Tag: Lorine Niedecker

sept 25/RUN

3.1 miles
turkey hollow
57 degrees

Another beautiful fall morning. Listened to Bruno Mars and didn’t think about anything, or didn’t hold onto anything that I thought about. Didn’t see any turkeys or greet anyone. No view of the river — well, I think I might have seen it shimmering through the trees at one point, but it was far off, on the other side of the river road, so I can’t be sure. Forgot to notice the color of the trees or look for acorns or walnuts or squirrels.

Found this Niedecker poem on twitter the other day. I love her poetry.

Along the River/ Lorine Niedecker

Along the river
        wild sunflowers
over my head
        the dead
who gave me life
        give me this
our relative the air
        floods
our rich friend
        silt

Trying to find out more about this poem, I discovered that it was turned to a song (at least I think this is the same poem; it’s difficult to understand the lyrics):

march 29/RUN

3.5 miles
river road, south/winchell trail/river road, north/edmund
39 degrees / feels like 30
wind: 20 mph

Overcast, windy, cold. Not too many people out on the trails. Ran south on the paved path, then a little on the Winchell trail — dirt, then rubbled asphalt, then paved, back up on the river road trail, through the tunnel of trees, then over to Edmund. Everything bare and brown and looking like November. Very pleasing to my eyes. Soft and dull, not sharp or crisp. Down on the Winchell Trail, I was closer to the river, but forgot to look. Maybe it was because I was too focused on the wind and reciting the poem by Christine Rossetti that I memorized this morning. I was reminded of it when I found it on my entry for March 29, 2020.

Who Has Seen the Wind?/ CHRISTINA ROSSETTI

Who has seen the wind?
Neither I nor you:
But when the leaves hang trembling,
The wind is passing through.

Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads,
The wind is passing by.

It was really fun to recite (just in my head) as I ran. It’s iambic, mostly trimeter (I think?). I also recited the opening to Richard Siken’s “Lovesong of the Square Root of Negative One:

“I am the wind and the wind is invisible, all the leaves tremble but I am invisible.”

Before I went for my run, I spent more time with Alice Oswald. Here are a few bits from an interview she did in 2016 for Falling Awake:

I frequently get told I’m a nature poet living in a rural idyll, but just like the city, the country is full of anxious, savage people. The hedges seem so much stronger than the humans that you feel slightly imperilled and exposed, as if, if you stopped moving for a minute the nettles would just move in.

I think about this idea of the vegetation taking over when humans (by the gorge, Minneapolis Parks’ workers) stop managing and maintaining it. Creeping vines, tall grass, wandering branches, crumbling asphalt. I see these things all the time and often imagine how the green things might consume us when we stop paying attention.

I’m mostly interested in life and vitality, but you can only see that by seeing its opposite. I love erosion: I like the way that the death of one thing is the beginning of something else.

Erosion, things decomposing, returning, recycling. I’m drawn to noticing these things as I loop around the gorge.

It’s good to remember how to forget. I’m interested in the oral tradition: what keeps the poems alive is a little forgetting. In Homer you get the sense that anything could happen because the poet might not remember.

I like the idea of finding a balance, where I remember some things and forget others, or I forget some things so I can remember other things.

Poetry is not about language but about what happens when language gets impossible.

I like the idea of things being impossible to ever fully achieve, where no words can ever fully capture/describe what something it. When language is impossible, it’s possible to keep imagining/dreaming up new meanings.

I’m interested in how many layers you can excavate in personality. At the top it’s all quite named. But you go down through the animal and the vegetable and then you get to the mineral. At that level of concentration you can respond to the non-human by half turning into it.

This line about getting down to the mineral, reminded me of some of Oswald’s words in Dart and Lorine Niedecker’s words in “Lake Superior”:

from Dart / Alice Oswald

where’s Ernie? Under the ground

where’s Redver’s Webb? Likewise.

Tom, John and Solomon Warne, Dick Jorey, Lewis
Evely?

Some are photos, others dust.
Heading East to West along the tin lodes,
80 foot under Hepworthy, each with a tallow candle in
his hat.

