march 5/RUN

3.25 miles
ford bridge and back
37 degrees
sleet/rain mix

Today my mom would have turned 78. She died over ten years ago in 2009. When I headed out for my run, I wasn’t thinking about this fact or wishing she were on the run with me. I was thinking about how beautiful the gorge looked in the gloomy gray–so calm and wet and exposed. Even though it was windy and drizzling, I knew I needed to be out there beside it. Then, after I finished, feeling flushed and happy, I remembered that it was her birthday and I began to believe that getting me outside to the gorge, able to see all the way to other side of the river, to smell the smoke from some distant fire, to absorb the brown tree trunks and blue water, to breathe in the coming spring, to feel joy and delight and astonishment at the beauty surrounding me, was a present from her. She taught me to love being outside, to notice and wonder about the natural world, and to make life sacred through honoring daily routines. (I’m not sure I’m saying this quite right, maybe I’ll spend some more time today trying to figure it out?)

I looked back in this log, and I did runs on her birthday in 2017 and 2019–why not 2018? I looked at the entries near the 5th in 2018; it was snowing that day and my right kneecap was sliding around a lot.

I liked today’s run. The path was clear with only a few puddles. The gorge and the river were totally exposed. I could see all the hills and ravines and trails that are usually hidden by leaves or too much snow. I liked glancing down at my jacket and watching as little snowflakes bounced off the shiny black fabric. I could tell it was snowing and raining but I couldn’t feel it. Sleeves covered my arms, a baseball cap my face.

I encountered an annoying pedestrian who refused to move as I ran towards him. As I neared, I noticed he was wearing a surgical mask. Not sure what to say about this; just wanted to make a note of it. How strange and stressful and overwhelming it all is–between terrible presidents and failed parties and hoarding toilet paper and melting glaciers and possible pandemics.

After my run, walking home, I thought about how difficult it is to be (and stay) joyful in the face of so much fear and hate and fucked-up values. It is hard work you must do daily. In my own way, I’m trying to do that work through running by the gorge and writing about it. These thoughts were partly inspired by this twitter thread I read this morning.

Before leaving for my run, I recorded myself reciting 2 slightly different versions of the latest draft of my January Joy poem. Here’s my preferred one. It’s a lot different than the first draft I posted a few days ago. It is still not finished, I think.

January Joy/ Sara Lynne Puotinen

To see the river! 
The open river!
Brown, a thin skin of pale blue

To be alone with the river!
The uncrowded river!
Nothing between us but bare branches

To be as empty as the river!
The bare white river!
A blank page waiting for words 

To be as spacious as the river!
The boundless river!
Stretching, opening, able to hold multitudes

To be nothing next to the river!
The ancient river!
Small and new and insignificant

To be the space above the river
floating over the river
between tree top and sky, illuminated by sun!

The sun!
Glowing up the gray gloom!
Warming my cold face!
Flashing through tall, thin tree trunks!

How wonderful it is to be alive and outside!

O great runs! O clear paths!
O strong legs and adequate knees and functioning feet!

How wonderful it is to be 
moving 
breathing 
feeling free 
on this winter-perfect day,
white and woodsy and blueish gray.

march 4/RUN

5.5 miles
franklin loop
36 degrees

Felt warmer than 36 degrees this morning. So warm that I was surprised to encounter ice on the path near the Welcoming Oaks. Sunny. Not too windy, but windier than I thought it would be.

I yelled at a biker as I crossed 46th, a block from the river. They didn’t stop at the stop sign and weaved around barely missing running into me. I thought I heard them yell something but realized too late it was a voice from the radio they were blasting. I yelled, “you have a stop sign!” I stewed over my outburst for a few minutes, feeling hostile towards everyone I encountered–the other runners approaching me, not wanting to move over and make room for me until the last minute, the clueless walker who didn’t move at all. I worked hard to remember how wonderful it is to be outside by the river with a clear path. Then I encountered another runner, who was thoughtfully on the other side, and smiled.

