Tag: water

march 27/RUN

4 miles
marshall loop
16 degrees / feels like 6

Brrr. I wore almost all the layers today: 2 pairs of running tights, long-sleeved shirt, black 3/4s pullover, pink jacket, black vest, 2 pairs of gloves, winter cap, buff, 1 pair of socks. The only thing missing: hand warmers, mittens, and an extra pair of socks. Like most cold days, it looked (and sounded) warm. Bright sun and singing birds. Because of the cold, it wasn’t that crowded on the trails. I think I only saw 1 bike, some walkers. Was “morning-ed!” by Mr. Morning! and Santa Claus. Nice. Noticed several planes in the sky. With the clear blue and bright sun, they were white smudges, looking almost like the faint trace of the moon during the day. I saw them out of the corner of my eye, but they kept disappearing in my central vision.

the river!

The best thing I noticed today was the river. It was mostly open, but the banks were crusty again, and there were small chunks of ice everywhere. Slushy. Yesterday the wind was moving with the river, pulling it faster south. Today, the wind and water were at odds. The river was moving, but just barely, and away from the wind. Most of its movement was in the sparkling sun bouncing off the gentle ripples. Beautiful.

Saw my shadow off to the side, then in front. Heard my zipper pull clanging against my vest. I don’t remember smelling anything — no, that’s wrong. As I ran by Black Coffee, I smelled the fresh waffles.

a word to remember in the summer

petrichor (pe TRI cor): a pleasant smell that frequently accompanies the first rain after a long period of warm, dry weather. Found on a twitter thread about favorite words rarely heard.

Love this poem, and the idea of creating a list or lists with “More Of This, Please” as the title!

MORE OF THIS, PLEASE / EMILY SERNAKER

In grad school I had a writing teacher who’d completely cream my essays.
Cross-outs and tracked changes. He took me at my word
when I said I wanted to get better. But when he liked something,
he’d point to what was working: More of this please.
Did I mention he was British? This is important because lately,
whenever something is really working, I tend to think to myself,
in a British accent: More of this, please. A lunch date turned dinner date
with a dreamboat who is slightly embarrassed his eyes water in cold weather.
Him looking like he’s tearing up at Shake Shack. More of this, please.
A toddler turning got me at the park holding her hair tie, asking me
to fix her ponytail. Her grandmother nodding to go right ahead, my hands
collecting wisps of yellow. More of this, please. Any time my family is honest
about mental health, what my grandparents were up against. This.
Cough-drop wrappers that say, Bet on Yourself. Pop-up concerts in the city.
Stevie Wonder playing Songs in the Key of Life at 10 AM on a Monday,
hundreds of people stopping mid commute in button-ups and blazers
belting out every word to “Sir Duke” and “Isn’t She Lovely,” saying, “My boss
is just going to have to understand!” The subway tiles under Carnegie Hall
with names of performers who played there: Lena Horne, September 29,
1947. The Beatles, February 12, 1964. Dance classes with live drummers.
An editor saying, I’ll pass this on,” instead of, “I’ll pass on this.”
A stranger falling asleep on my shoulder for several stops. Staring at dates
in authors’ bios: Ruth Stone, 1915-2011. Larry Levis, 1946-1996.
Recommitting to living as much as I can. Realizing the dash between the year
you’re born and the year you die is smaller than your smaller fingernail.
It’s smaller than a strand of saffron in a bottle the size of a thimble
in the spice shop across the street.

This poem is in The Sun Magazine. I found all these wonderful quotations about water there: Sunbeams

march 15/RUN

5.75 miles
bottom of franklin hill and back
35 degrees
almost invisible streaks of ice

Almost spring! Birds, sun, the smell of fresh earth! The beginning of the run was not as fun; too many invisible slick spots from the barely melted puddles. By the end of the run, the ice was gone. Greeted Dave the Daily Walker twice. Ran down the Franklin hill then back up it, stopping for a few minutes when I encountered some ice. Settled into an easy pace that felt almost effortless. It didn’t feel a little harder until I had to climb up the Franklin hill.