Till rain gets into the stone,
which washes them down to the valley bottoms
and iron, lead, zinc, copper calcite
and gold, a few flakes of it
getting pounded between the pebbles in the river.

from “Lake Superior” / Lorine Niedecker

In every part of every living thing
is stuff that once was rock

And the idea of moving through layers, reminds me of Julian Spahr and their poem that moves through layers, first out, then in:

poemwrittenafterseptember 11, 2001 / Julian Spahr

as everyone with lungs breathes the space between the hands and the space around the hands and the space of the room and the space of the building that surrounds the room and the space of the neighborhoods nearby and the space of the cities and the space of the regions and the space of the nations and the space of the continents and islands and the space of the oceans and the space of the troposphere and the space of the stratosphere and the space of the mesosphere in and out.

In this everything turning and small being breathed in and out by everyone with lungs during all the moments.

Then all of it entering in and out.

The entering in and out of the space of the mesosphere in the entering in and out of the space of the stratosphere in the entering in and out of the space of the troposphere in the entering in and out of the space of the oceans in the entering in and out of the space of the continents and islands in the entering in and out of the space of the nations in the entering in and out of the space of the regions in the entering in and out of the space of the cities in the entering in and out of the space of the neighborhoods nearby in the entering in and out of the space of the building in the entering in and out of the space of the room in the entering in and out of the space around the hands in the entering in and out of the space between the hands.

How connected we are with everyone.

The space of everyone that has just been inside of everyone mixing inside of everyone with nitrogen and oxygen and water vapor and argon and carbon dioxide and suspended dust spores and bacteria mixing inside of everyone with sulfur and sulfuric acid and titanium and nickel and minute silicon particles from pulverized glass and concrete.

How lovely and how doomed this connection of everyone with lungs.

—

I’ve been wanting to do something with layers and the gorge. What form might it take?

nov 10/RUN

5.25 miles
franklin loop
44 degrees

Still lots of yellow in the gorge, but leaves are falling fast. Wind, rain, and the possibility of snow flurries this weekend. Overcast, windy, less humid. I ran north to franklin, over the bridge, south on the east side of the river until reaching another bridge, back over to the west side, then home.

10 Things I Noticed

  1. The view down to the floodplain forest was clear; I could see the forest floor, or at least all the yellow leaves on the floor
  2. The view up to the road from the tunnel of trees was clear too; no hiding below the road until spring
  3. The river from the franklin bridge: cold, dark blue, the railroad trestle in the distance
  4. Running under the railroad trestle, I heard some voices, laughing. Looked down: at least 2 people walking up the limestone slab steps on the Winchell Trail
  5. Running under the railroad trestle, 2: a memorial for someone who died–a biker hit by a car? In addition to the hanging white bike, which is always there, a vase of flowers placed on the ledge
  6. Nearing the old stone steps, hearing the yippy bark of a dog slightly below, the sound moving up slowly — was the dog climbing the steps? Yes. When I reached them, there they were: black, tiny, skittering around
  7. The spray of water that hit me as I started my run–not sure what it was from. It happened as I ran by a neighbor’s house, where a loud machine that looked like a pump, attached to a hose, was set up. Was it an exploding sprinkler? Would I have been able to avoid this if I could see better?
  8. A shorter, older woman with white hair, slightly hunched, walking fast
  9. A taller, younger woman with a pony tail and jutting elbows, also walking fast
  10. After my run was finished, walking the last few blocks: wind chimes!

A great run. I’m working on a long, sequence poem about haunts, haunting, and haunted, and I had a few good thoughts, like the idea of haunting (frequenting, traveling on, slightly floating above) the path/trail as being (happily) out of touch. Disconnected. I thought about the image of a phone being off the hook and eavesdropping, to listen in, overhear, catch bits of someone else’s conversation. Everything an opportunity to be curious and imagine/guess what’s being said without needing to connect that imagination to reality. To fly, float, have freedom, be freed from concerns, worries, the need to be productive.