Every time I started to think about my irritation and regret over yelling, I forced the thoughts out of my head. I looked at the river, open and flowing. I listened to the shuffling grit under my feet. I felt the strength in my legs. Then I saw the shadow of a bird above me and I thought about how I love shadows and the strange feeling of something being there but only in shadow form–like a ghost or a trace or something else. And, as I was finding delight in this I realized that this quick flash was it, my moment for the day. Such a small moment, but enough for me. Why? Not sure if I can put it into words yet.

Some other things I remember:

  1. Slowly catching up to and passing a runner just before the franklin bridge. Their gait was slow and relaxed.
  2. Thinking about the january joy poem I’m working on and how wonderful poetry is for giving me a reason to spend more time with the river.
  3. Dodging and hurtling over slabs of frozen earth on the walking path, probably unearthed by the plows last month.
  4. Wondering if any of the cars would drive through a puddle and soak me (they didn’t).
  5. Noticing that the Meeker Island dog park was open.
  6. Seeing a few people standing at the top of the stairs leading up to the marshall/lake street bridge and wondering why they were there.
  7. Hearing water rushing through the sewer on the street.
  8. Thinking about how much taller the trestle is on the east side of the river.
  9. Running on the bridge and hearing someone approaching from behind. It took them forever to pass! Is that how the runner I passed earlier in the run felt?
  10. Hearing my zipper pull banging against my chest, sometimes thinking the sound was another runner approaching (it wasn’t).

As I made the above list, I suddenly remembered another moment of delight, equally as mundane and strange as my bird shadow. Running near Meeker Island on the St. Paul side, everything became brown. No snow, no green grass, no leaves. Just a rich brown, made deeper by the sun. Mostly mulched leaves and bare tree trunks, a little ground. It made me think of my childhood and exploring wooded trails in Virginia. It made me think of driving through the Keweenaw Peninsula in late fall. It made me think of spring coming. It made me feel a deep, warm, glowing joy.

Before I started my run, I recorded myself reciting Heather Christle’s poem, The Spider (posted on jan 6), and Susan Stewart’s, Pine (posted on jan 18). Then I listened to them in my headphones just before I started my run. I didn’t think about Christle’s poem but I do think Stewart and the different ways she played with the word pine, inspired my thoughts about loving poetry and its invitation to spend time experimenting with words and ideas and images .

march 3/RUN

3.25 miles
trestle turn around
39 degrees
clear path

Windy. Sunny. Not too cold. Ran in the early afternoon, since I voted in the morning. I loved running on the edge of the path, my feet landing on the grit, making a satisfying scratching sound. I think I looked at the river–did I? Now I can’t remember. I do remember noticing how the snow on the walking path that winds down through the tunnel of trees was melting. With all the warm weather this week–and 61! predicted for Sunday–maybe it will be cleared of snow soon. I also remember lifting my knees as I ran up from under the lake street bridge and noticing how the walking path at the top, which follows the rim of the gorge while the biking path follows the road, was clearing up too. Hooray! Anything else? I heard then saw a small wedge of geese flying north. Encountered a few runners, many walkers, at least one dog. It was a good run. I didn’t think about the coronavirus and the fear and worry and hassle it’s causing for so many people even once!

Before starting the run while I was still walking, I listened to a recording of myself reading 2 poems: 1. a draft of my latest poem, which I’m calling January Joy, and 2. a fabulous poem by Marie Howe, Singularity–I posted it on this log on Jan 19. I liked listening to both of them. I also liked recording myself reciting them. Maybe this will be a new thing I do with poems in 2020? Yesterday I recorded myself reading Love by Alex Dimtrov (posted on this log on jan 21)–over 11 minutes of lines starting with “I love…”! One of the I loves reminded me of Howe’s poem:

I love how the Universe is 95% dark matter and energy and somewhere in the rest of it there is us.

I read this line as loving the idea that we are such a small fraction of what makes up the Universe. I love this idea too–it’s comforting and liberating to me to matter so little. Most of Howe’s poem and the idea of singularity is a little different. It’s lamenting the loss of a time when we were not separate from the Universe, when there was no universe or we or I or us or anything to fuck up (which we have, as we trash the ocean and each other). She has one line that reminds me of Dimitrov’s and that resonates:

before we came to believe humans were so important

I find it’s easier to remember this–that I am not so important, or the most important–when I’m running outside by the gorge, above the Mississippi River, under the oak trees. I like remembering this. Here’s another line this discussion of not being important reminds me of:

You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind (Frédéric Gros/Philosophy of Walking, 84). 

