Tag: green

may 8/RUN

4.5 miles
veterans’ home loop
61 degrees
humidity: 78%

Went out for my run too late (10:30 am) and paid for it. Very hot. I could feel it in my legs, thick and heavy. I was okay for the first half, but needed to walk a few times in the second half. Too much green air. I could feel it in my lungs, heavy and thick.

I could still see the river through the light green leaves, but I don’t remember what it looked like. Was it blue? Probably. Did I see my shadow? I don’t remember. I didn’t hear or see any rowers.

Lots of people at the falls. I ran up the steps by the bridge right above where the creek water falls, two at a time. Looking down from the high bridge that delivers you to the Veterans’ home, everything looked green. I thought I saw one of those stone bridges below but it looked strange — had it fallen into the rushing water? Not sure. On the grounds of the Veterans’ home, I smelled the freshly mowed grass, noticed the dark streaks of wet grass smeared on the sidewalk. Stopped to admire the water rushing over the concrete at the locks and dam #1. Put in my Sara 2020 playlist.

Listened to birds and shuffling feet as I ran south, Lizzo and Billie Eilish and Nur-D on the way back north.

Mary Ruefle and Green

before the run

As spring happens, the sudden shock of new life everywhere, I’m thinking about green, which makes it a good time to read Mary Ruefle’s prose poem about green sadness:

from My Private Property/ Mary Ruefle

Green sadness is sadness dressed for graduation, it is the
sadness of June, of shiny toasters as they come out of their
boxes, the table laid before a party, the smell of new straw-
berries and dripping roasts about to be devoured; it is the
sadness of the unperceived and therefore never felt and
seldom expressed, except on occasion by polka dancers
and little girls who, in imitation of their grandmothers,
decide who shall have their bunny when they die. Green
sadness weighs no more than an unused handkerchief, it
is the funereal silence of bones beneath the green carpet
of evenly cut grass upon which the bride and groom walk
in joy.

funereal: having the mournful, somber character appropriate to a funeral.

Reading about Ruefle’s “color spectrum of sadness,” somebody else pointed out her final words about her color poems in the last sentence on the last page of her book:

Author’s note: In each of the color pieces, if you substitute the word happiness for the word sadness, nothing changes.

Another thing to note about her note: she describes them as pieces not poems. I wonder if she talks explicitly about how/why/what she names them in an interview somewhere? Answer? I found a 2015 interview with her where (I think) she’s discussing My Private Property and she suggests that it contains fiction, essays, and prose poems, which I’m thinking refers to the color pieces. So I’ll stick with calling them prose poems.

I’m also thinking about green because of the Robin Wall Kimmerer story I encountered in the amazing journal, Emergence. I started listening to her reading of it — she has such a wonderful voice! — but it’s 35 minutes, so it will take some time.

Ancient Green / Robin Wall Kimmerer

One wonderful line I’ve already heard:

Mosses, I think, are like time made visible. They create a kind of botanical forgetting. Shoot by tiny shoot, the past is obscured in green. That’s why we have stories, so we can remember.

Yes, the idea of green obscuring/concealing things. I often think about that as I’m running beside the gorge, unable to see the river or the other side because of so much green.

On today’s run, I hope to think about green.

during the run

My green goal was off to a good start when I spotted a bunny in the alley just before starting to run and thought, the bunny from the line about green sadness, little girls who, in imitation of their grandmothers, decide who shall have their bunny when they die.

10 Green Moments and Feelings

  1. At the start of the run, just above the oak savanna, floating through light green air, both in color and weight
  2. Midway through the run, in Wabun, above Locks and Dam #1, plodding through bright green air, thick and hot
  3. green grass in the boulevard — growing fast
  4. green light shining through the trees — glowing soft
  5. green sinuses, closing up my nose
  6. green voices — kids at the playground
  7. green-stained sidewalks — the whispers of grassy sadness
  8. green sky instead of clean blue air
  9. green weeds pushing through pavers, joining the orange tulips beside Longfellow’s “The Song of Hiawatha” at the park
  10. green curiosity — how much of this green am I actually seeing and how much am I conjuring from when I had more cone cells?