Yesterday, working on this poem, which is in the form of 3 syllable/2 syllable lines, I thought about Lorine Niedecker and the short, stubby form of her poems. I think she’s an inspiration. Here’s a bit from one of her longer poems, Wintergreen Ridge. (note: in addition to having short lines, this poem travels across the page, broken up into 3 lines, the first with no indentation, the second with one indent, the third with two, on repeat throughout the poem. Mary Oliver does something like this too. Did she take inspiration from Niedecker? Anyway, I’m being lazy or rushed, so I’m not doing the fiddly, extra formatting required (lots of  s) for spacing it.

Wintergreen Ridge/Lorine Niedecker

Life is natural
in the evolution
of matter

Nothing supra-rock
about it
simply

butterflies

***

(autumn?)

Sometimes it’s a pleasure
to grieve
or dump

the leaves most brilliant
as do trees
when they’ve no need

of an overload
of cellulose
for a cool while

Nobody, nothing
ever gave me
greater thing

than time
unless light
and silence

which if intense
makes sound
Unaffected

by man

I love Niedecker and her condensing ways!

july 13/RUNBIKESWIMBIKE

run: 3.5 miles
2 trails
73 degrees/ sunny

Warm this morning, sunny too. Decided to try and run as slowly and steadily as I could using my heart rate. I soon realized that I couldn’t see the heart rate on my watch because it’s in red. My cone dystrophy and my struggle with colors and low contrast, makes red on a dark background especially hard to see. All this time, I’ve been looking at my cadence, which is in white. Why can’t the heart rate be in white too? I need more contrast. Looking through the accessibility options, there’s no way to change the color of the heart rate in a running workout.* Later, walking Delia, I noticed that the heart rate is white in the walk workout. Should I try running with the walk workout on? Yes. Another hack for how to make my eyes work in new ways.

*update: Was telling my 15 year old daughter RJP how I was planning to hack the watch. She told me that I can just twist the crown on the side of the watch to make the bpms white instead of red–when something is red that means it’s highlighted. I don’t think I ever would have figured this one out without her help. Such a apple genius. She should get a job at an apple store.

It was a good run. Everything felt fuzzy and dreamy, like I was swimming in air, not quite there. A great feeling. I don’t remember much. I was sweating a lot and I think I swallowed a bug. I remember hearing some birds, but not how their songs sounded. I saw the river–very blue. I put some effort into loving the world and everyone I encountered–not getting irritated by approaching runners, or trail hogging bikers. Mostly, it worked. I heard some trickling through the sewer pipes. I don’t remember smelling anything. No spazzy squirrels, but one darting chipmunk. Not too many bugs–just the one I might have swallowed. Oh–I saw a peleton on the road, not tightly packed but strung out in a long-ish line. Also heard the rowers just as I was leaving the river trail.

a few delightful verses by Lorine Niedecker

We are what the seas
have made us
longing immense
the very veery
on the fence

*

The eye
of the leaf
into leaf
and all parts
spine
into spine
neverending
head

to see

*

For best work
you ought to put forth
some effort
to stand
in north woods
among birch

*

We must pull
the curtains—
we haven’t any
leaves

bike: 8.6 miles
lake nokomis and back
88 degrees

Very happy that biking is not too bad this year. Not really scary at all. No feeling of panic, no moments where I can’t quite see what’s in front of me.

swim: 3 miles/3 loops
lake nokomis open swim
88 degrees/ windy
choppy, wavy water

Yes! Big swells today. At least, big for this lake. I don’t mind the choppy water. I like the challenge and the feeling of being pushed around by the water. The buoys (even more) often disappeared in the waves; swimmers did too. I had no problem staying on course. When I could hardly see anything, which was most of the time–due to the waves and the haze from fires in Ontario–I could always see the hovering, shimmering roof at the big beach.

july 11/BIKESWIMBIKE

bike: 8.6 miles
lake nokomis and back
75 degrees

Biked with STA over to open swim. Biking doesn’t seem overwhelming this year. I think it helps that I’m biking on very familiar trails and, that when STA and I are biking together, I go first. You would think it would be best to have the person with better sight first, but I’ve realized that when someone’s ahead of me, I can’t use my peripheral to spot upcoming obstacles/hazards–approaching bikers, potholes, etc. Biking first makes it much easier for me to use my remaining central vision.