And, of course, the minute I write nobody, I think of my introduction to Emily Dickinson:

I’m Nobody! Who are you? (260)/ Emily Dickinson – 1830-1886

I’m Nobody! Who are you?
Are you – Nobody – too? 
Then there’s a pair of us! 
Don’t tell! they’d advertise – you know!

How dreary – to be – Somebody!
How public – like a Frog – 
To tell one’s name – the livelong June – 
To an admiring Bog!

Wow, that was fun to wander around all of those words! As I was scrolling back through my January entries, I saw a lot of wonderful poems and ideas. More wandering around them is necessary.

Speaking of January, here’s a first draft of my January Joy poem. It’s a collection of things I enjoyed during the month of January for the past 4 years. I’m not quite satisfied with it. I want to find a better way to describe/express how thick slushy viscous water moves–how?

January Joy/ Sara Lynne Puotinen

Oh to see the river! 
The river, open 
The river, brown
The river, thinly veiled
The river, pale blue
The river, empty 
The river, white 
The river, a big black hole of deep, cold nothingness 
The river, a thick slow slush traveling to the falls
The falls, flowing between frozen columns of ice
The ice, cleared from the path
The path, no big crowd
The crowd, 2 cross country skiers  
3 men in red jackets gliding
1 woman floating–confident bodies moving through space
The space between sky and tree top, illuminated by sun
The sun glowing up the gray gloom
The sun warming my face 
The sun flashing through tall, thin tree trunks 
My trunk, straight strong steady more machine than gangly human

How wonderful it is to move!

Oh great runs! 
Oh clearer paths! 
Oh strong legs and adequate knees and functioning feet!
How wonderful it is to move and breathe and feel free 
on this winter-perfect day, white and woodsy and blueish gray!

march 2/RUN

5 miles
to stone arch bridge
39 degrees
50% puddle-covered

Was able to do another one-way run downtown. Love these runs! Watched my shadow running ahead of me. Looked down at my favorite part of the trail, above the floodplain forest. Still white with snow, but there was a dark path snaking through.

Thought about my current project and a line from a poem that I wrote down in my notebook today: “I love how athletes believe in the body and know it will fail them.” Last week, I typed up some notes about my project and wrote: “learn how to love an aging body that might (will?) one day betray me.” As I ran, I thought about how my workbook and much of this running project are really about learning how to endure (embrace?) growing old.

Also thought about the two dead bodies they’ve pulled out of the river here in the last week–one north of the Franklin bridge last Sunday, one right by the double bridge at 44th yesterday. Is it just a coincidence?

Almost forgot–just after turning left onto the river trail, right by the ravine, I heard a noise and I couldn’t tell if it was wind blowing through some dead leaves or water rushing out of the sewer below. I didn’t stop to check so I guess I’ll never know.

My favorite thing about the run today was the gravelly grit on the edge of the path. I loved the noise it made–the sh sh sh shuffling sound as I ran over it. And I loved how it felt–how my feet slipped and slid and glided over the sand.

The path was filled with puddles and some ice, which I had trouble seeing in the sun. Managed to avoid landing in any of the deeper ones. Didn’t manage to avoid getting my socks soaked.

Heard some geese. Lots of cars. The air was just right for amplifying and carrying the noises of traffic rumbling.

Saw some walkers and runners. Did I see any bikers?

march 1/WALKBIKE

walk: 3 miles
longfellow + normandale lake district
bike: 15 minutes
bike stand, basement

Walked Delia the dog twice today, both times with Scott. Feels like spring. Lots of melting and dripping and sunshine. Love the sunshine, dislike the mess this warmer weather makes. Spring in Minnesota is always complicated. Saw a funny meme the other day called “The Many Seasons of Minnesota”:

  • Winter
  • Sucker’s Spring
  • Second Winter
  • Fake Spring
  • Third Winter
  • Actual Spring
  • Summer
  • Fool’s Fall
  • Summer Again
  • Real Fall
  • Winter is Coming

As one of my friend’s posted on facebook, today (and the upcoming week) is sucker’s spring.

