COVID-19: 10 (MN)/ 2,509 (US)

As expected, COVID-19 is getting much worse. Deaths in Minnesota almost doubled in one day. I just read an article about a choir rehearsal in Washington state in which 45 out of the 60 attending members were infected. Experts think it was spread through the air. Should I stop running by the gorge? Almost all of the time I’m able to keep a safe 6 feet+ distance, but not absolutely always. Today, for example, while running through the tunnel of trees I was only 3 or 4 feet away from some walkers. I almost twisted my ankle trying to stay as far away from them as possible. Maybe I should just run on the road through the neighborhood? As much as I usually love running beside the gorge, it has been more stressful than joyful lately.

Run with/without headphones, an experiment

Today, I’m trying a variation on this experiment:

Run on the two trails loop beside the gorge. Listen to music as you run south, up above near the road. Take out your headphones and listen to the gorge as you run north, down below on the Winchell trail. Think about how you experience running and breathing and paying attention differently when you listen to a playlist versus when you have no headphones in. Write about it.

It’s a variation because I didn’t run on the 2 trails. I ran north on the river road without headphones, and south on it and Edmund Boulevard with headphones.

without headphones

Sunny, bright, low wind. Looked down and admired the floodplain forest. So brown and airy. Felt like I was floating above it. Heard some birds–just a general sense of birds, can’t remember any specific ones. Don’t remember seeing too many cars on the road. A walker with his dog called out and asked how my run was going. I said, “Good. It’s a great day for a run!” Noticed a few patches of snow below me, near the Minneapolis Rowing Club. Noticed the Winchell Trail between the trestle and my turn around spot 1/2 mile later. Looking more clear and less muddy. Any other sounds? Some people talking. Can’t remember any other sounds. Counted to 4 a few times then tried chanting triple berries (strawberry/blueberry/raspberry–strawberry/blueberry/blackberry). Felt mostly relaxed and happy to be running but also on edge as I constantly thought about making sure I had enough distance from other people.

With Headphones, Listening to Playlist

More relaxed and happy to be listening to music: I’m So Free/Beck; Black Wizard Wave/Nur-d; Juice/Lizzo; Let’s Go Crazy/Prince. Had a big smile on my face and felt free and fast for a few minutes. Not worrying about viruses or annoying people who refused to move over or what would happen if I suddenly had a lot more trouble breathing. Often when I run without headphones, I feel more connected to the trail and my body. When I listen to music, I feel more like I’m floating, like I don’t have a body, like I’m not quite on the trail.

I really like listening to Beck’s “I’m So Free”. Thought I’d look up the lyrics:

excerpt from I’m So Free/ Beck

[Verse 1]
I’m on a tangent
Textbook ephemeral
Facts are confusing me
I’m so free now

I’m on a one-man waiting list
I’m bored again
I buried all my memories
I’m so free now

I see the silhouette of everything
I thought I ever knew
Turning into voodoo
I’m so free now

A panic cycle, sentimental
Feel it out until you know
It isn’t meant for you
I’m so free now

[Pre-Chorus]
I’m so free now
I’m so free now
And the way that I walk
Is up to me now
And if I breathe now
I could scream now
You can hear me
From Topeka to Belize now
I’m gonna freeze out
These enemies out
They never see what I got
No need to bend my knees down
Heaven forbid
I never cared
Time is running out
Nothing new under the sun
Better get down

[Chorus]
I’m so free
I’m so free-ee-ee
I’m so free
I’m so free-ee-ee
I’m so free (free)
From me, free from you-ou
I’m so free
I’m so free-ee-ee
Free-ee-ee
Yeah yeah yeah yeah
(I’m so free from you)
Yeah yeah yeah yeah
(I’m so free from you)

A horizontal aspiration
In the basement
With a thick and digital lust for life
I’m so free now

Looking over the lyrics, I always thought he said something about booking his ticket to Belize now, not “From Topeka to Belize now.” Whenever I listen to this song, I think of it as a feel-good anthem. Reading the lyrics, I’m realizing it’s much darker and angrier. Will that affect how I hear it in the future?