swim: 3 miles/ 4 loops*
lake nokomis open swim
75 degrees/sunny

*the course was a little shorter today, so 1 loop did not equal a mile

I just realized that this is my first Sunday swim of the season. Wow. They didn’t have enough life guards so they left out the green buoys and shortened the course. Not a problem. It was a shorter course, but almost as wide. I loved being able to swim far from the orange buoys, and far from most other people.

things I noticed in the lake

  • the little bubbles my hands made as they entered the water in front of me
  • at least one dragonfly hovering above the water’s surface
  • the air felt heavy and harder to inhale during this first loop, the water felt thick
  • I listened to water lapping over my head and the word, “sloshing” came to mind, then the question: what’s another word for sloshing? splishing or splashing or flowing over or overflowing?
  • at least one plane above me, taking off or coming in for a landing
  • as is often the case, there is no standard route between a swimmer’s start at a beach and the first buoy. Often this leads to confusion and near misses. I almost ran into a few rogue swimmers. My rule: if the course is on the left, stay as far to the left as you can when heading to the first buoy. I am bothered that this doesn’t seem to make sense or matter to some other swimmers, and I am bothered that this bothers me
  • Crowded–is Sunday the biggest day for open swim?
  • As I neared the far right white buoy at the little beach–the one I like to swim around before I head back to the big beach, I could see the muck on it just below the surface. This muck didn’t look that different than what ends up on my skin, under my suit, after a long swim. Gross
  • I stopped to go to the bathroom between loops 3 and 4. Many swimmers just pee in the lake as they’re swimming, especially if they have a wetsuit on (at least I think they do), but even if I wanted to–and there have been a few desperate times when I’ve really wanted to–I can’t. My body won’t do it. Is it just because I find peeing in the lake gross? Not sure. Anyway, it’s a big hassle to go to the bathroom. You have to get out of the water, walk several hundred yards to the bathrooms, possibly wait in line at the bathroom, pee, wash your hands, then walk all the way back. When I got back in the water and started to swim, everything felt strange. I was sore, but also more buoyant. Floating
  • The water was smooth and there were no pockets of extra cold or extra warmth
  • I think my safety buoy is leaking air which would explain why it feels more like I’m being weighed down then lifted up by it
  • As is more often the case, my apple watch died mid swim. It’s old. I’m thinking of not getting a new one and trying to exercise without a watch. Not sure if this is a good or bad idea

Fog-thick morning/ Lorine Niedecker

Fog-thick morning—
I see only
where I now walk. I carry
my clarity
with me.

This poems doesn’t quite fit with the theme of water, but it’s how I feel when I’m swimming–in a fog or dream or daze, nothing clear or easy to see. I sight using my past knowledge of the course or my shoulders and the strong, straight, sure strokes they produce. My shoulders, I think, are my clarity.

july 9/SWIMRUN

swim: 2 miles/ 2 loops
lake nokomis open swim
70 degrees

Maybe because of the breeze and the cloud cover, 70 degrees felt cold this morning. Not too bad in the water, although my right thumb started feeling numb by the end. A great swim. The buoys were way off course. The first orange buoy is usually in a diagonal line from the white buoy at the main beach to the overturned rowboat at the little beach. Today it was in line with the four white buoys at the big beach and far off to the left. The second and third buoys were even farther out–so much closer to the far shore than usual. I have decided that this doesn’t bother me. It adds distance to the loop and it’s a good challenge for my vision. Since it was morning and somewhat sunny, the orange buoys were backlit and invisible. Reaching the little beach for the first time, I thought about a game I created for myself during my senior year of high school. It involved seeing how long I could procrastinate on writing a paper (usually 4-5 pages in high school AP Lit class) and still finish it/get a decent grade on it. I can’t remember, but I think I started a paper as late as the night before–or the early morning the day of? Anyway, it seems now I like playing, How little visual data do I need to still keep swimming, to not panic or swim way off course? The answer, so far: the very rare sighting of a buoy, the feeling of a hulking shape in the distance, the quick flash of something white that looks like it might be a buoy or the bottom of a rowboat, the quick flash of a splash from another swimmer’s arm. Playing this game, which is not really a game because I don’t really have a choice about how much I can or can’t see, takes up most of my attention. It’s hard to get lost in the water when I’m swimming non-stop and trying to stay on course. It’s hard for me to slow down, but I’d really like to try doing an easy loop–where I stop in the middle of the lake occasionally to look around, and where I devote more attention to how the water feels and sounds.