Finished up The Ring this afternoon while biking. Creepy. Looked it up and there is The Ring Two, but it’s not available on Netflix or Hulu. Bummer. I’ll have to find something else to watch.

feb 29/RUN

5 miles
to stone arch bridge
27 degrees
90% clear path

Was able to do a one way run to the Stone Arch bridge today. Felt warm and relaxed and strong. Walked for about 30 seconds on the final big hill. Did a lot of counting to four. Greeted Dave the Daily Walker at the beginning. Encountered several runners, some walkers, and three bikers biking up the franklin hill as I was running down it. Saw my shadow in front of me. Heard some honking geese flying overhead; tried to spot them but couldn’t. Saw some big bird flying high up in the sky and then the shadow of a bird fly over me–was it the same bird? An eagle? A turkey vulture? The river was open–was it brown or blue? I can’t remember. Noticed the ice on the limestone cliffs in the flats. Heard the gushing of the water at the bottom, between Annie Young Meadows and the turnoff for the U. Just before I reached the Washington bridge, the light rail rumbled overhead. Anything else I remember? I was overdressed and very warm. One too many shirts. I’m sure I thought about something but I left it on the trail, probably on the last hill. Ended on the bridge–so breezy. Glad I wasn’t running into that wind the whole time!

What a beautiful poem! I found it through Ours Poetica and Ashley C. Ford’s reading of it.

Unwished For/ Shira Erlichman

I’m standing in my town’s ice cream shop when I notice them: the white couple smiling at me. Blonde woman standing beside a mailbox, waiting patiently for news, husband reassuringly placing a hand on her shoulder. The flyer they’re on is pink: international color of positivity in the face of infertility. They are having a hard time, my couple. That’s why they’re here in my ice cream shop. But they have faith, they’re trying, haven’t quit wanting what they want, in spite of it all.

             Could you be the one?

I lick the crest of my cone slowly, examine their bullet-pointed criteria.

             21 to 42 years

It’s not conscious, but somewhere inside a voice says: “Check.”

             No criminal record.                                       “Check.”

            No history of mental illness.

I say, out loud to the paper, not caring if the teenager behind me churning into an icy chunk with a steady fist hears, I say: “I know this is different, Susan, Jim, but I would never wish Frida to not have been hit by that trolley. I would never look her in the face and say, ‘I choose to unmake you and your paintings and your horroring heart. I rob the woods of your little deer.’”

“It’s different,” Susan says, “you’re not Frida.”

“Plus,” adds Jim, “that was physical. A freak accident. Try another argument.”

What they don’t want of me lives. It sees through my eyes that they would prefer it dead. It knows better than to whimper, or show defeat. What they don’t want of me breathes.

“Eugenicists,” it says

The woman gasps, hand to chest.

It continues: “You want to spare yourselves. That’s not love.”

“We don’t want her to suffer,” they chime in unison. Oh—her? It was decided: A girl. Claire. Or, Vanessa. Or, Claire. She’d have red curls, love olives, sing in her sleep.

“She doesn’t want to suffer either,” I peel the words open slowly, “but she’d rather be alive, than not suffer.”

I am not talking to a piece of paper in Herrell’s Ice Cream Shop. I am not invoking Frida. I am not naming an unloved ghost Claire. I’m licking my wrist of a smudge of strawberry cream, listening to the terrible Top 40 hit blaring overhead. I’m staring at the words No history of mental illness, trying to move my feet, and leave the world where this is taped up, natural as the moon.

Will the Normal Rockwell of our time paint me standing here before it? In my jean cutoffs, finishing what’s left of a soggy cone, drugs in my blood, unwished for by strangers.