10 Things I Noticed

  1. the drumming of woodpeckers on different types of wood — trees, a utility pole
  2. geese, part 1: one goose, with a painful (extra mournful?) honk, flying with at least one other goose, pretty low in the sky
  3. geese, part 2: 3 geese on the path in the flats. Even though I was looking carefully, and noticed the orange cones that they were standing beside, I didn’t see the geese until I was almost next to them
  4. geese, part 3: running past these 3 geese again, I kept my distance, crossing to other end of the trail. Two of the geese were too busy rooting through the snow to notice, but the third one faced me, as if to say, “back off!”
  5. geese, part 4: as I neared lake street, there was a cacophony of honks trapped below the bridge
  6. in the flats: the fee bee call of a black-capped chickadee, both parts: the call, and the response!
  7. Daddy Long Legs sitting on his favorite bench, above the Winchell Trail, on the stretch after the White Sands Beach and before the Franklin Bridge
  8. the wind of many car wheels, then a whoosh when one passed over a puddle
  9. open water
  10. watching the traffic moving fast over the 1-35 bridge near Franklin as I ran under

Before my run, I spent the morning with Alice Oswald, gathering materials, skimming interviews, reading a few more pages of Dart. So cool to make the time to learn more about Oswald’s work and to read and think about poetry and how it might speak as/with the river. I found a wonderful article in a special issue on Alice Oswald in Interim, When Poetry “Rivers”: Reflections on Cole Swensen’s Gave and Alice Oswald’s Dart / Mary Newell. Newell says this about Oswald’s Dart:

Marginal glosses introduce workers for whom the river is a resource, interspersed with local tales, as of Jan Coo, a swimmer who drowned and “haunts the Dart,” local sayings (“Dart Dart / Every year thou / Claimest a heart”), and ancient legends from times when the local oaks participated in sacred rituals. While each voice is distinct, Oswald writes that the marginal glosses “do not refer to real people or even fixed fictions. All voices should be read as the river’s mutterings.”

I had never heard of Cole Swenson before this article. In the bibliography at the end of the essay, I discovered that she’s written a chapbook about walking and poetry! Very exciting. Here’s something she says in the introduction about walking and place:

Then sitting still, we occupy a place; when moving through it, we displace place, putting it into motion and creating a symbiotic kinetic event in which place moves through us as well.

I’m excited to read the rest of this chapbook. As I was reflecting on the value of walking, my mind wandered, and I started to think about why I prefer running to walking in my practicing of attention. Walking opens me up, enabling me to notice new connections, access new doors, but because it involves wandering, and is fairly slow, it doesn’t offer any limits to that wondering. I get too many ideas, wander too much. With running, the effort it requires forces me to rein in some of my wanderings. I can’t think in long, meandering sentences; I need pithy statements, condensed into a few words I can remember. These limits help keep me from becoming overwhelmed with ideas. Does this make sense? I’ll think about it more when I have a chance to read Swenson’s chapbook and some of her other work.

Back to Oswald. I’m planning to read Dart several times through. This first time I don’t want to stop and think through every word or rhythm or image. Instead, I’m reading through it and noting any passage that I want to remember — that I like or surprise me or make me wonder, etc.

if you can keep your foothold, snooping down
then suddenly two eels let go get thrown
tumbling away downstream looping and linking
another time we scooped a net through sinking
silt and gold and caught one strong as bike-chain

I never pass that place and not make time
to see if there’s an eel come up the stream
I let time go as slow as moss, I stand
and try to get the dragonflies to land
their gypsy-coloured engines on my hand)

Dartmeet — a mob of waters
where East Dart smashes into West Dart

two wills gnarling and recoiling
and finally knuckling into balance

in that brawl of mudwaves
the East Dart speaks Whiteslade and Babeny

the West Dart speaks a wonderful dark fall
from Cut Hill through Whystman’s Wood

put your ear to it, you can hear water

oct 14/RUN

3.5 miles
trestle turn around + extra
49 degrees
19 mph gusts

Brrrr. Colder and windier today. Wore tights and 2 shirts. The leaves continue to change. Today: bright brassy yellow with hints of green and brown. Not mustard or gold — at least to me. So intense and delightful that I exclaimed “wow!” as I reached the edge of the welcoming oaks. Down in the tunnel of trees more oranges and yellows. Still more leaves in the trees than on the ground, but if the wind keeps blowing like it did yesterday and it is today, that will change. By next week, will all the leaves have fallen? I felt strong and relaxed, running at an easy pace. Then a runner slowly approached from behind, not passing me fast enough, running alongside of me. I sped up to avoid them and knew it was a mistake almost immediately. I was running too fast. Ran for a few more minutes at that pace and then stopped to let the other runner pass. The lesson to learn: always slow down or stop to let another runner go by. Do not speed up to avoid them. This is a reminder of a lesson I should have learned several months ago with the group of kids on bikes under the lake street bridge (see may 28, 2021).