run: 3.5 miles
trestle turn around
72 degrees

After returning home from the lake, feeling cold,I decided to warm up by running. I was inspired by STA’s approach to keeping a lower heart rate by walking and running. Run until your bpms get too high, walk until they get too low. For STA too high = 150, too low = 130. My heart rate is much higher than that; if I used his numbers, I’d never run. I decided to try: high = 170, low = 150. For some reason, my pulse went above 170 after only 2 minutes of running. I stopped and walked and when it reached 150, started running again. I managed to keep my bpms at 164/165 for the rest of the run. Excellent. I felt very relaxed and even though my pace was slower, it wasn’t that slow. I felt great when I finished.

things, other than my heart rate, I noticed

  • no small stones stacked on the ancient boulder
  • the tunnel of trees felt extra green and airy
  • lots of biking groups
  • the rowers were on the river–heard both a male and a female coxswain
  • an abandoned shopping cart was hiding behind a rock below the lake street bridge
  • a quick glimpse of the blue river
  • lots of sweat, dripping down my forehead
  • almost stepped on a chipmunk–their fault, not mine. Stupid chippies!

I used a birthday gift card to buy the collected works of Lorine Niedecker. So good! I love her words:

Smile/ Lorine Niedecker

Smile
    to see the lake
      lay
   the still sky
And
   out for an easy
     make
   the dragonfly

june 11/RUN

5k
2 trails + 7 oaks
81 degrees
dew point: 68

How many days have we been above 90 now? Just checked my log, since at least June 4th. Tomorrow the high is only 86. Summer running is not my favorite, although I am learning to endure it more. 55-65 degrees is what I’d like to have for these early morning runs.

I ran south on the river road trail and passed lots of bikes, but not too many runners. All the green made it difficult to see the river. At 42nd, I encountered a roller skier in the grass taking a break. Can it still be my good omen if I don’t hear the clickity-clacks? Entering the Winchell Trail at the southern start, it was dark and quiet and thick with heat. No noise, not even a single dribble from the sewer pipe. A few days ago, STA and I were discussing the grossness of the word “dribble”–it’s a failure to flow or function properly. You dribble drool or pee. It’s like a weaker form of leaking.

Parts of the Winchell trail were a blur. I don’t remember running down the hill to the little bridge with the raised lip of the trail that I have to look out for so I don’t trip on it, or running up the mini hill just before the steeper climb at Folwell. After ascending at Folwell, then descending on the other side, back down a little closer to the river, I realized I was more than half way done with this hot run, and it felt easier because of this realization.

For the last 1/2 mile, I started reciting “The Rime of the Ancient Mariner” in my head. I got as far as the verse, “The Sun came up upon the left/out of the sea came he/And he shone bright/and to the right went down into the sea.”

Longfellow’s Song of Hiawatha

Lorine Niedecker’s work is inspiring me to think in deeper ways about the place I run–the Mississippi River Gorge, Minnehaha Falls, Lake Nokomis. Part of this involves thinking more about the rock and stone–the physical geography, and part of it involves reflecting on the haunting trace of dishonest treaties, stolen land, buried stories and traditions, and who controls the stories we encounter/remember/pass on about the river, the gorge, and the falls (St. Anthony and Minnehaha).

Yesterday, I decided to read Henry Wadsworth Longfellow’s “The Song of Hiawatha” It’s in the public domain so I was able to download the entire thing for free on iBooks–all 400+ pages of it! 22 chapters?! Wow. I had no idea it was so long. I wonder what part of it is etched on the stone at Minnehaha Falls? I’ll have to check next time I bike or run over there. Not sure I’ll be reading the entire thing, but it’s interesting to skim it and think about how much of where I live takes names from this poem: Now I live in Longfellow neighborhood, I used to live in Nokomis east. My kids went to Hiawatha Elementary School and spent their summers in camp a few miles away at Lake Hiawatha.. I regularly run to Minnehaha Falls and beside Minnehaha Creek. I do open swim at Lake Nokomis.