Oh this poem and Ford’s reading of it! I love how she imagines and then makes real with her words this painful encounter between the wishers and the unwished for in such a mundane, every day setting. And I love how she conjures up Claire with red curls, who sings herself to sleep and loves olives. Wow.

feb 28/BIKERUN

bike: 25 minutes
bike stand, basement
run: 1.5 miles
treadmill, basement

Wanted to watch more of The Ring and to not run too much so I worked out in the basement today. The Ring was still creepy–and fun to watch. Only a few scenes were too dark to see and it didn’t matter that I couldn’t read the words that were probably important; I’ve already seen this movie. Listened to my playlist while I ran. Got into a rhythm and felt like I was barely touching the belt. I’m getting used to running on the treadmill.

I was okay running inside because I had already gone for a walk earlier with Delia the dog. Brr. It felt cold outside. Walked around the neighborhood and finished the podcast I started yesterday with Victoria Chang. I’m looking forward to reading her book Obit. As I listened to her and the host Rachel Zucker discuss their grief over the loss of their mothers, my mind started wandering and I started thinking about my current project. I decided to record my thoughts:

So I’m thinking as I was walking–I’m thinking about how I’d like this workbook to kind of be some of the exercises I’ve already done and practiced (or am practicing) but also the ideas that I’ve put in that I’d like to try. Just make a list of all of those things and not worry so much about whether or not it can be done but whether I’d like to try it. The other thing I was thinking about was with listening to Victoria Chang about Obit and grief and thinking about how my mom’s death has changed me and how this project really comes out of that. Or does it come out of that? Where does it come from? Does it have a clear origin? Wanting to discuss what it’s origins are.

Speaking of Obit, here’s one of Chang’s poems from it. The book is a series of obituaries for all the things that died after her mom died. Such a powerful idea!

OBIT [Memory]/ Victoria Chang

Memory—died August 3, 2015.  The
death was not sudden but slowly over a
decade.  I wonder if, when people die,
they  hear  a  bell.   Or  if  they  taste
something sweet, or if they feel a knife
cutting them in half, dragging through
the flesh like sheet cake.  The caretaker
who witnessed my mother’s death quit. 
She holds the memory and images and
now they are gone.  For the rest of her
life, the memories are hers.  She said
my mother couldn’t breathe, then took
her last breath 20 seconds later.  The
way I have imagined a kiss with many
men I have never kissed.  My memory
of  my  mother’s  death  can’t  be  a
memory but is an imagination, each
time the wind blows, leaves unfurl
a little differently.

I woke up this morning thinking of the line about the knife dragging through flesh like sheet cake. Intense.

feb 27/RUN

3.2 miles
trestle turn around
26 degrees
100% clear!

Windy today. Not too crowded. Sunny. My legs felt weird for a mile or so–like they weren’t quite working. Heavy, plodding. Listened to a New Yorker poetry podcast with a poet I just discovered (Craig Morgan Teicher) and felt like I was in a dream. Barely on the path, floating, cocooned in layers, unable to hear birds or trickling water or striking feet. The river was open. Stopped and admired it by the trestle. Then turned on my new playlist. No Daily Walker but a few others walkers, at least one biker. Felt fast in the second half as I flew down the hill by the lake street bridge. Sprinted up the final hill. Don’t remember much from the run. What a wonderful thing it is to lose myself for 30 minutes!

Before I ran, I had a great morning. Started by listening to part of an episode with Victoria Change on Commonplace. At one point, they discuss their shifts in writing in first and third person which got me thinking about my own choice, in my latest project, to write in second person. Why am I using you? Who is you? Found some very interesting essays on second person online: Stuck on You: an ode the second person and the intimacy of writing in the second person in a bar. Then I started thinking about how Mary Oliver uses you, like in Wild Geese (You do not have to be good/you do not have to walk on your knees…). Finally I thought about who the I and the You are in my project. One answer: I = Teacher self and You = Student Self.

