trestle turn around
A whiteish gray day. Hardly any wind. Great for running. After driving on the river road yesterday with Scott and the kids and seeing the clear trail, I decided to run on it today. I didn’t do all of it–I entered the trail at lake street so I missed the welcoming oaks and the tunnel of trees–but the parts I did run on were wonderful. I have missed this trail.
I was able to run above the rowing club. The river is clear and blueish gray. There were other people on the trail, but I kept a lot of distance from them. And, I greeted the Daily Walker! Encountered a few dogs, a stroller. No fat tires or irritating squirrels. Didn’t hear any woodpeckers–did I hear any birds? I must have, but I don’t remember any. Ran over some grit and heard my favorite shuffling scratching sounds. Smelled some smoke somewhere but no burnt toast or bacon from longfellow grill.
Before I went on my run, I recorded myself reciting my Emily Dickinson poem for today: I measure every Grief I meet (561) I chose it because today would have been my mom’s 79th birthday. I woke up and watched a few digital videos I made with old footage of her–both created 8 or 9 years ago using footage from the 1980s, 90s, and the early 2000s. I miss her terribly, but I am not feeling especially sad today. As I was running, I was thinking about how part of me is grateful that she is not living now during this terrible time of tyrants, and selfishness, and deadly viruses. It would been very hard on her. I suppose the idea of her not having to endure this, gives me a little comfort, whether or not it fits with what she would have actually felt if she were alive.
I measure every Grief I meet (561)/ Emily Dickinson – 1830-1886
I measure every Grief I meet
With narrow, probing, eyes –
I wonder if It weighs like Mine –
Or has an Easier size.
I wonder if They bore it long –
Or did it just begin –
I could not tell the Date of Mine –
It feels so old a pain –
I wonder if it hurts to live –
And if They have to try –
And whether – could They choose between –
It would not be – to die –
I note that Some – gone patient long –
At length, renew their smile –
An imitation of a Light
That has so little Oil –
I wonder if when Years have piled –
Some Thousands – on the Harm –
That hurt them early – such a lapse
Could give them any Balm –
Or would they go on aching still
Through Centuries of Nerve –
Enlightened to a larger Pain –
In Contrast with the Love –
The Grieved – are many – I am told –
There is the various Cause –
Death – is but one – and comes but once –
And only nails the eyes –
There’s Grief of Want – and grief of Cold –
A sort they call “Despair” –
There’s Banishment from native Eyes –
In sight of Native Air –
And though I may not guess the kind –
Correctly – yet to me
A piercing Comfort it affords
In passing Calvary –
To note the fashions – of the Cross –
And how they’re mostly worn –
Still fascinated to presume
That Some – are like my own –
I wanted to hear how others have recited the stanza that begins, “I wonder if when Years have piled—” because it seems very awkward in terms of cadence and rhyme and following the meaning of the sentence. I listened to 3. One delivered that stanza awkwardly, the other 2 recited a different version that omits the prior stanza and then changes the words of the stanza to make it work: “I wonder if when years have piled/thousands on the cause/of early hurt — if such a lapse/would give them any pause” (this 3rd one is fun to listen to). Even though it is less awkward, I don’t like this change. ED wants awkwardness and lines that are slant and that disrupt, so why change her words to fit the conventional standards of the day (which is what I read was the reason for this change). I checked out my favorite ED commentator, The Prowling Bee, but she doesn’t discuss the altered stanza or the other version. Even so, her discussion is great and helpful, and extends into the comments. There’s a discussion about whether ED is personifying grief–meeting the various griefs as people, or if she’s meeting grievers who experience those griefs. Fascinating. She also talks about how distant and abstract ED’s expressions of grief are: the repeated mentioning of eyes signals an analytical and distanced scrutiny.
a moment of sound
This sounds like spring to me. Kids outside, dripping eaves, calling birds. Near the end of the recording, there’s a boom. It sounded louder in person–not sure what it was.