The only part of “The Song of Hiawatha” that I remember, is the brief bit that my grandma Ines would recite when we visited her at the family farm in the upper peninsula of Michigan:

By the shore of Gitche Gumee,
By the shining Big-Sea-Water

Gitche Gumee is another name of Lake Superior. So many connections. In “Lake Superior” Lorine Niedecker never mentions Longfellow or his poem, but she does reference Schoolcraft–the explorer whose notes and book Longfellow relied on for his epic poem. Another thing I just learned about Schoolcraft: he “discovered” and named Lake Itasca. It’s not a variation on an indigenous name, but the mashing up of the latin phrase for true/head source: verITAS CAput

Last night, I checked out a little bit of the final chapter (ch 22): “Hiawatha’s Departure” and I cringed when I got to the description of the white missionary being welcomed by Hiawatha with delight:

From the distant land of Wabun*,
From the farthest realms of morning
Came the Black-Robe chief, the Prophet,
He the Priest of Prayer, the Pale-face,
With his guides and his companions.

And the noble Hiawatha,
With his hands aloft extended,
Held aloft in sign of welcome,
Waited, full of exultation,
Till the birch canoe with paddles
Grated on the shining pebbles,
Stranded on the sandy margin,
Till the Black-Robe chief, the Pale-face,
With the cross upon his bosom,
Landed on the sandy margin.

Then the joyous Hiawatha
Cried aloud and spake in this wise:
“Beautiful is the sun, O strangers,
When you come so far to see us!
All our town in peace awaits you,
All our doors stand open for you;
You shall enter all our wigwams,
For the heart’s right hand we give you.”

“Never bloomed the earth so gayly,
Never shone the sun so brightly,
As to-day they shine and blossom
When you come so far to see us!

*Wabun is also the name of a park near Minnehaha Falls that I sometimes run through and that has a wonderful wading pool that I used to take my kids to when they were younger. I never knew what Wabun meant; it’s sunrise (from the Anishinaabe language).

But, back to Schoolcraft and Niedecker’s poem “Lake Superior.” Here’s an excerpt from the poem that uses details from Schoolcraft’s accounts of reaching Lake Itasca and the source of the Mississippi River. Interesting to note something I just found out: Longfellow’s “Song of Hiawatha” takes place in UP Michigan by the pictured rocks on Lake Superior, near Munsing. Niedecker references Pictured Rocks in this excerpt (“Wave-cut Cambrian rock/painted by soluble mineral oxides”:

Schoolcraft left the Soo–canoes
US pennants, masts, sails
chanting canoemen, barge
soldiers–for Minnesota

Their South Shore journey
as if Life’s—
The Chocolate River
The Laughing Fish
and The River of the Dead

Passed peaks of volcanic thrust
Hornblende in massed granite
Wave-cut Cambrian rock
painted by soluble mineral oxides
wave-washed and the rains
did their work and a green
running as from copper

Sea-roaring caverns—
Chippewas threw deermeat
to the savage maws
“Voyaheurs crossed themselves
tossed a twist of tobacco in”

Inland then
beside the great grainite
gneiss and the schists

to the redolent pondy lakes’
lilies, flag and Indian reed
“through which we successfully
passed”

The smooth black stone
I picked up in true source park
the leaf beside it
once was stone

true source park = true source = lake itasca

I love how a poem like this requires some work from the reader. So many references, some might be obvious to those who know, but not to those of who don’t. So, we have to look things up, and it’s not too hard now with so much information online. How did people read these poems in the past? Did you spend your entire day at the library, hunting down sources? That might be fun. I like giving the reader work and some of the responsibility. For too many years I was told, as the writer, it is my sole responsibility to make my writing clear to others. If they can’t understand it, it is my failure. Poetry refuses this obligation and invites the reader to put in some effort to understand.