After all of that excellent thinking, I checked out twitter and found these lines from the poem Tomorrow and Tomorrow Again/Craig Morgan Teicher:

One cannot lock eyes with a bird,
its eyes vacant as ball bearings, but
mustn’t there be some recognition
in everything?

eyes vacant as black ball bearings? What a great line that reminds me of my own about not being able to see people’s pupils: “soul less black balls”. I looked Teicher up and found his poem, “Eye Contact”. I wondered, does he have macular degeneration or some other vision problem? Couldn’t find anything, but he sure does like referencing blindness. His poetry collection from 2012 is titled, To Keep Love Blurry and check out the titles he gave his NPR end of the year poetry reviews: “Keeping the Dark at Bay” and “In the Dark, The Eye Begins to See.” Hmm…I need to study his writing more. At this point, early on, I can’t decide what he’s doing with these references to blindness–is it signaling his own experiences/preoccupations with blindness or is it serving as metaphor, where blind = dark = bad = shame = grief = loss = death?

Tomorrow and Tomorrow Again/ Craig Morgan Teicher

Of course I don’t know what
happens to us: if we survive in the
hands of love; if Cal, if Simone
and all the trembling answers
those questions entail; whether
by time or by disease or by
an atom bomb right in the eye. Is it
possible death could be thrilling
and fun? And after could there be
something somewhere and what
will we do if we see each other
there? Will the same songs stay stuck
in our heads? Will medicine
succeed in making life so long
we will beg for medicine to end it?
One cannot lock eyes with a bird,
its eyes vacant as ball bearings, but
mustn’t there be some recognition
in everything? Some fury, some
questioning? If one phrase could echo
throughout eternity, would the ear
on the other side return
a word? But what am I asking?
Will I ever see a whale, and will his size
compared to mine be a true
form of knowledge? Loneliness
has depths writing fails to fathom.
I could be clearer, say more, but
it wouldn’t mean as much. Mother
will I ever find you again? Is fear
of spiders fair? Is a power
above minding the scales, be it
science or gods or the weather,
and can they be tipped toward
balance from here? Is beauty more
than another form of pleasure?
What, which, when, how is better?

Eye Contact/ Craig Morgan Teicher

As if bees are known for their pride.
But what’s so great about horses? They’re stuck 
on the earth except when they jump,

but even then they’re not bees.
But is there anything we value so highly 
as streetlights, which, unlike bees,

watch over us with their swan-like
necks and open their eyes at the right time 
every night? The answer is lonely

and whoever among us is brave enough 
to find it will come home to a family 
that won’t even look us in the eyes.


2

But what’s so great about eye contact? 
As if a horse knows a newspaper 
when he sees it. Streetlights don’t live

in hives; they’re not more afraid
of us than we are, fortified by stingers and swarms. 
Bees don’t brighten the alleyways

in which we commit our most heinous crimes 
to keep things moving and fill 
the papers with news. Why don’t we have

a holiday to recognize the alleyways?
The answer is lonely and whoever
among us is brave will have nowhere to jump.


3

Why don’t we sing a song that makes 
the bees proud? What’s so great 
about desolate meadows? The answer

is lonely. Why don’t we come home 
and look at our family? Why don’t we 
designate an hour to brag about news?

What’s so great about the way the papers 
blow through alleyways in the evening 
like deflated rats? As if pride could

brighten the meadows at night. Whoever 
among us is brave enough to forgive
a family gets to make eyes with a lonely horse.


4

As if the answer is flowers. As if 
we could gather streetlights
in a bouquet from the alleyways

and brighten family after 
beekeeping family. But what’s so 
great about seeing the truth?

Beneath every meadow is the earth’s 
molten core, red and hot as an evil eye. 
Why don’t we blow through the streets

at night? The answer is lonely, even 
if a horse knows the way home. 
What’s so great about being brave?


freeze-thaw, a different perspective

added in a few hours after I first posted this entry: Scrolling through my twitter feed, I encountered this very helpful, perspective-shifting idea from Paul Huttner on MPR Weather:

Temperatures over the next week look perfect for gradually reducing snowpack across the Upper Midwest. Days above the thawing point will melt snow. Nights below freezing mean that snowmelt will gradually be released into area rivers.

This gradual release helps mitigate the early-spring threat of flooding. Wow! All this time, I’ve been cranking about how much I hate these freeze-thaw cycles. I’m glad to read that they’re helpful. I still might not like how dangerous they make the path, but now I can get over myself and think about how they help the river. What a nice opportunity to shift my perspective. And, as a bonus: it will be warmer during the day next week!