As I ran, I also thought about a mood ring poem that I’m revising: incurable. I’m trying to contrast my disdain for searching for a cure for my vision loss which I’m linking to images of pickling, preserving, curing, with my relief in knowing, with some certainty, that there is no cure — this I’m envisioning as being outside in fresh, open spaces with wider views. As I write this description, I think I need to tighten up my fresh images. Anyway, as I ran, I thought that if these images correspond to colors, then curing would be green and fresh would be blue — or should it be another shade (or is it tint) of green?

after the run

a few passages from Ancient Green / Robin Wall Kimmerer:

If success is measured by widespread distribution, they occupy every continent, from the tropics to Antarctica, and live in nearly every habitat, from desert to rainforest. If success is measured by expanse, consider the vast peatlands of the north, blanketed by sphagnum moss. If success is colonization of new places, mosses are the first to occupy new places after an eruption or a forest fire or a nuclear meltdown. If creativity and adaptation are the metrics, mosses have diversified to fill every niche, generating more than eleven thousand uniquely adapted species, an outpouring of biodiversity. If success lies in beauty—well—just look.

Mosses make minimal demands on their surroundings. All they need is a little light, a sheer film of water, and a thin decoction of minerals, delivered by rainwater or dissolution of rock. If they are hydrated and illuminated, they will exuberantly photosynthesize and expand the green carpet. But when times are tough, most simply stop growing and wait until water returns. They don’t die, they just crinkle up and pause, following the rhythms of the natural world, growing in periods of abundance and waiting through periods of scarcity: a wise strategy for life that is in tune with uncertainty.

Moss lifeways offer a strong contrast to the ways we’ve organized our society, which prioritizes relentless growth as the metric of well-being: always getting bigger, producing more, having more. Infinite growth is ecologically impossible and exceedingly destructive, as it demands the transformation of the lives of other beings into raw materials to feed the fiction. Mosses show us another way—the abundance that emanates from self-restraint, from enoughness. Mosses have lived too long on this planet to be seduced by the nonsense of accumulation, the delusion of permanence, the endless striving for productivity. Maybe our heartbeats slow when we sit with mosses because they remind us that contentment could be ours.

Green teachers. Green patience resilience. Green enoughness.

april 25/RUN

3.75 miles
2 trails + extra*
42 degrees

*extra = instead of ending the run at the 38th street steps, I kept going past the oak savanna and the overlook, down through the tunnel of trees, over the double bridge, before crossing over to edmund at 32nd and running back home

Felt warmer than 42 degrees with the sun and too many layers — black running tights, black shorts, long-sleeved bright yellow shirt, bright orange pull-over. The thing I noticed most today were the shadows. Heavy shadows everywhere. The shadows of trees, some stretching across the path, others leaning down, just above me. The shadow of a flying bird, a waiting lamppost.

10 Other Things I Remember from my Run

  1. the loud knocking of a woodpecker
  2. someone complaining to someone else on the phone. I first heard them up ahead of me near the old stone steps, then as I passed them on the trail, then about 10 minutes later from across the river road as I ran on the grass near edmund
  3. the river, blue with less foam, not quite as high. I was planning to admire its sparkle near the south entrance to the winchell trail but I was distracted by 2 walkers just ahead of me on the trail
  4. lower on the winchell trail the gorge below me was all river, no shore in sight
  5. a trickle of water at the 44th st sewer, gushing at 42nd
  6. kids playing at the school playground, yelling, laughing. one adult chanting something
  7. the leaning trees I noticed a few weeks ago are still leaning, almost blocking the trail. A few times, I had to duck to avoid small branches
  8. music playing (not loud enough to describe it as blasting) out of a car’s radio — some sort of rock music that I didn’t recognize
  9. one section of the split rail fence — where? I can’t remember — is broken and needs to be repaired
  10. most walkers I encountered were overdressed in winter coats, hats, gloves

Having finished my series of colorblind plates and feeling unmotivated to read the final sections of Ammons’ garbage, I’m project-less. Not a problem, except the lack of focus makes my mind wander everywhere. Here are just some of the things I thought about before my run this morning:

a new-ish bio

Once or twice a year, I take some time to submit poems to different literary journals. Not sure about the exact math, but I’d say I have about a 5% acceptance rate, which I don’t think is that unusual. I got used to rejection as an academic. Still stings though. Maybe that’s why I don’t submit that often. I think I also haven’t submitted a lot because I don’t care that much about being published, especially as a way to achieve fancy poetry status. But, I’d like to share my poems with a wider audience and if I only post them on my blog they don’t get read by a lot of people and I can no longer submit them to journals (most of the journals I’m encountering consider posting a poem on your personal blog as it being published already). I’d also like to apply for a grant and do an exhibit/installation of my vision test poems and I think having some of them published might help me to get that grant. So, with all that in mind, I’m currently sending poems out to different journals. As part of the submission, you write a cover letter and include a 50-150 word bio. A few days ago, I started playing around with my bio — I included a few in a post log entry on here. This morning I was still thinking about the bio. I was hoping my run would help me find another sentence for this unfinished bio:

Sara Lynne Puotinen lives in south Minneapolis near the Mississippi River Gorge where she enjoys conducting experiments in writing while moving, moving while writing, and doing both while losing her central vision. Sometimes she composes chants while running up hills, or uses her breathing patterns as she swims across a local lake to shape her lines. 