Later, during a deck do-nothing

This afternoon it is sunny and 58 degrees and the shadows don’t consume our deck until almost 3:00 so Scott and I decided to sit outside. Scott worked a little while I read a few chapters from 2 books and then soaked up the sun listening to the birds. A lot quieter today than last week. I had noticed that when I headed out for my run around 9:30 but forgot to mention it earlier in the entry. The bird that I heard last week, who keeps adding to their trill, was singing again. Scott told me it was a cardinal. Hopefully I can remember this. Decided to look up the cardinal and find out why they sing that way and why they might add syllables to their song. Found a great resource (TheCornellLab/All About Birds) and this information:

Scientists have described at least 16 different calls for the Northern Cardinal, but the one you’ll hear most commonly is a loud, metallic chip. Cardinals make this call when warning off intruders to their territory, when predators are near, as females approach their nests, and by both sexes as they carry food to the nest or when trying to get nestlings to leave the nest. When one member of a pair is about to feed the other, either bird may make a softer took note.

16 different songs! In another paragraph about the cardinal, it mentioned that their “syllables can sound like the bird is singing cheer cheer cheer or birdie, birdie, birdie.” Interesting. I’d like to listen to some more birds on the deck or out in the neighborhood and figure out my own words to match their syllables. Maybe the first step is to gather some recordings when I’m walking. Yes! Another experiment to add to my list!

I clicked on one the links at the bottom of the page and found a great video about how the Cardinal sings: with a paired structure located where the bronchial tubes from each lung come together, the syrinx. Fascinating! Cardinals are a strange bird for me because my damaged cones in my retina make them virtually impossible to see. I rarely can see red. But, I can hear it!

One more thing: I just remembered that I heard another bird that sounded much farther away. Who who who. Was it an owl in Seven Oaks? In looking for a link to Seven Oaks, I found this cool site about the history of Minneapolis Parks. Nice!

march 23/RUN

4.3 miles
top of franklin hill and back
35 degrees
5% slushy snow-covered
235 confirmed cases of COVID-19

Snowed last night. Only a dusting but enough to cover the deck. No snow on the sidewalk, only a little on the trail. Some people outside, doing a better job of keeping their distance. Very wet and drippy. The floodplain forest was the color of light brown sugar with a dusting of white sugar–I guess that sounds nice, but I prefer either brown or white, not both. A helpful run. I was able to forget about everything. Listened to headphones on the way back, after turning around at the top of the franklin hill. Ah, a few minutes of freedom.

the birds aren’t coming back, they never left

Had a thought while I was walking Delia the dog after my run about the birds. I’ve been reading/hearing people talk about how wonderful it is that the birds are back because spring is almost here. Perhaps this is (somewhat) true, but I’ve been hearing the birds all winter. Sure, some of them migrated and are now returning, but many of them were busy making a racket all through January and February, even when it was below 0. Most people stay inside with their windows shut tight when it’s cold outside so they wouldn’t be able to hear any birds. My (not so deep) thought: The birds aren’t coming back. They never left. It is you who is returning for spring.

some delightful sounds

When I hear dripping around my house, it stresses me out as I envision crumbling foundations and rotting boards. But, when I’m walking around the neighborhood, I love hearing the different drips and drops and trickles and gushes. Today I had to stop twice and record some sounds. Now I wish I would have recorded more!

1

Dripping in the gutters, 2 ways

2

water bubbling near a neighbor’s foundation

This was the poem of the day on poetry foundation. I have always found tolerance to be an awful word so I appreciate the condemning of it here. A favorite line: “neutral fellows/seers of every side” Love this reminder to be less ironic and distanced and more committed and passionate. I’m trying.

Goodbye to Tolerance/ Denise Levertov

Genial poets, pink-faced   
earnest wits—
you have given the world   
some choice morsels,
gobbets of language presented
as one presents T-bone steak
and Cherries Jubilee.   
Goodbye, goodbye,
                            I don’t care
if I never taste your fine food again,   
neutral fellows, seers of every side.   
Tolerance, what crimes
are committed in your name.

And you, good women, bakers of nicest bread,   
blood donors. Your crumbs
choke me, I would not want
a drop of your blood in me, it is pumped   
by weak hearts, perfect pulses that never   
falter: irresponsive
to nightmare reality.

It is my brothers, my sisters,
whose blood spurts out and stops
forever
because you choose to believe it is not your business.