Chocolate River: I was thinking this was about the color of the river, but after more searching I found a reference to it in an account by Schoolcraft about the discovery of the sources of the Mississippi River: “on the coasts of the lake between Gitchi Sebing (Great River), called by the French, Chocolate River.” In some more searching, I haven’t found any more about a chocolate river. In the process of looking this up, I found a very cool page, What Color is the Mississippi River?–I recall asking this question not too long ago on this log.

june 10/SWIM

1 mile
lake nokomis big beach
30 minutes

Another mile swimming just off the big beach around the white buoys! Another almost perfect weather day–no wind, sun, warm, but not too warm, water! I checked online, the water temp is 75, which is plenty warm for me. Today I used my new safety buoy, not for safety, but to hold my phone and keys so I don’t have to leave them in my yellow backpack on the beach while I swim. It’s an inflatable buoy–bright yellow–with a dry pouch inside that you can store stuff in. You hook it to a belt that you wear around your waist. Pretty slick. For 7 years, when I swim, I leave my yellow backpack on the beach and it always makes me a little nervous, especially because it has my phone and my bike lock key. Now, I won’t worry. And, it’s good to have a buoy so that other people in boats can see me.

Right before my swim on Tuesday, as I put my swim cap on in the shallow water, I watched little minnows quickly swimming away from my approaching feet. Such a sweet and delightful thing to witness! What is the collective noun for minnows? A flash of minnows? A flurry of minnows? Looked it up and found some other answers: a swarm, a stream, a school of minnows. The minnows were still there this morning. I can’t remember if they stay all summer; I’ll have to check from them in July and August.

Since I had my phone with me, my distance was more accurate: today the activity app said I swam 1.08 miles, as compared to Tuesday when it said I swam .67 miles. I have decided that, for my purposes, 6 loops = 1 mile. 2 miles swam, 98 to go!

I didn’t see any flashes below me, or shafts of light, but I did encounter a few ducks right before I started, and a few bits of milfoil floating in the water. I noticed how the white buoys disappeared in my central vision, then reappeared in my periphery. I saw a paddle boarder and another swimmer–mostly I sensed another swimmer, hearing their hands occasionally slap the water, glimpsing a quick flash of foaming water in their wake.

I breathed every 5 strokes or five/six/five or three/four/five/three or every six. As I swam every six I thought about a poem I wrote a few years ago, “Submerged,” and how I like stroking more, breathing less in order to spend more time submerged, pretending I’m a fish. Sometimes I thought about my wonderful son FWA and how he graduated from high school last night. Those thoughts made my swim more relaxed. Other times I thought about something else–I can’t remember what, just that it involved worries–and my swim was harder, less free.

Found these two excerpts from Niedecker’s poem, “For Paul” (1950). The first one is about her failing vision: in 1949, she was diagnosed with nystagma (roving eyes). The second one is about June:

You are far away
sweet reason

Since I saw you last, Paul
my sight is weaker . . .

I still see–
it’s the facts are thick–
thru glass:

*

Hi, Hot-and-Humid

That June she’s a lush

She marsh wallows, frog bickering
moon pooling, green gripping

Fool
Keep cool

In my June 8th log entry, I posted Niedecker’s poem, “Paean to Place.” Love this poem. In an article about Niedecker’s ecopoetics, I found a link to a facsimile of a hand-written version of this poem that she made into a book for a friend. Nice!

Paean to Place, facsimile

Last night at FWA’s graduation, the principal gave an introduction/welcome in which he did a land acknowledgment, recognizing the land/city where the school was built is Dakota land. I wasn’t able to hear exactly what he said because a group of people two rows back wouldn’t shut up–am I the only person who actually wants to listen to (and enjoys) the speeches? Probably. Anyway, I’m not sure of his wording, or if he used the words “stolen” or is versus was Dakota land, but I was glad to hear him say something. Just hours before graduation, I was reading an article about land acknowledgment, its problems and possibilities: WHERE WE STAND: THE UNIVERSITY OF MINNESOTA AND DAKHÓTA TREATY LANDS

I’m thinking about how to incorporate a deeper recognition and acknowledgment of the history of that land I write about in my bio and through my poems.