The run didn’t help. In fact, I forgot to even think about my bio. Oh well.

april 21, 2022

As part of my daily, “on this day” review, I was reading through past log entries early this morning. Last year’s was especially good (I almost wrote fire, but thought better of it — okay, I did actually write it, but then deleted it). So many things to put in my ongoing projects list!

First, this:

While I ran, I wanted to try and think about fungi as hidden, always in motion/doing (a verb, not a noun), and below. Had flashes of thought about what’s beneath us, and how I’m often looking down through my peripheral, even as I look ahead with my central vision. 

an experiment to try: While moving outside, give special attention to what’s beneath you, what you see, feel, hear at your feet. Make a list in your log entry.

variation: while trying don’t give attention to anything in particular. Just move. Then, in your log entry, try to remember 10 things you noticed below you.

Second:

I heard the creaking, squeaking branches and thought about old, rusty, long hidden/forgotten doors being opening — a trap door in the forest floor. I didn’t imagine past the open door or the idea that it led to the river basement (using basement here like ED in “I started Early — Took my Dog”). Still, I enjoyed thinking that I could access this door and something in my moving outside was opening a long shut door.

a question to consider: what doors await me in the gorge? where do they lead? how can I open them?

This morning, I was refreshing my memory of a Carl Sandburg poem I memorized a few years ago called “Doors.” If a door is open and you want it open, why shut it? If a door is shut and you want it shut, why open it?

Third: I love this poem — Mushrooms/ Sylvia Plath

Fourth:

An idea I have right now (25 april 2022, that is) for a poem involves playing off of these lines from Mary Oliver:

Listen, I don’t think we’re going to rise
in gauze and halos. 
Maybe as grass, and slowly. 
Maybe as the long leaved, beautiful grass

And this bit from Arthur Sze in an interview with David Naiman:

I began to think I love this idea that the mycelium is below the surface. It’s like the subconscious, then when the mushroom fruits pops up above ground, maybe that’s like this spontaneous outpouring of a poem or whatever.

Something like this?

Maybe like mushrooms, we rise
or not rise, flare
brief burst from below
then a return 
to swim in the dirt…

I (sara in 2023) would like to do something with this fragment, maybe tie it together with some of my thoughts about Ammons and garbage?

grass

Mary Oliver’s mention of grass reminded me of a poem I like by Victoria Chang, which led me to a log entry from Jan 11, 2022:

Left Open / Victoria Chang

We can’t see beyond
the crest of the wooden gate.
We are carriers
of grass yet to be grown. We
aren’t made of cells, but of fields. 

I like this idea of being a carrier of grass yet to be grown. My first thought was of grass on graves — Whitman’s “uncut hair of graves” or Dickinson’s “The color of the grave is green”. Then I thought of Gwendolyn Brooks’ “To the Young Who Want to Die”:

Graves grow no green that you can use.
Remember, green’s your color. You are Spring.

Of course, all this grass talk also reminded me of this part of the cento I just created as one of my colorblind plate poems:

The world mostly g
one, I make it what I want: I 
empty my mind. I stuff it with grass. 
I’m green, I repeat. I grow in green, burst u
p in bonfires of green, whirl and hurl my green
over the rocks of this imaginary life.

This cento is made out of lines from poems I’ve gathered for this log:
The world mostly gone, I make it what I want (Psalm with Near Blindness/ Julia B. Levine)
I empty my mind. I stuff it with grass. I’m green, I repeat. (Becoming Moss/Ella Frears)
I grow in green (Paean to Place/ Lorine Niedecker)
burst up in bonfires of green (The Enkindled Spring/ D. H. Lawrence
whirl and hurl my green over the rocks (Oread)
this imaginary life (The Green Eye/ James Merrill)

addendum, 26 april 2023: Reading back through my entries about A. R. Ammons as I prepare to post my monthly challenge for April, I encountered these lines from Ammons’ pome “Grassy Sound.” How could I have already forgotten them?!

The wind came as grassy sound 
and between its
grassy teeth
spoke words said with grass

Happy Birthday Ted Kooser!