Goodbye, goodbye,
your poems
shut their little mouths,   
your loaves grow moldy,   
a gulf has split
                     the ground between us,
and you won’t wave, you’re looking
another way.
We shan’t meet again—
unless you leap it, leaving   
behind you the cherished   
worms of your dispassion,   
your pallid ironies,
your jovial, murderous,   
wry-humored balanced judgment,
leap over, un-
balanced? … then
how our fanatic tears
would flow and mingle   
for joy …

march 18/RUN

4.25 miles
top of franklin hill and back
38 degrees
77 confirmed cases of COVID-19 in MN

Another day, another great run by the gorge. Overcast. Earlier on my walk, it was drizzling but I think it stopped by the time I ran. Encountered lots of walkers, a few runners, some bikers. Many people are trying to keep their 6 feet of distance, others are not. If they can’t be bothered to move over when it’s recommended to help lessen the spread of a pandemic, I guess there’s no hope that they ever will. Felt pretty good running, even if I was a little warm and my nose was a bit runny–tried to avoid touching my face but it’s hard when you’re dripping sweat and snot (is that too gross?). I looked down at my favorite spot above the floodplain forest–so open and soft and light brown. Only a few patches of snow. Also looked at the river. Blue and beautiful. Running north towards downtown, I listened to the gorge and recited “Auto Lullaby” and “Tell all the truth but tell it slant” a few times. Heard at least one goose honking, some people talking, a few feet shuffling. Stopped just above the Franklin hill and put in my headphones, then headed south. Running under the trestle I heard a beeping, buzzing noise. Was it the alert for an approaching train? I looked around, but couldn’t see any train. Decided not to stop and wait. Anything else I remember? Greeted Dave, the Daily Walker. Felt dreamy and dazed. Glad to forget everything else for 40 minutes.

the woodpecker

Earlier today, walking with Delia the dog, I heard a woodpecker. It might be the same one I heard a few days ago, around the same time and same place. So loud! Almost like a little jackhammer. Usually, any woodpecker pecking is loud, but not this loud. How irritating it must be for the people with houses nearby. When I was 8 or 9 and living in North Carolina in a house with cedar shakes, we had a woodpecker who liked to peck on the cedar. I don’t remember hearing it, I just remember how irritated it made my dad. Did he do anything about it? I don’t remember that either.


After memorizing one Emily Dickinson poem, I want to memorize some more. I’ll start with some shorter ones, like this, which seems appropriate right now:

“Faith” is fine invention (202)/ Emily Dickinson

Faith” is a fine invention
For Gentlemen who see!
But Microscopes are prudent
In an Emergency!


corona virus update

Yesterday all the schools were closed. So were the restaurants and bars. Thankfully, we can still leave our house. I went to bed yesterday accepting that this would probably end by June, woke up to Pence’s announcement that it would last until July. When I mentioned this to Scott, he said he’d read, early fall. It’s definitely going to get a lot worse for the next month at least. Trying to keep Scott’s penchant for worst case scenarios in check, the theme for our house is: “Let’s dial back the Apocalypse.”

march 3/RUN

3.25 miles
trestle turn around
39 degrees
clear path

Windy. Sunny. Not too cold. Ran in the early afternoon, since I voted in the morning. I loved running on the edge of the path, my feet landing on the grit, making a satisfying scratching sound. I think I looked at the river–did I? Now I can’t remember. I do remember noticing how the snow on the walking path that winds down through the tunnel of trees was melting. With all the warm weather this week–and 61! predicted for Sunday–maybe it will be cleared of snow soon. I also remember lifting my knees as I ran up from under the lake street bridge and noticing how the walking path at the top, which follows the rim of the gorge while the biking path follows the road, was clearing up too. Hooray! Anything else? I heard then saw a small wedge of geese flying north. Encountered a few runners, many walkers, at least one dog. It was a good run. I didn’t think about the coronavirus and the fear and worry and hassle it’s causing for so many people even once!

Before starting the run while I was still walking, I listened to a recording of myself reading 2 poems: 1. a draft of my latest poem, which I’m calling January Joy, and 2. a fabulous poem by Marie Howe, Singularity–I posted it on this log on Jan 19. I liked listening to both of them. I also liked recording myself reciting them. Maybe this will be a new thing I do with poems in 2020? Yesterday I recorded myself reading Love by Alex Dimtrov (posted on this log on jan 21)–over 11 minutes of lines starting with “I love…”! One of the I loves reminded me of Howe’s poem:

I love how the Universe is 95% dark matter and energy and somewhere in the rest of it there is us.

I read this line as loving the idea that we are such a small fraction of what makes up the Universe. I love this idea too–it’s comforting and liberating to me to matter so little. Most of Howe’s poem and the idea of singularity is a little different. It’s lamenting the loss of a time when we were not separate from the Universe, when there was no universe or we or I or us or anything to fuck up (which we have, as we trash the ocean and each other). She has one line that reminds me of Dimitrov’s and that resonates:

before we came to believe humans were so important

I find it’s easier to remember this–that I am not so important, or the most important–when I’m running outside by the gorge, above the Mississippi River, under the oak trees. I like remembering this. Here’s another line this discussion of not being important reminds me of:

You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind (Frédéric Gros/Philosophy of Walking, 84). 

And, of course, the minute I write nobody, I think of my introduction to Emily Dickinson:

I’m Nobody! Who are you? (260)/ Emily Dickinson – 1830-1886

I’m Nobody! Who are you?
Are you – Nobody – too? 
Then there’s a pair of us! 
Don’t tell! they’d advertise – you know!

How dreary – to be – Somebody!
How public – like a Frog – 
To tell one’s name – the livelong June – 
To an admiring Bog!

Wow, that was fun to wander around all of those words! As I was scrolling back through my January entries, I saw a lot of wonderful poems and ideas. More wandering around them is necessary.

Speaking of January, here’s a first draft of my January Joy poem. It’s a collection of things I enjoyed during the month of January for the past 4 years. I’m not quite satisfied with it. I want to find a better way to describe/express how thick slushy viscous water moves–how?

January Joy/ Sara Lynne Puotinen

Oh to see the river! 
The river, open 
The river, brown
The river, thinly veiled
The river, pale blue
The river, empty 
The river, white 
The river, a big black hole of deep, cold nothingness 
The river, a thick slow slush traveling to the falls
The falls, flowing between frozen columns of ice
The ice, cleared from the path
The path, no big crowd
The crowd, 2 cross country skiers  
3 men in red jackets gliding
1 woman floating–confident bodies moving through space
The space between sky and tree top, illuminated by sun
The sun glowing up the gray gloom
The sun warming my face 
The sun flashing through tall, thin tree trunks 
My trunk, straight strong steady more machine than gangly human

How wonderful it is to move!

Oh great runs! 
Oh clearer paths! 
Oh strong legs and adequate knees and functioning feet!
How wonderful it is to move and breathe and feel free 
on this winter-perfect day, white and woodsy and blueish gray!

feb 27/RUN

3.2 miles
trestle turn around
26 degrees
100% clear!

Windy today. Not too crowded. Sunny. My legs felt weird for a mile or so–like they weren’t quite working. Heavy, plodding. Listened to a New Yorker poetry podcast with a poet I just discovered (Craig Morgan Teicher) and felt like I was in a dream. Barely on the path, floating, cocooned in layers, unable to hear birds or trickling water or striking feet. The river was open. Stopped and admired it by the trestle. Then turned on my new playlist. No Daily Walker but a few others walkers, at least one biker. Felt fast in the second half as I flew down the hill by the lake street bridge. Sprinted up the final hill. Don’t remember much from the run. What a wonderful thing it is to lose myself for 30 minutes!

Before I ran, I had a great morning. Started by listening to part of an episode with Victoria Change on Commonplace. At one point, they discuss their shifts in writing in first and third person which got me thinking about my own choice, in my latest project, to write in second person. Why am I using you? Who is you? Found some very interesting essays on second person online: Stuck on You: an ode the second person and the intimacy of writing in the second person in a bar. Then I started thinking about how Mary Oliver uses you, like in Wild Geese (You do not have to be good/you do not have to walk on your knees…). Finally I thought about who the I and the You are in my project. One answer: I = Teacher self and You = Student Self.

After all of that excellent thinking, I checked out twitter and found these lines from the poem Tomorrow and Tomorrow Again/Craig Morgan Teicher:

One cannot lock eyes with a bird,
its eyes vacant as ball bearings, but
mustn’t there be some recognition
in everything?

eyes vacant as black ball bearings? What a great line that reminds me of my own about not being able to see people’s pupils: “soul less black balls”. I looked Teicher up and found his poem, “Eye Contact”. I wondered, does he have macular degeneration or some other vision problem? Couldn’t find anything, but he sure does like referencing blindness. His poetry collection from 2012 is titled, To Keep Love Blurry and check out the titles he gave his NPR end of the year poetry reviews: “Keeping the Dark at Bay” and “In the Dark, The Eye Begins to See.” Hmm…I need to study his writing more. At this point, early on, I can’t decide what he’s doing with these references to blindness–is it signaling his own experiences/preoccupations with blindness or is it serving as metaphor, where blind = dark = bad = shame = grief = loss = death?

Tomorrow and Tomorrow Again/ Craig Morgan Teicher

Of course I don’t know what
happens to us: if we survive in the
hands of love; if Cal, if Simone
and all the trembling answers
those questions entail; whether
by time or by disease or by
an atom bomb right in the eye. Is it
possible death could be thrilling
and fun? And after could there be
something somewhere and what
will we do if we see each other
there? Will the same songs stay stuck
in our heads? Will medicine
succeed in making life so long
we will beg for medicine to end it?
One cannot lock eyes with a bird,
its eyes vacant as ball bearings, but
mustn’t there be some recognition
in everything? Some fury, some
questioning? If one phrase could echo
throughout eternity, would the ear
on the other side return
a word? But what am I asking?
Will I ever see a whale, and will his size
compared to mine be a true
form of knowledge? Loneliness
has depths writing fails to fathom.
I could be clearer, say more, but
it wouldn’t mean as much. Mother
will I ever find you again? Is fear
of spiders fair? Is a power
above minding the scales, be it
science or gods or the weather,
and can they be tipped toward
balance from here? Is beauty more
than another form of pleasure?
What, which, when, how is better?

Eye Contact/ Craig Morgan Teicher

As if bees are known for their pride.
But what’s so great about horses? They’re stuck 
on the earth except when they jump,

but even then they’re not bees.
But is there anything we value so highly 
as streetlights, which, unlike bees,

watch over us with their swan-like
necks and open their eyes at the right time 
every night? The answer is lonely

and whoever among us is brave enough 
to find it will come home to a family 
that won’t even look us in the eyes.


2

But what’s so great about eye contact? 
As if a horse knows a newspaper 
when he sees it. Streetlights don’t live

in hives; they’re not more afraid
of us than we are, fortified by stingers and swarms. 
Bees don’t brighten the alleyways

in which we commit our most heinous crimes 
to keep things moving and fill 
the papers with news. Why don’t we have

a holiday to recognize the alleyways?
The answer is lonely and whoever
among us is brave will have nowhere to jump.


3

Why don’t we sing a song that makes 
the bees proud? What’s so great 
about desolate meadows? The answer

is lonely. Why don’t we come home 
and look at our family? Why don’t we 
designate an hour to brag about news?

What’s so great about the way the papers 
blow through alleyways in the evening 
like deflated rats? As if pride could

brighten the meadows at night. Whoever 
among us is brave enough to forgive
a family gets to make eyes with a lonely horse.


4

As if the answer is flowers. As if 
we could gather streetlights
in a bouquet from the alleyways

and brighten family after 
beekeeping family. But what’s so 
great about seeing the truth?

Beneath every meadow is the earth’s 
molten core, red and hot as an evil eye. 
Why don’t we blow through the streets

at night? The answer is lonely, even 
if a horse knows the way home. 
What’s so great about being brave?


freeze-thaw, a different perspective

added in a few hours after I first posted this entry: Scrolling through my twitter feed, I encountered this very helpful, perspective-shifting idea from Paul Huttner on MPR Weather:

Temperatures over the next week look perfect for gradually reducing snowpack across the Upper Midwest. Days above the thawing point will melt snow. Nights below freezing mean that snowmelt will gradually be released into area rivers.

This gradual release helps mitigate the early-spring threat of flooding. Wow! All this time, I’ve been cranking about how much I hate these freeze-thaw cycles. I’m glad to read that they’re helpful. I still might not like how dangerous they make the path, but now I can get over myself and think about how they help the river. What a nice opportunity to shift my perspective. And, as a bonus: it will be warmer during the day next week!