Author: Sara Puotinen

4.1 miles
river road path, north/south
66 degrees
humidity: 78%

What a great run! Partly because I felt good, but mostly because I was able to hold onto some thoughts about my poetry and then, 2 miles in, had a breakthrough about my larger goals in writing and how they connect with my earlier intellectual work. I had planned to run 4 miles without stopping but when the idea came to me I decided I should stop at 3 miles and record my thoughts on my phone. I did and then ran another mile. When I stopped the second time, I recorded a few more thoughts into my phone.

Here’s the transcript:

My poetry comes out of decades of work on an ethics of care and curiosity…a pedagogy and poetics of care…fundamental to the care is both the disrupting of knowing and vision and the posing of alternatives, other senses, other motivations for caring and curiosity. Not to know and to dominate but to feel and experience and that connects in with my vision problems and my earnest efforts to both explore the alternatives and to play and trouble the idea of knowing anything with my vision which often leaves me ignorant or produces fantastical or unreal images. That is what this project is all about, it is undergirded by this poetics and pedagogy and ethics of care as paying attention, being aware, being curious.

I’m interested in how our senses get disrupted and this ability to know becomes impossible or distorted through cone dystrophy or through running or swimming of walking or moving. How this impacts what we feel and know and what we can know, how we know it. And some of this exposes the inability to ever really know or the undesirability of striving to know, but it also opens up new ways of knowing and thinking and being that breathe and move.

Cool. I need to work on this stuff some more, but it’s a good start!

This morning it’s overcast. Rain is coming. Thunderstorms this afternoon. Everything is dark and green and out of focus. Soft, not sharp. Fuzzy. Saw several people parking under the lake street bridge and walking down the road to the rowing club. Will I get to hear some rowers on the river? (No.) Caught glimpses of the river through the trees. With all the green up above, you could run miles on this trail and forget that the river was below. Was able to greet the Daily Walker. Encountered a few dogs and their humans. No man in black–does he walk earlier in the summer? Or is he on vacation? Encountered several runners, one flashed a big smile as a greeting. Running by the construction site for Minnehaha Academy, upper campus, I thought about when the old building exploded 2, or was it 3?, years ago.

The Rules
Leila Chatti

There will be no stars—the poem has had enough of them. I think we can agree
we no longer believe there is anyone in any poem who is just now realizing

they are dead, so let’s stop talking about it. The skies of this poem
are teeming with winged things, and not a single innominate bird.

You’re welcome. Here, no monarchs, no moths, no cicadas doing whatever
they do in the trees. If this poem is in summer, punctuating the blue—forgive me,

I forgot, there is no blue in this poem—you’ll find the occasional
pelecinid wasp, proposals vaporized and exorbitant, angels looking

as they should. If winter, unsentimental sleet. This poem does not take place
at dawn or dusk or noon or the witching hour or the crescendoing moment

of our own remarkable birth, it is 2:53 in this poem, a Tuesday, and everyone in it is still
at work. This poem has no children; it is trying

to be taken seriously. This poem has no shards, no kittens, no myths or fairy tales,
no pomegranates or rainbows, no ex-boyfriends or manifest lovers, no mothers—God,

no mothers—no God, about which the poem must admit
it’s relieved, there is no heart in this poem, no bodily secretions, no body

referred to as the body, no one
dies or is dead in this poem, everyone in this poem is alive and pretty

okay with it. This poem will not use the word beautiful for it resists
calling a thing what it is. So what

if I’d like to tell you how I walked last night, glad, truly glad, for the first time
in a year, to be breathing, in the cold dark, to see them. The stars, I mean. Oh hell, before

something stops me—I nearly wept on the sidewalk at the sight of them all.

I love this poem. Unsentimental sleet? So great.

swim: .68 miles
1200 yards/4 small loops
big beach, lake nokomis

Went swimming at the big beach this afternoon while Scott ran around the lake. Cold(er) and windy but still great. I love swimming gin the lake. As always, a little unsettled, wondering what fish are swimming below me. It was only 70 degrees with a few random showers, so I had the lake to myself, except for a few kayakers and paddle boarders.

3.1 miles
river road path above, south/below, north
65 degrees

What a beautiful morning! Not too hot or humid or windy or sunny. Didn’t listen to music or an audio book or the gorge–except I did hear the coxswain’s bullhorn, a man’s voice today. Ran on the path next to the road on the way to the falls then turned at the double bridge parking lot (44th) and ran below, on the path that starts as dirt then mulched leaves then uneven, barely intact asphalt then newer asphalt. This path undulates, climbing up by 42nd, then down, up by Folwell, then down, then mostly flat until the steps at 38th street. You can take these up and run by the road again or take your chances running down on the dirt path of the Winchell Trail–usually there’s a muddy, mucky spot halfway to the bottom of the Oak Savanna and then too many wildflowers crowding out the already narrow path. Sometimes I take my chances, today I climbed the steps and then kept going past the turn-off and down through the tunnel of trees. Felt pretty good and was happy to run 3 miles without stopping to walk. I like trail running. Sometime this summer I’ll have to convince Scott to run the limestone trail at Pike Island near Fort Snelling.