Discovered via twitter that today would have been Ted Kooser’s 84th birthday. What a wonderful poet! I’ve gathered 6 of his poems for this log:

  1. Grasshopper/ Ted Kooser
  2. The Early Bird/ Ted Kooser
  3. A Heron/ Ted Kooser
  4. In the Basement of the Goodwill Store/ Ted Kooser
  5. Carrie / Ted Kooser
  6. Turkey Vultures/ Ted Kooser

march 22/WALK

30 minutes, with Delia
neighborhood, near the river
29 degrees

It rained last night, which helped melt some more snow. Everything wet and dripping today. Mud and muck on the edges, puddles in the middle. Walking by a neighbor’s house I heard a rhythmic drip drip drip. Also heard a pair of woodpeckers pecking, then laughing. Whispered Brooks’ “The Crazy Woman” and Oliver’s “Wild Geese” to myself as I walked.

James Schuyler, Hymn to Life, Page 10

Begin with As windows are set, end with What are the questions you ask?

As windows are set in walls in whited Washington. City, begone
From my thoughts: childhood was not all that gay. Nor all that gray,
For the matter of that.

Yesterday I looked it up and discovered that Schuyler grew up in Washington, which I would have figured out anyway after reading this line.

Gay and gray. My favorite use of this pair is in Gwendolyn Brooks’ wonderful poem:

The Crazy Woman by Gwendolyn Brooks

I shall not sing a May song.
A May song should be gay.
I’ll wait until November
And sing a song of gray.

I’ll wait until November
That is the time for me.
I’ll go out in the frosty dark
And sing most terribly.

And all the little people
Will stare at me and say,
“That is the Crazy Woman
Who would not sing in May.”

May leans in my window, offering hornets.

What a line! Speaking of hornets — or wasps? or yellow jackets? or something that stings like that? — we have a few nests in our eaves. Every winter I talk about removing them before it gets too late in the spring, and every year we forget. Will we remember this year?

The fresh mown lawn is a rug underneath
Which is swept the dirt, the living dirt out of which our nurture
Comes, to which we go, not knowing if we hasten or we tarry.

The daily tasks, like mowing the lawn, a way for us to try to keep the inevitable at bay, or to think we have some control over death, or to avoid confronting it.

May
Opens wide her bluest eyes and speaks in bird tongues and a
Chain saw.

I love this line and how he brings together these two sounds! I’m always thinking about, and writing about, hearing the birds mixed in with the buzz of chainsaws or leaf blowers or lawn mowers. I like imagining that all of these sounds are May speaking.

The blighted elms come down. Already maple saplings,
Where other elms once grew and whelmed, count as young trees.

whelmed = archaic; engulfed, buried, submerged.

Was wondering if there are elms in the Mississippi River Gorge. Found some info about the invasive species, Siberian Elm.

Also, just remembered a poem I posted back in 2019:

Elms/ LOUISE GLÜCK

All day I tried to distinguish
need from desire. Now, in the dark,
I feel only bitter sadness for us,
the builders, the planers of wood,
because I have been looking
steadily at these elms
and seen the process that creates
the writhing, stationary tree
is torment, and have understood
it will make no forms but twisted forms.

In
A dishpan the soap powder dissolves under a turned on faucet and
Makes foam, just like the waves that crash ashore at the foot
Of the street. A restless surface. Chewing, and spitting sand and
Small white pebbles, clam shells with a sheen or chalky white.
A horseshoe crab: primeval. And all this without thought, this
Churning energy. Energy!

Sometimes I can be dense, so here’s a potentially dumb question: is he talking literally about waves — I know the narrator of this poem lives near the ocean — or is this a metaphor for the waves of debris on post-winter streets, reemerging in spring? I imagine it could be both. I’ll take it as a metaphor and wonder about what crushed up crustaceans might be unearthed in asphalt eroded by winter salts. Here in Minneapolis, near the Mississippi River Gorge, we were once part of the Ordovician Sea, so I can imagine some of that might still be present in the crushed up rock used to pave our paths and roads.

The sun sucks up the dew; the day is
Clear; a bird shits on my window ledge. Rain will wash it off
Or a storm will chip it loose.

Ha ha. I love the word shit and what it does to this image — it doesn’t cheapen or tarnish it, but makes it more real, mundane, less precious. Oh — and it makes it a little gross, which I like.

Life, I do not understand. The
Days tick by, each so unique, each so alike: what is that chatter
In the grass?

Sometimes I’d like to understand, to have my questions answered, but more often I like not knowing, or not yet knowing what that chatter in the grass is. I like having the space to imagine all the different things it could be. Perhaps what it is is more magical than I could have imagined. Understanding is necessary, and so is imagination and possibility.

