Tag: wind

feb 26/WALK

40 minutes
to the river and back
57 degrees

A warm, windy February afternoon. Took a walk with Delia the dog and Scott. Heard some kids on the playground that I mistook for a siren. Then later, heard some actual sirens. Also heard some ragtime music coming from a bike on the path. Marveled at the gnarled oaks and the jagged shadow one cast on another branchless tree. Noticed how high the bluff was above the forest floor. Encountered many happy, chatting walkers, one runner without a shirt.

It’s Windy

Is it the strange, too-early spring weather? The fact that I’m turning 50 in 4 months and that my kids are turning 21 and 18? Not sure, but my thoughts have been scattered lately, flitting from one idea to the next without landing anywhere for too long. Maybe it’s the wind. This morning I said to Scott, what a beautiful morning! Too bad it’s windy. Then Scott started singing “Windy” by the Association — I tried to join in, but I was in the wrong key (as usual). I should have a t-shirt that says, I’m always in the wrong key, I said (which, I think, isn’t always a bad thing to be in). Anyway, I decided to listen to the song and read the lyrics. It’s actually about wind! How delightful!

Who’s tripping down the streets of the city
Smilin’ at everybody she sees
Who’s reachin’ out to capture a moment
Everyone knows it’s Windy

And Windy has stormy eyes
That flash at the sound of lies
And Windy has wings to fly
Above the clouds (above the clouds)
Above the clouds (above the clouds)

I think I might create a page of wind poems/songs and add this, along with “They call the wind Mariah” from Paint Your Wagon and “I Take to the Wind” by King Crimson.

an idea (for the future? now?): Yesterday I posted a poem that uses an Emily Dickinson line in the title (I heard a fly buzz), then obliquely references her in the poem. A year or so ago, I had the idea that I’d like to write a series of poems that use some of my favorite Emily Dickinson lines as titles for my poems about vision loss, how I see, and how I’ve been carving out a new way of being with my moving practice. I’ve already written one that was published this past December in the print journal, Door is a Jar:

The Motions of the Dipping Birds/ Sara Lynne Puotinen

Because I can no longer see
her face, when my daughter talks I watch

her small hands rise and fall,
sweep the air, flutter.

I marvel at the soft feathers her fingers make
as they soar then circle then settle

on the perch of her hips waiting
to return to the sky for another story.

I think Victoria Chang’s collection, The Trees Witness Everything, in which she uses W.S. Merwin poem titles and then writes her own poem, might be a good inspiration. I’ve been wanting to do this project for several years, but I wasn’t quite ready. Am I now? I’ve already been moving towards it with my interest in memorizing 50 Emily Dickinson poems before my 50th birthday — did I mention that in here, or was it just in my “to do” list? Oh, I hope this idea sticks and helps me to write more poetry. Lately, I’ve had tons of ideas that I start, but that really don’t go anywhere.

As part of this Dickinson project, and inspired by yesterday’s poem, I decided to memorize ED’s “I heard a fly buzz — when I died”. After memorizing it, I listened to someone else’s reading of it and noticed a line change:

[original] The stillness in the Room
[alternate in video] The stillness round my form

Which is correct, I wondered. At first, I thought the alternate might be the correct one, but it didn’t seem quite right — form neatly rhymes with the last line of the verse: Between the Heaves of Storm. ED liked slant rhymes, not straight ones. I looked it up and discovered that ED’s first editor, Mabel Loomis Todd, had changed the line to form. She also took out ED’s dashes. I’ve read about the fraught relationship between ED and Todd (who was ED’s brother’s lover) and Todd’s heavy-handed editing, so I’m sticking with the original!

medical term fun!

I’m still working with g a s t r o c n e m i u s and s o l e u s scrabble tiles. Last night’s favorite:

Guess a minute’s colors

I told RJP and she said, 7:42 is yellowish-green. Do I see any particular minute’s colors? No. But I do like trying to describe what colors I see at any given minute.