Tried to think about my writing goals and what I want to do with my vision poetry, but couldn’t hold on to any thoughts.

I really like the storytelling in this poem and the light, easy way it packs so much into a story about sitting around in doughnut pajamas on your 39th birthday.

Lounging on the Couch on my 39th Birthday in Pink Flannel Donut Pajamas/Julie Danho

Surely birds would love to peck
at the dozens of donuts adorning
my arms and legs: the glazed, the jellied,
the vanilla frosted scalloped at the edges
like the worn lace tablecloth in Sito’s
tenement apartment where my mother
father sister aunts uncles cousins
would cram in Sundays, post church,
and I’d eat the frosting off two, return
the bottoms to the box while Sito frowned
and Gido insisted I should disfigure
as many donuts as made me happy. After
he died, she pulled the walls around her
like an afghan and didn’t leave. Sundays,
when I delivered the church bulletin
to her recliner, she’d clasp my face
in both hands, grateful. It’s been decades
since I sat in a pew, but I brought my mother
to the last church hafla, where she won
these pajamas instead of what she wanted
(the platter of walnut baklawa). And maybe
I’ve lived too long to be lounging in pink
flannel donut pajamas, but I love how they
rub against my legs like a cat’s head,
love that someone spent time dreaming up
improbable donuts, like this one here
frosted blue-green, then crosshatched
with piped white stripes, topped with pink
and red sprinkles, a sugared inner tube
floating the middle. How can’t I be hungry?
In the next room, my birthday cake sits
on Sito’s old table, mine since the day
we emptied her apartment and I opened
dresser drawer after dresser drawer to find
hundreds of crocheted dishcloths, stacked
as neatly as cash for a ransom. We knew
she must have made them in her recliner
by the window on those days none of us
were there. It’s almost noon and I’m still
in pajamas, waiting for my daughter
and husband to march into the room
and play me the birthday song they wrote,
her on toy guitar, him on mandolin. I hear
them practicing and it’s so sweet my teeth
ache. Sito, was it once like this for you?

4 miles
mississippi river road path, north/south
70 degrees

Another beautiful morning. Not too hot or humid or windy. Ran towards downtown, past the welcoming oaks, the two ancient boulders left behind from the last ice age 10,000 years ago, the path above the floodplain forest. Under lake street bridge, up above the minneapolis rowing club, under the railroad bridge, along the split rail fence for 2 miles until I reached a dirt path that cut down through some trees to another dirt path. Walked for 1/2 a mile back towards the railroad bridge, climbed some steep wooden stairs that reminded me that my right knee was sore, then ran back on the paved path to the 36th street parking lot and home.

Nearing the railroad bridge I heard a honk. A truck on the other side? A big boat on the river? No, a train! I wondered if it was coming or going and if I’d be able to see it when I reached the bridge. With all the trees, it’s hard to see the top of the bridge until you’re almost right under it. When I got there, a train engine! Only the engine so my timing was lucky. Any sooner or later and I would have missed it. I think this is the first time I’ve ever encountered a train on the trestle. Will I ever see one again? Mundane I guess, but really cool to me.

The dirt path below the split rail fence was mud free and mostly bug free. Much steeper than some of the paths further south. In a few stretches, there was a chain link fence, leaning out. Another stretch had a plastic, make-shift fence. One small section, right above a sewer pipe, had a wrought iron fence. As I reached it, I could hear voices up above and water trickling below. Next time I’d like to run this stretch. I had planned to walk the short part that passes under the trestle and then take the steep stone steps up but didn’t. I was nervous that someone might be down there. Maybe next time? I always struggle to find a balance between being too scared and being safe.

In 2002, Alice Oswald published a book-length poem about the River Dart in south west England–in Devon. She took a tape recorder and interviewed people she encountered on the river. Here’s an excerpt of an excerpt:

Dart/Alice Oswald

The Dart, lying low in darkness calls out Who is it?
trying to summon itself by speaking…

the walker replies

An old man, fifty years a mountaineer, until my heart gave out, so now I’ve taken to the moors.
I’ve done all the walks, the Two Moors Way, the Tors, this long winding line the Dart

this secret buried in reeds at the beginning of sound I
won’t let go of man, under
his soakaway ears and his eye ledges working
into the drift of his thinking, wanting his heart

I keep you folded in my mack pocket and I’ve marked in red where the peat passes are and the
good sheep tracks

cow-bones, tin-stones, turf-cuts
listen to the horrible keep-time of a man walking,
rustling and jingling his keys
at the centre of his own noise,
clomping the silence in pieces and I,
in the pit of his throat, I
summon him just out of earshot

I don’t know, all I know is walking. Get dropped off the military track from Oakehampton and
head down into Cranmere pool. It’s dawn, it’s a huge sphagnum kind of wilderness, and an hour
in the morning is worth three in the evening. You can hear plovers whistling, your feet sink right
in, it’s like walking on the bottom of a lake.

What I love is one foot in front of another. South south west and down the contours. I go slipping
between Black Ridge and White Horse Hill into a bowl of the moor where echoes can’t get out.

Listen,
a
lark
spinning
around
one
note
splitting
and
mending
it

and I find you in the reeds, a trickle coming out of a bank, a foal of a river

one step-width water
of linked stones
trills in the stones
glides in the trills
eels in the glides
in each eel a fingerwidth of sea

in walking boots, with twenty pounds on my back: spare socks, compass, map, water purifier so I
can drink from streams, seeing the cold floating spread out above the morning,

tent, torch, chocolate not much else.

Which’ll make it longish, almost unbearable between my evening meal and sleeping, when I’ve
got as far as stopping, sitting in the tent door with no book, no saucepan, not so much as a stick
to support the loneliness

he sits clasping his knees, holding his face low down between them,
he watches black slugs,
he makes a little den of his smells and small thoughts
he thinks up a figure far away on the tors
waving, so if something does happen,
if night comes down and he has to leave the path
then we’ve seen each other, somebody knows where we are.

…

3.5 miles
river road path, north/south
63 degrees
87% humidity/dew point: 61

Even though the humidity and dew point were high, this run wasn’t miserable. It helped that it was only 63 degrees. Ran a little faster than I realized. Spent a lot of time trying to slow down my breathing with chanting: “strawberry/yogurt” in 2 3/out 2. Couldn’t see the river or hear any rowers. Greeted other runners. Didn’t see any roller skiers or rollerbladers or many bikers. No dogs. No squirrels. Only one large-ish group of runners. Thought a lot about the stretch of the trail (my favorite part, which dips below the road) that I’m writing at least 2 haibuns about. I’ve written one about descending into it already. The second one is about ascending. After stopping to study it, I’ve realized that the season for the haibun is late August, when the trees are thick with leaves and heavy with trapped humidity/insects. When you can’t see the river or the road or the forest because of all of the green.

Almost forgot–a bug flew on my face and then into my mouth mid-run. I was able to spit it out, which was gross. At least I didn’t gag on it, like I have in the past. Yuck!

Summer/Ronald Johnson (1967)
excerpt

2
What the Earth Told Me

No surface is allowed to be bare,

& nothing to stand still. A man could forever study a pebble

& at last see dilations & expansions of the hills—

to pull the most slender stalk, is to jostle the stars,

& between the bearded grass

& man ‘looking in the vegatable glass

of Nature’, is a network of roots & suckers

fine as hairs.

I threw a stone upon a pond

& it bounded the surface, its circles interlacing

& radiating out to the most ephemeral edge.

Flint & Mica, Lichened Limestone, Shale & Sarcens, Sandstone, Soil.

I saw the wind moving on a meadow

& the meadows moving under wind—

lifting, settling & accumulating.

Flint & Mica, Lichened Limestone,

Shale & Sarcens, Sandstone, Soil.

3
What the Air Told Me

It is breathed into Orpheus’ lyre & as rocks & trees & beasts

is divided there. Its origins strain

precedes the sound, by as much as echoes follow after:

the quivering of ‘cow-quake’, a ‘loud audible

humming of bees on the down’, stresses within the sustaining earth,

clouds of fleece & mare’s tail.

I saw with single eye, the facet of the fly—

the infinitesimal mechanics & all the metallic sheens

of a blue-bottle. In a land where the sun grows fat on cloud

& summer hasn’t come

till your foot can cover twenty daisies,

she came to the dark, open beak

& laid a myriad of eggs. And in two day’s time the dead

bird’s body simulated life: maggots in eye-socket &

under feather, in a subtle movement.

The White & The Glistening.

4
What the Leaf Told Me

Today I saw the word written on the poplar leaves.

It was ‘dazzle’. The dazzle of the poplars.

As a leaf startles out

from an undifferentiated mass of foliage,

so the word did from a leaf—

A Mirage Of The Delicate Polyglot

inventing itself as cipher. But this, in shifts & gyrations,

grew in brightness, so bright

the massy poplars soon outshone the sun . . .

‘My light—my dews—my breezes—my bloom’. Reflections

In A Wren’s Eye.