May is not a flowering month so much as shades
Of green, yellow-green, blue-green, or emerald or dusted like
The lilac leaves.

A few days ago, while doing some research on colorblindness for the series of color poems I’m currently writing I came across a video about “what it’s like to be colorblind.” In the video they included some side-by-side images of “normal” and “colorblind.” Both images looked almost the same to me, especially what was green. I could tell it was green, but it also could have been gray or brown (and maybe it was in the image that someone who is colorblind would see). The variations of green, the subtle differences between yellow-green or blue-green or emerald green are mostly lost on me. Instead, I see green or light green or dark green or gray green or brown. This May, I’ll have to pay close attention to green and what I see, then write about it.

The lilac trusses stand in bud. A cardinal
Passes like a flying tulip, alights and nails the green day
Down. One flame in a fire of sea-soaked, copper-fed wood:
A red that leaps from green and holds it there.

I have lost the ability to be shocked or startled by red, especially from a cardinal. There is a cardinal that summers in our yard — my daughter has named him Chauncy — but I never see his red coat. I only know him by the shape of his head, looking like an angry bird, and his birdsong. This month he has decided to help usher in spring by perching himself on the tree outside my kitchen window.

A lot is lost and missed when you can’t see the red flash — the flying cardinal, a small blinking light, a flare somewhere — that everyone else sees and instantly understands and assumes that you see too.

Reluctantly
The plane tree, always late, as though from age, opens up and
Hangs its seed balls out.

It’s not just me, right? You are picturing an old guy with his balls hanging out too?

Winter is suddenly so far away, behind, ahead.

Yes, like it never happened, or it happened to someone else. I call her Winter Sara.

From the train
A stand of coarse grass in fuzzy flower.

I love tall, ornamental grasses with fuzzy ends that look like feathers or flowers! Someday I will plant some in my yard.

I like it when the morning sun lights up my room
Like a yellow jelly bean, an inner glow.

I’m not a huge fan of jelly beans, but I appreciate that Schuyler’s line gave me the chance to think about them and to imagine that intense yellow in the center of a jelly bean, one that has a translucent shell, not an opaque one. As an adult, I’ve grown to love the color yellow. I wonder, would a yellow marble work for this too?

May mutters, “Why
Ask questions?” or, “What are the questions you wish to ask?”

I love this as the last line of the poem!

jan 31/RUN

3.5 miles
under the ford bridge and back
0 degrees / feels like -9
75% ice and snow-covered

Brrr. This isn’t the coldest run I’ve done this year, but it felt like it! Well, most of me was fine, just not my feet or my forehead. Running into the frigid wind, I got a brain freeze. A mile in, I had mostly warmed up. The path was in terrible shape. All uneven with long sheets of slick ice. I never worried about falling, but I got tired of moving all around the path trying to find bare patches.

I thought about Bernadette Mayer and her list of experiments, especially this one: “attempt writing in a state of mind that seems less congenial” (Please Add to This List, 12). Extreme cold + uneven, icy paths + lots of layers = less congenial. I wondered how these conditions affected what and how I noticed the gorge.

10+ Things I Noticed

  1. crunching snow, loud and brittle
  2. the smell of smoke from the usual chimney (the one on edmund that I always smell every winter)
  3. the river, half frozen, half open, all cold-looking
  4. the path, 1: almost completely covered in snow and ice
  5. the path, 2: the ice is flat and smooth and light brown
  6. the path, 3: an occasional bare strip, sometimes what I thought was bare was actually brownish grayish ice
  7. at least 2 other runners — we held up our hands in greeting
  8. 2 or 3 walkers — all bundled up, faces covered up to the eyes
  9. the buzzing of a chainsaw, laboring in the cold — workers trimming dead branches at Minnehaha Academy
  10. looking across the ravine from the double bridge, noticing someone dressed in dark colors walking along the retaining wall at the top of the overlook
  11. haunting wind chimes
  12. the sizzling of dead leaves on a neighbor’s tree
  13. the sharp scratch of another dead leaf as the wind blew it across the sidewalk

At the end of my run, walking back home, I marveled at the chattering birds, sounding like spring. I saw them, not their details, just their movements, fluttering, swooping, soaring, flashing. Then I heard the distinctive knocking of a woodpecker on some dead wood. Before I had a chance to enjoy the sound, the beep beep beep of truck backing up silenced the bird.

layers:

  • 2 pairs of black running tights
  • 2 pairs of socks
  • a green long-sleeved shirt
  • a pink jacket with hood
  • a thicker gray jacket
  • a gray buff
  • 1 pair of black gloves
  • 1 pair of pink/red/orange mittens, wool and fleece combo
  • a fleece-lined cap with brim
  • sunglasses

Lots of layers!