What happens when I reverse 2 words: Guess a color’s minutes?
Or, Minutes colors a guess?
Or, As color, minutes guess
Or, minutes: a color’s guess (as in, meeting minutes)
Or, a guess colors minutes

Back to ED’s buzzing fly. Whenever I read this poem, I think about an article I discovered a few years ago that discusses how accurately and effectively ED describes the physiology of the dying eye — 15 march 2021

august 31/RUN

4.15 miles
franklin loop
60 degrees

Since we’re driving FWA back to school on Saturday, Scott and I decided to do our weekly run today instead. We ran (most of) the Franklin loop. A beautiful morning: cool, sunny but with plenty of shade, calm. At one point the wind picked up and I had to recite one of my favorite wind poems, “Who Has Seen the Wind?” by Christina Rossetti.

Fall is coming: discarded acorn shells, glowing leaves, the light seems longer and softer, maybe a bit sadder too?

10 Things

  1. empty river — no rowers or kayaks or big paddle boats playing dixieland jazz
  2. 3 or 4 stones stacked on the ancient boulder
  3. waved at the woman who stopped me the other day to tell me about some other runner who had my same gait. I think she wanted us to go on a date — she kept telling me how cute he was. A new regular? I’ll call her, the Fixer Upper — talking with Scott, we agreed that Fixer Upper sounded like she needed to be fixed up, which is not true at all, so I guess I’ll call her the Setter Upper
  4. the porta potty by the overlook has been removed. Why? I bet the people living in tents down in the gorge really needed it
  5. the cracks in the path just past the trestle are growing wider and deeper. Is the bluff becoming too unstable? Will they need to abandon this part of the path?
  6. a steady stream of cars on the road — no soft moments when all I can hear are my footfalls and my breath
  7. the east river road just south of franklin is in terrible condition — so many potholes!
  8. played a game with Scott — was that noise down in the east flats wind or water? I said water, he said wind. I think he was right; it hasn’t rained for a while
  9. another game — what is that loud, strangled cry? Knowing I was being ridiculous I guessed, a giant gobbling turkey. Scott thought it was a man yelling. We were both wrong; it was a dog barking
  10. crossing back over the lake street bridge: shadows of trees on the river near the shore, soft ripples from the wind

the day made

Walking back through the neighborhood, we encountered a pair of dogs that I had run by earlier in the summer (june 10, 2023) and always hoped to see again. 2 tiny dogs, barking with little yips and snorts, especially the larger one. Scott thought the smaller one — a minpin chihuahua mix? — was so small that it could have escaped through the bars of the fence if it wanted too. It didn’t. Of course, I cried out in delight when I saw them. I might have even clapped. Scott started laughing and then imitating the yip snort whenever I asked. Would I love these dogs as much if I had to live next to them? Maybe not, or maybe I’d love them even more.

Earlier this morning, prepping for my class, I was thinking about being open to the world, letting it interrupt you. These dogs were wonderful interrupters. That glorious bark, those cute, impossibly tiny bodies! Before we saw them, we were tense — Scott needed to hurry home to fix a server, but when they suddenly appeared, everything else was forgotten. It was just those dogs and that moment of sound and blurry little bodies.

I’ve written about frantic dogs barks before (and how much I like them). A few years back, I also posted a poem that included some yippy yappy dogs.

from I Heart Your Dog’s Head/ Erin Belieu

Which leads me to recall the three Chihuahuas
who’ve spent the fullness of their agitated lives penned
in the back of my neighbor’s yard.
Today they barked continuously for 12 minutes (I timed it) as
the UPS guy made his daily round.
They bark so piercingly, they tremble with such exquisite outrage,
that I’ve begun to root for them, though it’s fashionable
to hate them and increasingly dark threats
against their tiny persons move between the houses on our block.
But isn’t that what’s wrong with this version of America:
the jittering, small-skulled, inbred-by-no-choice-
of-their-own are despised? And Bill Parcells—
the truth is he’ll win
this game. I know it and you know it and, sadly,
did it ever seem there was another possible outcome?

It’s a small deposit,
but I’m putting my faith in reincarnation. I need to believe
in the sweetness of one righteous image,
in Bill Parcells trapped in the body of a teacup poodle,
as any despised thing,
forced to yap away his next life staked to
a clothesline pole or doing hard time on a rich old matron’s lap,
dyed lilac to match her outfit.
I want to live there someday, across that street,
and listen to him. Yap, yap, yap.

march 29/RUN

3.5 miles
river road, south/winchell trail/river road, north/edmund
39 degrees / feels like 30
wind: 20 mph

Overcast, windy, cold. Not too many people out on the trails. Ran south on the paved path, then a little on the Winchell trail — dirt, then rubbled asphalt, then paved, back up on the river road trail, through the tunnel of trees, then over to Edmund. Everything bare and brown and looking like November. Very pleasing to my eyes. Soft and dull, not sharp or crisp. Down on the Winchell Trail, I was closer to the river, but forgot to look. Maybe it was because I was too focused on the wind and reciting the poem by Christine Rossetti that I memorized this morning. I was reminded of it when I found it on my entry for March 29, 2020.

Who Has Seen the Wind?/ CHRISTINA ROSSETTI

Who has seen the wind?
Neither I nor you:
But when the leaves hang trembling,
The wind is passing through.

Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads,
The wind is passing by.

It was really fun to recite (just in my head) as I ran. It’s iambic, mostly trimeter (I think?). I also recited the opening to Richard Siken’s “Lovesong of the Square Root of Negative One:

“I am the wind and the wind is invisible, all the leaves tremble but I am invisible.”

Before I went for my run, I spent more time with Alice Oswald. Here are a few bits from an interview she did in 2016 for Falling Awake:

I frequently get told I’m a nature poet living in a rural idyll, but just like the city, the country is full of anxious, savage people. The hedges seem so much stronger than the humans that you feel slightly imperilled and exposed, as if, if you stopped moving for a minute the nettles would just move in.

I think about this idea of the vegetation taking over when humans (by the gorge, Minneapolis Parks’ workers) stop managing and maintaining it. Creeping vines, tall grass, wandering branches, crumbling asphalt. I see these things all the time and often imagine how the green things might consume us when we stop paying attention.

I’m mostly interested in life and vitality, but you can only see that by seeing its opposite. I love erosion: I like the way that the death of one thing is the beginning of something else.

Erosion, things decomposing, returning, recycling. I’m drawn to noticing these things as I loop around the gorge.

It’s good to remember how to forget. I’m interested in the oral tradition: what keeps the poems alive is a little forgetting. In Homer you get the sense that anything could happen because the poet might not remember.

I like the idea of finding a balance, where I remember some things and forget others, or I forget some things so I can remember other things.

Poetry is not about language but about what happens when language gets impossible.

I like the idea of things being impossible to ever fully achieve, where no words can ever fully capture/describe what something it. When language is impossible, it’s possible to keep imagining/dreaming up new meanings.

I’m interested in how many layers you can excavate in personality. At the top it’s all quite named. But you go down through the animal and the vegetable and then you get to the mineral. At that level of concentration you can respond to the non-human by half turning into it.

This line about getting down to the mineral, reminded me of some of Oswald’s words in Dart and Lorine Niedecker’s words in “Lake Superior”:

from Dart / Alice Oswald

where’s Ernie? Under the ground

where’s Redver’s Webb? Likewise.

Tom, John and Solomon Warne, Dick Jorey, Lewis
Evely?

Some are photos, others dust.
Heading East to West along the tin lodes,
80 foot under Hepworthy, each with a tallow candle in
his hat.

Till rain gets into the stone,
which washes them down to the valley bottoms
and iron, lead, zinc, copper calcite
and gold, a few flakes of it
getting pounded between the pebbles in the river.

from “Lake Superior” / Lorine Niedecker

In every part of every living thing
is stuff that once was rock

And the idea of moving through layers, reminds me of Julian Spahr and their poem that moves through layers, first out, then in:

poemwrittenafterseptember 11, 2001 / Julian Spahr

as everyone with lungs breathes the space between the hands and the space around the hands and the space of the room and the space of the building that surrounds the room and the space of the neighborhoods nearby and the space of the cities and the space of the regions and the space of the nations and the space of the continents and islands and the space of the oceans and the space of the troposphere and the space of the stratosphere and the space of the mesosphere in and out.

In this everything turning and small being breathed in and out by everyone with lungs during all the moments.

Then all of it entering in and out.

The entering in and out of the space of the mesosphere in the entering in and out of the space of the stratosphere in the entering in and out of the space of the troposphere in the entering in and out of the space of the oceans in the entering in and out of the space of the continents and islands in the entering in and out of the space of the nations in the entering in and out of the space of the regions in the entering in and out of the space of the cities in the entering in and out of the space of the neighborhoods nearby in the entering in and out of the space of the building in the entering in and out of the space of the room in the entering in and out of the space around the hands in the entering in and out of the space between the hands.

How connected we are with everyone.

The space of everyone that has just been inside of everyone mixing inside of everyone with nitrogen and oxygen and water vapor and argon and carbon dioxide and suspended dust spores and bacteria mixing inside of everyone with sulfur and sulfuric acid and titanium and nickel and minute silicon particles from pulverized glass and concrete.

How lovely and how doomed this connection of everyone with lungs.

—

I’ve been wanting to do something with layers and the gorge. What form might it take?

march 25/4 MILES

36 degrees
downtown loop

Scott and I started at the Guthrie, ran next to the beautiful, extra blue Mississippi river under the Hennepin Avenue bridge and over the Plymouth bridge through Boom Island and Father Hennepin park over the Stone Arch bridge and then back to the car. At the start of the run, I noticed so many intense shades of blue. The sky a purplish blue clashing with the steel blue river and the royal blue biking/walking signs on the path. Then I noticed the wind–such wind!–almost taking our breath away. 15 mph with strong gusts.

Scott stopped to take a picture on the Stone Arch bridge and I asked him to include me in the picture:

jan 10/5.1 MILES

38 degrees
10% snow-covered
franklin loop

Another warm and windy day. Another run on the Franklin loop. The path is almost clear but that will change tomorrow when it snows again. Since they don’t clear the east side of the river path quite as well, I’m not sure how long it will be before I can run this loop again. Listened to my playlist and had a good run. Could tell I was getting faster and that my last mile was my fastest. It’s a very gray, gloomy day. What did I think about? I really can’t remember. Didn’t worry about anything. Didn’t experience doubts about whether I could keep running. Didn’t struggle with trying to find the right words or ideas for my poems. Didn’t feel guilt about something I’m supposed to do or something that I already did. Just ran and felt the wind in my face, at my back, rush past my ears. Avoided puddles and ice patches. And tried to keep my breathing steady.

jan 9/5.3 MILES

35 degrees
wind: 13 mph with 21 mph gusts
25% snow-covered
franklin loop

Warmer. Snow melting. Slushy and slick. The path was mostly clear with an occasional ice patch and some gritty debris. Dirt. Sand. Some dead leaves and ground up twigs. It made a fun rubbing sandpaper kind of a noise as my feet struck the asphalt. I’m glad I didn’t wear my headphones. I would have missed this sound entirely. Ran across the Lake Street bridge over to Saint Paul and up to Franklin. Noticed a few walkers heading down to the East River Flats, which I only discovered about a month ago. How wet and slippery is it down there? On the east side of the river it was calm and warm but I knew what that meant: all the wind would be on the west side in my face as I finished my run. And it was. I think I felt a few of those 21 mph gusts that I read about. Tough, but I didn’t stop. With a mile and a half left a runner—in shorts!–passed me but hovered just ahead. I followed him all the way home, feeling good.

Last year, I spent a lot of time trying to identify different versions of the wind. I think this year, or at least this winter, will be about the path–the different sounds it makes, how it feels, how it looks.

dec 19/4 MILES

36 degrees
10% snow-covered
wind: 20 mph
mississippi river road south/minnnehaha falls/mississippi river road north

Earlier this morning I took the dog for a walk and the weather seemed perfect. Not much wind. Warm. Sunny. So, even though I ran yesterday and the day before that, I decided that I better get out there. Tomorrow it’s supposed to snow and the paths will probably be covered again with ice.  I got ready but just before I opened the front door to leave I heard it. The wind howling. Uh oh. I decided it was too late to stop so I went out for my run. The wind wasn’t too bad–only gusting in my face occasionally. Most of the time, it was at my back. When I reached the river road, I ran to the right instead of the left—to Minnehaha Falls. Pretty cool. Half frozen, half gushing. The path was almost completely clear. Only a few ice patches.

nov 15/4 MILES

37 degrees
wind: 16 mph/gusts up to 25 mph
mississippi river road path, north

Windy. Dark. Gray. Cool. Before leaving the house, I could see the trees swaying, so I knew it would be windy. Decided to not wear headphones and pay attention to the wind instead. How many versions would I be able to name? Remembering to pay attention to the wind was difficult. I kept getting distracted. Another runner creeping up on me. I could hear their feet strike the grit on the path. Tried slowing down a little–or did I unwittingly speed up?–to let them pass. They must have turned off at Lake Street. The few remaining orange and gold leaves stubbornly clinging to the branches, refusing to concede to winter. The faint beeping of an alarm–beep beep beep beep beep–coming from a car driving by. The uneven path just past the railroad bridge, waiting to twist my ankle if I stepped wrong. But even with these distractions, I noticed the wind.

versions of the wind

  • Muted wind, made gentle by a hood covering my ears. Roars becoming whispers
  • Sneaky wind, hiding from me, tricking me into forgetting about it until the path twists and it rushes at me, full force
  • Thoughtful wind, generously clearing the leaves off the path right in front of me
  • Teasing wind, playing with my hood, moving it onto my shoulder where it bunches up annoyingly
  • Helpful wind, pushing me along, enabling me to go faster, feel freer in the second half of my run

The sounds and textures of the wind blended in with other sounds. Was that the wind rushing at my back or a car whooshing along the river road? Wind blowing turned into cars traveling into a bike wheel turning, its chain clanging into wind shivering into a leaf blower blowing into jagged breathing into grit crunching. So many noises, one flowing into the next, never starting or stopping just shifting form.

As I ran, I thought about form. How I’ve been taking writing classes on form–unconventional forms, finding the right form, using different forms to provoke and inspire–and thinking about my running form. I’d like to write a poem or a hybrid essay about form, weaving together ideas about writing and running form. Maybe include one of my favorite lines by a poet about how form is a way of conserving energy–“energy soon leaks out of an ill-made work of art.” Forms: the shape of the wind, bare oak branches, sloping hills, relaxed shoulders, slightly bent trunk, twisting path, winding river, flowing sounds, scattered leaves piled up on the path.

I also noticed the colors. Oh, the colors of late fall! Not as showy as October’s glowing greens and yellows and oranges and flaming reds, but achingly beautiful. Dark dark brown, tan, steel gray, pale blue. Flashes of rusted red and burnished gold. All muted colors, nothing bright to hurt my eyes, nothing too intense to disrupt the calm that has sunk beneath the surface of my skin.

One final memory: Running on my favorite part of the path where it dips below the road and close to the top of the gorge, my shoe squeaked as it landed on wet leaves.

Today’s run has given me so many writing ideas! Lunes about the wind. An anaphora about color. A pantoum about the shifting shapes of sound.

update: here are the poems I just crafted after writing my log entry:

versions of the wind, mostly haikus, a few lunes

1.
muted wind, softened
by hood covering cold ears
roars become whispers

2.
sneaky wind, tricking
me into thinking it left.
still here, just hiding.

OR

the sneaky wind hides
making me think it has gone
it waits near the gorge

3.
thoughtful wind
clearing leaves off path
as I near

OR

the thoughtful wind clears
the pile of leaves off the path
before I approach

4.
teasing wind
playing with my hood
annoying

OR

near the bridge
the teasing wind plays
with my hood

5.
running fast
and feeling freer
wind at back

OR

helpful wind, pushing
me to run faster, freer
it is at my back

OR

the wind helps me to
run faster and feel freer
when it’s at my back

Not an anaphora about color, just free verse

Oh, the colors in November!
The closing credits of fall
after October’s big show
so subdued in their splendor
nothing bright or intense to disrupt
the calm that sits
on the surface of my skin
dark brown
light tan
steel gray
pale blue
rusty red
burnished gold
I stare at the gorge
my eyes grateful
for the rest.

a pantoum

Running log, november 15, 4 miles
today I’m paying attention to the wind
but it is not the only sound I hear
the wind mixes with other noises

I’m listening closely for the wind
but I’m confused—is that the wind or a car coming?
the wind mixes with the noise of whooshing wheels
one sound blends into the next

I’m confused—is that the wind or a car coming?
or is it the wheel of a bicycle, its chain clanging?
one sound blends into the next
the rushing wind becomes whooshing car wheels then a whirring bike wheel

A bike wheel, its chain clanging, becomes the wind again,
shooshing, sounding like brushes softly hitting a snare drum until
the wind becomes the distant hum of a leaf blower then my quick breaths as I run
sometimes jagged, sometimes smooth

sounding like wind that roughly rushes near the bridge or softly sifts through the tall grass
so many noises, one flowing into the next
never starting, never stopping
wind car bike leaf blower runner the shifting shapes of sound