10 Things I Noticed

  1. A bright orange tree on the grass between edmund and the river road. Difficult to quite remember, but I think it wasn’t completely orange, maybe giving the idea of orange or orange-tinted leaves on an otherwise green leafed tree
  2. The man in black who was not in black at all but still has the very long legs. I think I might rename him “daddy long legs” — is that bad?
  3. The trees above the ravine and the slick slats and sewer pipe and concrete ledge were bright yellow and red
  4. The wind was blowing in many different directions, never at my back
  5. The jingling of my house key in the small zippered pocket in the front of my orange running shirt
  6. A roller skier without his poles — no clicking or clacking, lots of awkward arm movements
  7. No stones stacked on the ancient boulder
  8. Hardly any leaves left on the welcoming oaks
  9. An approaching runner avoiding me by running on the other side of a tree and through the grass
  10. 3 sets of steps (all inviting me to take them): the old, uneven stone steps after the tunnel of trees; the big stone slabbed steps before the trestle; the recently replaced wooden steps after the trestle. All leading to the Winchell Trail

Ran north listening to the wind, south listening to a playlist with Miley Cyrus and 2 songs by Silk Sonic — nice! At the end, above the ravine, I thought about how I rely less on a watch, and much more on the weather and the trees to keep track of time. Much more enjoyable to think in seasons or the progress of the leaves than minutes, hours, days.

Earlier today I was thinking about pace — and only slightly in relation to running pace, more about pacing and restlessness and ghosts that haunt the path. Pace and pacing, like watches or clocks, impose limits and boundaries: a running pace uses seconds and minutes per mile (or km) and pacing involves walking back and forth in a small or confined space, retracing your steps again and again until you rub the grass away and reach dirt, or wear the carpet bare. What to do with that information? I’m not quite sure…yet.

I found this poem on twitter yesterday. Even though it doesn’t deal with my theme (ghosts, haunting, haunts), I wanted to post it and tag it with water so I would have it for letter. Such a wonderful poem and poet!

Portrait of a Figure Near Water/ Jane Kenyon

Rebuked, she turned and ran
uphill to the barn. Anger, the inner
arsonist, held a match to her brain.
She observed her life: against her will
it survived the unwavering flame.

The barn was empty of animals.
Only a swallow tilted
near the beams, and bats
hung from the rafters
the roof sagged between.

Her breath became steady
where, years past, the farmer cooled
the big tin amphoræ of milk.
The stone trough was still
filled with water: she watched it
and received its calm.

So it is when we retreat in anger:
we think we burn alone
and there is no balm.
Then water enters, though it makes
no sound.

favorite bits: anger, the inner arsonist; the bats and the rafters the roof sagged between; the line break for “the stone trough was still/filled with water”; and water as the soundless balm for our burning alone.

random sighting/thought: Saw a sign in front of a house that read:

We love our rocks!
Please do not
take our rocks.

I thought about the importance of line breaks here. Maybe it’s just my faulty vision, but when I read this sign I am just as (or maybe more) likely to read the line “take our rocks” on its own and think they want me to take their rocks. How does the meaning of the sign change with different breaks:

Please do
not take
our rocks.

Please do not take
our rocks.

Please
do not take
our rocks.

What if you mix up the order?