Oh, I needed this run! What a difference it makes for my mental health to get outside and move.

This morning, I happened upon this beautiful prose poem:

The Year We Fell in Love with Moss/ Sally Baker

We made our bed in its mounds and all our furniture was covered in mossy baize. We swam through velvet-lined tunnels, swagged ourselves in greenness all winter. It was the green of pond algae, the painted shed at the bottom of the old garden, kale, tourmaline, the needlecord skater’s dress I wore in 1979. It was the emerald brilliance of moray eels, of tree snails; pea soup green. We were moss creatures, felted deep in woods. It was the first plant on earth, at least four hundred and fifty million years old, its rhizoids like a forest of stars, rootless, absorbing moisture and minerals from rain, surviving in the harshest of climates. We became bryophyliacs, singing hymns in the sunken moss cathedrals, while light through the leaves flickered over us in waves, like signals, as if we’d been blessed. I believed moss could live forever. You told me about the Barghest who haunted the valley, could turn you to stone with a look.

I need to add this to my growing list of green poems!

nov 20/RUN

5.6 miles
franklin loop
19 degrees / feels like 9
5% ice and snow covered

Because it was sunny and because there wasn’t much wind and because I had the right number of layers on, today’s run was great. Not too cold. Maybe it helped that I did a 5 minute warm up on the bike in the basement? Very happy to be out there, beside the gorge, breathing in the cold air, and greeting Mr. Morning! and Dave, the Daily Walker.

The arch of left foot hurts a bit. I think I overdid it with the old shoes, the yak trax and the ice clumps on Thursday. I should not run tomorrow. Bummer.

Layers: 2 pairs of black running tights; pale green long sleeved shirt; pink jacket with hood; gray buff; black fleece lined baseball cap; 2 pairs of gloves — pink with white stripes on top, black underneath

Took the pink and white gloves off about 1 1/2 miles in. Pulled down the buff 5 minutes in, pulled off the pink hood at 1 mile. Unzipped and re-zipped my jackets throughout. At the end of the run I wasn’t cold, just soaked with sweat, my pony-tail dripping.

10 Things I Noticed

  1. the river, 1: running on franklin bridge the river was a clear blueish gray, no ice yet
  2. snow was covering the north face of an ancient boulder on the east side of the river
  3. random goose honks throughout the run, usually a lone goose flying low
  4. the sky was a pale blue, the gorge was giving off a blue-gray hue
  5. the only other colors: brown, white, a runner’s orange jacket, another runner’s pink one
  6. the river, 2: standing above the lake street bridge at my favorite spot on the east side I admired the open river, stretching wide, looking calm
  7. the river, 3: off in the distance the water glowed, burning a silver fire — not white, or any color, just shimmering light
  8. the river, 4: from the lake street bridge the river was studded with ice
  9. a voice on a hill on Edmund: a kid going sledding
  10. ending the run and crossing over to the boulevard the snow crunched in an unusual way. It sounded almost like the crinkle in a dog toy, or like I had some brittle paper stuck on my shoe

I made a recording of the crinkling snow:

crinkling snow / 20 november 2022

Scrolling through twitter, this piece — a prose poem? an essay fragment? — by Mary Ruefle from My Private Property. I might have to buy this book; I’ve posted at least one other essay/poem from it on here already:

from My Private Property/ Mary Ruefle

Gray sadness is the sadness of paper clips and rubber bands, of rain and squirrels and chewing gum, ointments and unguents and movie theaters. Gray sadness is the most common of all sadnesses, it is the sadness of sand in the desert and sand on the beach, the sadness of keys in a pocket, cans on a shelf, hair in a comb, dry-cleaning, and raisins. Gray sadness is beautiful, but not to be confused with the beauty of blue sadness, which is irreplaceable. Sad to say, gray sadness is replaceable, it can be replaced daily, it is the sadness of a melting snowman in a snowstorm.

The everydayness of gray sadness, its mundane, real, nothing special-ness, reminds me of a bit from the lyric essay I posted last week, Ode to Gray. Especially this bit:

Look at enough black-and-white photography and color comes to feel like an intrusion. Eggleston’s photos seem too vital to be real, as though depicting an alternate reality. Each image is delirious with hue, spectacular, delicious, but a little bit too much. The eye craves rest—and mystery, the kind of truth that can be searched only in subtlety. Dorothy may tumble, tornadic, into Technicolor, but still she always wishes to go home.

In addition to exploring gray this month, I’m also thinking about color in general, and colors that have been significant for me in this running log, like green. Here is a great green poem I found a few days ago. I haven’t thought of the coming of green as fire and flame before, but it works.

The Enkindled Spring/ D.H. Lawrence

This spring as it comes bursts up in bonfires green,
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up and the watery, flickering rushes.

I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, and sparks that puff in wild gyration,
Faces of people streaming across my gaze.

And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is tossed
About like a shadow buffeted in the throng
Of flames, a shadow that’s gone astray, and is lost.

june 8/BIKESWIMBIKE

bike: 8.4 miles
lake nokomis and back

swim: 400 yards
lake nokomis

My first outside bike ride of the year and my first swim! As my vision declines, I never know how hard it will be to bike. Will I be able to see? Will it be too scary? Today was okay. It’s very hard for me to see potholes or react quickly to unexpected things (crowded trails, passing another biker), but as long as I don’t go too fast and I give careful attention (all the time) as I ride, I should be okay. It’s a bit exhausting, but who cares? I can still bike!

Things I Heard While Biking

  1. drumming woodpeckers, twice
  2. the music from the ice cream truck
  3. a biker calling out calmly and quietly as she passed, “on your left”

Biked to the lake with my 19 year-old son, FWA. He’s planning to swim across the lake with me, at least once, although I’m hoping he’ll try it more than once. I’ve been dreaming about one of my kids being old enough to join me in open swim — you have to be 18. They were both on the swim team and are great swimmers. He wasn’t up for the 69 degree water, but I was. It didn’t seem cold to me. I love the cold water on my muscles. Very nice! It didn’t feel as good inside my right ear. Since FWA was with me, and I haven’t swam since last september, I decided to take it easy and only do one loop around the buoys at the big beach.

10 Things I Noticed While Swimming

  1. the season has barely begun and the part of the white buoys under the water was thick with muck…yuck
  2. no clear views below of biggish fish or hairbands or the bottom
  3. near the shore, dozens of minnows parted as I moved through the water
  4. the water was opaque, with shafts of light pushing their way through
  5. I could see the white buoys, mostly the feeling that they were there
  6. the view as I lifted my head to the side and out of the water to breathe was much clearer than my view as I looked straight ahead
  7. I heard some kids laughing as I neared the far end of the beach
  8. when I started, there were a few groups of people swimming, when I stopped, I was one of the few people still in the water
  9. I breathed every five strokes
  10. there was a seagull perched on the white buoy as I neared it. At the last minute, it flew off — was it looking for a big fish?

Here’s Poetry Foundation’s poem of the day. I love how H.D. imagines the trees as water — and how they describe it! Running in the tunnel of trees, past a part that seems surrounded by green, I’ve felt like I was swimming in a sea of trees.

Oread/ H. D.

Whirl up, sea—
whirl your pointed pines,
splash your great pines
on our rocks,
hurl your green over us,
cover us with your pools of fir.

note: Oread = “a nymph believed to inhabit mountains.”

may 2/RUN

6.2 miles
hidden falls scenic overlook loop
42 degrees

It looks like spring is finally coming (for good?) this week. Not yet, but by Wednesday. I was in Austin, MN for the weekend, and it felt like 34 degrees yesterday morning. 34? Boo. Anyway, today’s run was nice. It felt a little difficult, but I kept going and enjoyed it.

Another Monday, another run to above hidden falls. Maybe this is a new tradition? Today I ran past the overlook to some steps that lead down to the falls. They’ve repaired the road and the bridge. As I ran back, I thought that they should rename the falls the “No Longer Hidden Falls” or the “Falls Formerly Known as Hidden” or something like that because they used to be hidden, but now they’re not at all.

Heard some geese freaking out, a few crows, a black capped chickadee or two. Also, some chainsaws and leaf blowers and kids yelling and laughing at the Minnhaha Academy playground. Water trickling, then flowing down the gorge on the st. paul side. Some wet, crudded-up bike wheels slowly approaching from behind. The thud of my feet striking the ground. A woman talking to someone through her phone as she ran.

Noticed the river as I crossed the ford bridge. Blue, framed with brown branches. A few streaks of foam. A white buoy. A construction worker in a bright yellow vest with a shovel near the bridge above hidden falls. The very steep and open rim of the gorge just before hidden falls, a dirt trail leading off of it into nowhere.