Our rocks
do not take
please

Our rocks do
please take not

rocks? please.
ours do not take

do ours not please? (rock’s take)

take rocks — ours
please — (do not)

Too much useless fun!

addendum: I told STA about my fun wordplay, and he offered this one:

Our rocks please.
Do not take!

another addendum: The sign actually started: Rocks rock!

august 20/SWIMRUN

swim: 2 miles / 2 loops
lake nokomis open swim
75 degrees

More wind, more chop, more rolling waves and swells. Today was a morning swim so the orange buoys were backlit. For me, and my lack of cone cells, this meant they weren’t orange but invisible and then, at fairly close range, dark hulking shapes. Do most people see their orange-ness? As always, I am amazed at how comfortable I’ve become swimming towards something that I can’t see but I trust to be there, based on past experience + deep knowledge of the lake’s layout + my strong, straight shoulders. But this year, there’s another layer to this swimming into nothingness that amazes me: I trust that I’m going the right way, but I also don’t worry if I’m not. So what if I get off course? Who cares if the lifeguards need to nudge me back a little closer to the buoys? I am much less bothered by not knowing, or–and this is a theme for the summer and will feature heavily in a writing project I can tell I’ll be starting in the fall–not quite knowing or roughly/approximately knowing. Not exactly but mostly, almost but never completely. Part of the picture, but never the whole thing. I’ve been writing a lot about bewilderment and unknowingness. This not quite knowing is not bewilderment but something else. Not wild, not lost, but not found either. Hmm….

For the past four times at lake nokomis (sunday, tuesday, thursday, friday), the water has been choppy/rolling in the same way: Smoothest (but not really smooth) from the big beach to the first orange buoy. Swells picking up between buoy 1 and 2, difficult to breath on right side with waves rolling quickly over my head from right to left. Not too bad between the 3rd orange buoy and the white buoy at the little beach. From the little beach back to the big beach, increasingly rough and choppy–waves crashing into me, water spraying up, sometimes difficult to breath on both sides. A wild ride rounding the final green buoy just off the big beach. Swells lifting me up and pushing me along swimming parallel to the shore and heading towards the orange buoy. I like the challenge of choppy water and the energy that it produces but I’m ready for some smoother water. With so many waves, I have to lift my head higher to sight (and breathe?) and my neck is getting sore.

run: 2.7 miles
2 trails
83 degrees

Decided when I got home from swimming that I’d go out for a run. Hot, but a cooler wind. Listened to a playlist for the first half, then the wind mixed with my breathing for the second half. I was able to run in shade most of the time. Very warm in the sun. Don’t remember much of anything. No irritating or memorable people–as I write this now I remember some bikers stopping and blocking the entire path on the way down to the Winchell Trail. Lots of acorns and walnuts on the ground. Don’t remember hearing any birds or seeing any spazzy squirrels. No roaming dogs. Oh–ran past a garbage truck and the smell was terrible. It (the smell) followed me for a few blocks. And I thought again about how I’d like to work with older students (55+) and teach classes that somehow combine critical thinking, creative writing and experiments, deep awareness of place, and physical activity. Still now sure what that would look like or how to start…

loving like the lake

Yesterday I went through poems I gathered about water and made a list, based on these poems and some of my own ideas, about what water does and how it loves. I’m thinking I might use these various things as titles or first lines for poem. Here’s a line I’d like to turn into a poem:

I think the sea is a useless teacher, pitching and falling
no matter the weather, when our lives are rather like lakes

unlocking in a constant and bewildering spring.

From Nowhere/ Marie Howe

august 18/RUNSWIM

run: 3.15 miles
2 trails
78 degrees / dew point 67
sunny

Started and ended with Queen (Another One Bites the Dust) and a running playlist, in the middle, sounds from the gorge — laughing kids at a playground, scurrying animals in the dry brush, crunching gravel, trickling sewer pipes.

Now, sitting at my desk, I’m hearing the electric buzz of the cicadas. …and now, one or two minutes later, they’ve stopped. Now I hear birds–pretty sure it’s cardinals–and a kid repeatedly saying, “Uh oh uh oh uh oh!” An adult in a cooing voice: “Do you need help?” and “You’re not a baby, you’re a BIG girl!”

When I was running on the Winchell Trail, at the steepest part without a railing, I tried looking quickly at the river. Blue. Decided it was better to absorb it through my peripheral. Safer. I thought about how I like these bodily experiments (tracking my thoughts, what I notice) I’m doing as I run and swim. How they enable me to apply theories I’ve been playing around with for decades about epistemology and ontology and ethics.

I’ve been listening to an interview with Kaveh Akbar on Between the Covers, and I was struck by his definition of work in terms of revolutionary poetics:

One thing that I think about a lot is that a revolution comes in two parts; there’s the overthrow and the rebuild. Without either of those parts, it’s not a revolution. There has to be something being turned over and then there has to be something being set up in its place. It’s very easy to inhabit the carapace of revolutionary rhetoric without advancing something new. That, in and of itself by definition, isn’t revolutionary because there’s no rebuild. There’s no gesture towards a rebuild. I’ve talked to my students and my friends and the people with whom I’ve had this conversation in these discussions. I think a lot about the physics definition of work which is the force applied to an object in order to move it. If there’s force applied to an object and nothing moves, that’s not work. Similarly, if an object moves but you haven’t applied force to it, then you haven’t done work. If I say to a room full of people who agree with me, “F*ck Trump,” and I say that in a room full of poetry people, probably the majority of them will be like, “Yeah, f*ck Trump.” I haven’t really caused anything to move. I’ve inhabited the form of revolutionary rhetoric but I haven’t actually moved anything. By the physics definition of work, probably that’s not doing much or any work. 

Kaveh Akbar Interview

I think I’ll add this definition to my work page on undisciplined.

swim: 2 miles / 2 loops
cedar lake open swim
88 degrees / windy

Another windy day, another wave-filled lake. I’d like to be able to compare this to the sea or ocean. I know cedar lake waves are gentle swells, but how much more gentle, how much less choppy than a normal swim in the sea? Tonight, I did a better job of staying on my side of the lake as I swam towards the far beach. For the first few minutes of the swim, I felt weightless, light, but it didn’t take long for the water to drag my body down into the water. I didn’t want to, but I felt like I was having a fight with the water. Every stroke felt slightly off, not smooth, not easy.

Even struggling, it was a great swim. What a wonderful thing to be able to swim so much this summer! Already this week, 4 days in a row. I enjoyed glancing up at the sky sometimes when I breathed. It was mostly sunny, with some hulking clouds. One big cloud hovered behind me as I swam across. It loomed, almost menacingly, but I didn’t mind. I noticed the soft forms of the tree tops to my left and imagined fall coming (too?) soon. To my right, as I headed back, I could see something, not quite shining–I determined it was a small gap in the trees with the sun barely peeking through. Because of the bright sun and my vision, the orange buoy was completely invisible–was it to everyone else? Probably a little, but not as much as it was to me. I knew it was there, so I kept swimming, but I couldn’t see it until I was almost to it. This not-seeing is happening more this summer. It barely bothers me. It’s tiring, but I know I’m swimming the right way–using other landmarks and my established map of the route–so I don’t worry.

I do not like breaststroke. I recognize its value, especially in choppy water, and how it makes some swimmers feel more comfortable in the water, but I dislike being around breaststrokers. The irritating bobbing, which is hardly ever smooth, but jerky. The wide, strong kick. And the way that as I approach someone swimming breaststroke, it always seems very hard to pass them. They seem to be racing me for a bit, then they disappear. I know this is just how I see them–and perhaps it’s distorted by bad vision–and I know that it is ridiculous to dislike breaststroke for these reasons, but I do.

how could I forget this moment?

Had to revisit this log entry to add something that I almost forgot: after I finished swimming, as I was drying off, there was a young kid–less than 5, I think?–who kept repeating, “nanana boo boo.” At least 50 times. In the best (as in most effectively embodying) version of a bratty voice I’ve ever heard. Wow. STA walked by the kid and said he looked and sounded like a cartoon character of a bratty kid. He was not saying this to us, but to another kid, or to himself. Over and over and over again. It was both annoying and delightful. I’m glad I witnessed it and I’m glad it’s over.

The Swimmer/ Mary Oliver

All winter the water
has crashed over
the cold the cold sand. Now
it breaks over the thin

branch of your body.
You plunge down, you swim
two or three strokes, you dream
of lingering

in the luminous undertow
but can’t; you splash
through the bursting
white blossoms,

the silk sheets—gasping,
you rise and struggle
lightward, finding your way
through the blue ribs back

to the sun, and emerge
as though for the first time.
Poor fish,
poor flesh

you can never forget.
Once every wall was water,
the soft strings filled
with a perfect nourishment,

pumping your body full
of appetite, elaborating
your stubby bones, tucking in,
like stars,

the seeds of restlessness
that made you, finally,
swim toward the world,
kicking and shouting

but trailing a mossy darkness—
a dream that would never breathe air
and was hinged to your wildest joy
like a shadow.

Not sure how I feel about this water-as-womb idea. I like the idea of imaging a time before I/we were so separated from everything else, but not sure about the womb imagery. I like the line, “Poor fish,/ poor flesh./ You can never forget.”

july 31/RUN

4 miles
marshall loop
69 degrees / smoky

Keeping up the Saturday tradition of running the marshall loop. Got a later start so it was sunnier, with less shade. Listened to a iTunes playlist that I created a few years back–The Black Keys, Fall Out Boy, Billy Joel, ACDC, Pat Benatar, Jamirquai, and perfect timing for John Williams’ Theme from Raiders of the Lost Ark: running up the last stretch of the marshall hill, almost at the top.

Running over the lake street bridge to St. Paul, I watched a big bird–I think it was a turkey vulture–soaring high above the river. Running back over the lake street bridge to Minneapolis, I looked down at several shells. Rowers! Right below me, just crossing under the bridge heading south, was a single scull. The rower was wearing a bright orange shirt. Since they were facing me, I thought about waving, but then decided I was too high up and moving too fast.

Reaching the top of marshall, running by Black Coffee and Waffles, I could smell the waffles and their sweet bakery smell. I used to love waffles, piled high with whipped cream and chocolate. Now that much sugar gives me a headache. What a drag it is getting old.

There is still a lot of smoke in the air. It didn’t bother my breathing too much. Crossing the bridge, the smoke made everything hazy and the sky was almost white.

Sea Poem/ Alice Oswald

what is water in the eyes of water
loose inquisitive fragile anxious
a wave, a winged form
splitting up into sharp glances

what is the sound of water
after the rain stops you can hear the sea
washing rid of the world’s increasing complexity,
making it perfect again out of perfect sand

oscillation endlessly shaken
into an entirely new structure
what is the depth of water
from which time has been rooted out

the depth is the strength of water
it can break glass or sink steel
treading drowners inwards down
what does it taste of

water deep in it sown world
steep shafts warm streams
coal salt cod weed
dispersed outflows and flytipping

and the sun and its reflexion
throwing two shadows
what is the beauty of water
sky is its beauty

july 30/RUN

4.5 miles
minnehaha falls and back (on the winchell trail)
72 degrees

They canceled open swim today; the air quality is dangerous (176, which is unhealthy). The smoke from the fires up north is still here. I’m disappointed but also relieved. I can still feel the effects from the smoke of last night’s swim. I went out for a run instead, which made me feel better. I didn’t have any trouble breathing. Ran to the falls and back. The falls were low; no roaring, rushing water. I saw a large bird–a turkey vulture? hawk?–high up in the sky. I don’t remember hearing any black capped chickadees or cardinals or woodpeckers. Running at the start of the Winchell Trail, I (too?) quietly warned the walker ahead of me that I was coming. He had headphones on and didn’t hear me. Then he turned, saw me, and uttered, in surprise, “Oh God!” I wasn’t running fast, so it was no big deal. Just funny. Heard some water trickling out of the sewer pipe at 42nd. Don’t remember what I thought about, but I do remember trying to forget the increased anxiety I have over wildfires and Delta variants. Some days it’s a struggle hanging onto joy and delight in the midst of so much evidence that everything is falling apart.

Water: a smoky river, not glittering in the hazy sun; a subdued waterfall; a receding creek; dripping ponytail, forehead, back; trickling pipes; thirst and the desire for some sips from a water fountain; an empty, swimmer-less lake

july 29/RUNBIKESWIMBIKE

run: 3.25 miles
2 trails
77 degrees

Hot. Sweaty. Too many bikes biking in pairs beside each other, taking over the path. Still, a good run. Just before starting, I listened to a recording of myself reciting 2 poems I’m working on. Thoughts about them came and went as I ran above the river. On the Winchell Trail, right before running up the short, steep hill near Folwell, I thought about how I don’t always notice the river when I’m running next to it. Sometimes I’m distracted by other thoughts or an approaching person. Sometimes the river is hidden behind a veil of green. And sometimes I’m too lost in the dream world. Then David Foster Wallace’s commencement speech with the refrain, “This is water” popped into my head. I decided to stop at the top of the hill and record my thoughts:

thoughts while running/ 29 july

Okay, I’m running and I had an idea. Thinking about how when I’m running on the Winchell Trail above the river, sometimes I don’t remember to look at the river, to acknowledge the river, behold it, recognize that it’s there. And I started thinking about David Foster Wallace and “this is water” and how sometimes it’s important to notice and behold and say, “this is water.” To say, “this is water,” is to stand outside of it, to have some sort of distance, to be beside it. Sometimes we want to be immersed in the water. We want to be immersed in a dream world or a now that is not outside, not as distant, not beside. That means we don’t notice that this is water because we’re in it, and that’s a good thing too.

I reread the transcript of Wallace’s speech. I like many of his ideas about the value of a liberal arts education for giving us the tools to think critically, to be aware, to notice a wider range of realities beyond our limited, selfish one, to move past our unconscious “default” settings. Much of it is based on choice and will and our ability, which we must cultivate through education/practice/habits, to be open to understanding situations in new, potentially more generous, ways.

I like these lines:

If you’re automatically sure that you know what reality is, and you are operating on your default setting, then you, like me, probably won’t consider possibilities that aren’t annoying and miserable. But if you really learn how to pay attention, then you will know there are other options. It will actually be within your power to experience a crowded, hot, slow, consumer-hell type situation as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down.

In his speech, Wallace’s primary default setting is that we are selfish–everything is centered on us–and that we passively and consistently frame the world in this way. His solution: actively and deliberately think about the world in other ways. Seriously consider others’ perspectives, their struggles. Be actively critical, not passively uncritical. But, as I’m learning through poetry and various other things I’m reading about attention, sometimes letting go, being vulnerable and not in control, not trying to see things more generously but just being out in the world, moving and breathing and attending to it, sharing space in it with others (and not claiming it as yours) enables us to transform our experiences of it. I feel like I’m not quite making sense here, but I’m trying to get to the point that there are different forms of caring and giving attention, and some of them don’t involve deliberate, controlled focus on something. I’m thinking of soft fascination and being beside/entangled and the periphery.

bike: 8.6 miles
lake nokomis and back
80 degrees
wildfire smoke from Canada

No problem biking to the lake even though it was very smoky. They finished the sewer work they were doing by the mustache bridge so the bike trail was finally open again. Hooray! So much easier and safer not having to bike on the road and cross back and forth so many times. Very happy to feel mostly comfortable on my bike, able to see most things and not feel scared all the time.

swim: 2 miles / 2 loops
lake nokomis open swim

Dark tonight. Strange, unsettling. Eerie on the lake with the sun covered with smoke. My googles fogged up again, even though I treated them, making it harder to see. I think Johnson’s Baby Shampoo doesn’t work, only Johnson’s baby wash does. Heard lots of sloshing and splashing. Enjoyed the swim, but felt less buoyant. At one point, it almost seemed like my foot was about to cramp up so I briefly stopped to stretch it. I’m getting better at stopping, taking my time. Another military plane flew low above me, roaring in the sky. That, with the waves and the smoke, make it feel almost apocalyptic. Noticed a bird flying in the sky too, near the plane. From my perspective in the lake, looking up from the side as I breathed, they looked the same size and shape. Funny how being the lake makes everything seem the same. Because of the smoke, I tried to take it easier, so I only swam 2 loops.

A few days ago (july 26) I foolishly asked how much choppier it is in Lake Superior than it was at cedar lake while I was swimming. Here’s one answer by the poet laureate of the UP (poet laureate? very cool!):

WAVE AFTER WAVE/ M. Bartley Seigel

Dawn, a lit fuse. The radioman says
“bombogenesis,” like agates tumbling
from a jar—system as meteorite
off Whitefish Point. In other words, water

lynx, Mishipeshu, lathered up in red.
In a heartbeat, rollers mass two stories
trough to insatiate tempest, unquelled
by prayer nor cigarette, careless, mean,

a cold-blooded indifference so pure,
a strong swimmer won’t last ten wet minutes.
At the Keweenaw, surf pummels the stamp
sands with ochre fists, ore boats stack up lee

of the stone, and entire beaches stand up
to walk away. At Marquette, two lovers
walk onto Black Rocks, sacrificial lambs—
their bodies will never be recovered.