Before I went out for my run, I re-visited “The Trees” by Philip Larkin. I recited it in my head throughout the run: “The trees are coming into leaf/Like something almost being said.” This is a great poem to recite while running. Only one line tripped me up rhythmically: “Yet still the unresting castles thresh”

I don’t remember my thoughts as I ran, other than: how am I going to run for 6 miles?, Am I almost done?, This feels amazing!, Wow, that bluff is steep!

their greenness is a kind of grief

The 4th line of Larkin’s poem is: “Their greenness is a kind of grief.” Before my run, I started reading a book I bought earlier in the year and that I’ve been waiting to read until spring: Green Green Green. It’s not green here in Minneapolis yet, but I’m hoping that if I think hard enough about green — and say green green green over and over– it will appear faster. I started the first chapter, “The Eccho in Green.” She describes how green represents both life, newness, hope, health, vitality almost too an intoxicating level AND death, where to look green is to be pale or ill, out of sorts, nearer to death. Then she discusses William Blake’s poem, “The Ecchoing Green” and how the green in it is not the pastoral but the communal/village green, “where people mix with one another, young and old, playing and slowly fading, ecchoing . Green, as it echoes on the green, is the color of human community” (6).

This idea of the public, in-community land, made me think of a passage I encountered this morning that I’d like to return to many times:

These days, it seems like the highest praise a poem can get is someone tweeting in all caps, “This destroyed me!” I have often wondered why someone would want to be destroyed. Rather than immolating the reader, Keene’s poems keep opening up, rippling dynamically outward, playing back and forth between self and other, scene and setting, softly encouraging you in each line to be more generous with your intimacy. What is most startling about reading Punks is that, perceiving the world through Keene’s eyes, you begin imperceptibly relaxing your own spiritual narrowness and start to notice yourself doing the unthinkable. You start loving others beyond the usual perimeter of your affection. 

Friends and Strangers: John Keene’s poetry of others (via twitter)

The author of this paragraph is writing about a new poetry collection by John Keene, Punks. I like this idea of being openned up and how it enables connections — and expressions of love with/for others. Not sure if this makes sense yet, but I wanted to make note of it so I can reflect on these ideas of green space and openness and expansion instead of narrowing.

Here’s the poem by Blake — and recording of someone reciting it:

The Ecchoing Green/ WILLIAM BLAKE

The sun does arise,
And make happy the skies.
The merry bells ring
To welcome the Spring.
The sky-lark and thrush,
The birds of the bush,
Sing louder around,
To the bells’ cheerful sound. 
While our sports shall be seen
On the Ecchoing Green.

Old John, with white hair 
Does laugh away care,
Sitting under the oak,
Among the old folk, 
They laugh at our play, 
And soon they all say.
‘Such, such were the joys. 
When we all girls & boys, 
In our youth-time were seen, 
On the Ecchoing Green.’

Till the little ones weary
No more can be merry
The sun does descend,
And our sports have an end: 
Round the laps of their mothers, 
Many sisters and brothers,
Like birds in their nest,
Are ready for rest;
And sport no more seen,
On the darkening Green. 

I might memorize this one for tomorrow’s run.

may 25/RUN

3 miles
47th st loop, short
72 degrees
humidity: 81%/ dew point: 66

Rained this morning, stopped around 11. Decided even though it was warm and humid and thick, to go out for a run. Not too bad, but still difficult. 3 miles was all I could manage. I do not handle heat and humidity well. Still, very happy to get out there, and most of it felt good. Heard lots of dripping water. My favorite: the gushing of the ravine–I couldn’t see it, but heard so much water rushing out of the pipe, down the limestone ledge and then the concrete. Also heard the water rushing out of the sewer pipe near 42nd. Wow! Don’t remember being irritated by any bugs or road-hoggers or loud talkers. The path was crowded, but I managed to get my 6+ feet of distance except for once. Anything else: lots of puddle and muddy grass which I successfully avoided.

reciting while running: green and color

After learning Farris’s epic “What Would Root,” I’m not sure where to go with my green poems. I have a few more in the queue to memorize but I don’t know–should I stop learning more green poems? Spend more time with the three I already have? This morning I found several articles about poetry and color. Right now, I’m reading Dorothea Lasky’s “What is Color in Poetry.” She writes:

Perhaps when we connect color to language, to sound, in the space of a poem we reconnect and resist what Breton has named the tragic bifurcation of the so-called real and dream worlds that happens to all adults. Perhaps this is poetry’s purpose in our lives, to reconnect the real and dream worlds to one’s own dormant light. Of course, I believe the easiest way to do this with language is through the perfect use of color. 

What are some perfect uses of color? How, where is green used perfectly?

Here are some other color sources to read/listen to: