feb 17/CORE

Too cold for Scott (and me, too — the lack of cold this winter has un-conditioned me to the cold) today. Or maybe it’s more the wind? We will do our weekly run tomorrow. Today, more core. I did the Madfit 30 minute all body workout again. Tried the reverse lunges, and they weren’t as bad for my knees as I thought…until they were, at the end. Now, having finished, my lower back hurts a bit on the left side. Should I be worried?

something future Sara might like to know: Today for the first time in decades a world cup cross-country ski race is happening at Theodore Wirth Park. Until we got about 1/2 foot of snow last week, I wondered how it could happen. But it did snow, and today it happened. Very cool.

How I See

Yesterday in my description of my image I wrote the following:

one sentence about the most important thing in image: This cluttered view of bare trunks and thin branches creates a screen between runner (me) and river and resembles what I sometimes see even when there aren’t thin, bare branches everywhere — my view obscured by something in the way, that I can’t move, that keeps the real (focused, clear, open) view just out of reach.

a second sentence about the second most important thing: The image is only of swirling forms — tree, leaf, river — as my eye struggles (and fails) to land on solid lines, instead bouncing from branch to trunk to leafy floor to river to sky to branch again. (This cramped, thickly tangled space overwhelms my eyes and my brain.)

Rereading these sentences, I’m realizing that the first one is a bit misleading. My view is not obscured by a fog or haze, like some veil is covering/concealing the river. My view is obscured because of what I write in sentence 2: images don’t have solid shape, clear and defined lines. They’re constantly moving, buzzing, vibrating.

The idea of cloudy, foggy vision is more associated with cataracts:

from Cataracts/ Linda Pastan

Like frosted glass, 
you blur the hard edges
of the cruel world. 

Like summer fog, you obscure
the worse even an ocean can do.

Frosted glass, a blur, summer fog.

from Ekphrasis as Eye Test/Jane Zwart

But usually the picture dims proportionally, cataracts
stirring gray into haystacks and ground and dust-ruffle
sky. Maybe you will finally understand Monet, his play
in thirty acts, his slow lowering of the lights in Giverny.
At last there is nothing left to squint against.

Wow, the more I return to this poem, the more I love it, and relate to it.

After realizing that fog or smoke or haze or gray mist isn’t what happens to me and my vision, I wrote a few notes:

The something that is in the way is not some cloud or obstruction — no fog or haze — but something that refuses to come into focus — bouncing around from object to object, television static — not fuzz but fizz — everything shaking wobbling lines wavering such small movements it’s difficult to detect, shimmering simmering — what is that effect when you see the heat on the road? look that up* — like most things with my vision, it’s not obvious or direct. I don’t look and see wavy lines, I feel wavy lines, a restless unsettling not fixed an unhinging coming undone vibrations pulsing throbbing crowded cramped moving always, slightly shaken, a constant stirring

*best answers: heat haze or heat shimmer

I like a lot of these lines. Right now, I especially like: not fuzz but fizz. Constant movement is key to my dying vision — I think it’s exhausting me and making me even more restless. Is my brain constantly trying to make sense of these images? or are the moving images just making me feel unsettled most of the time? How does my sense of moving images feel different than people with nystagmus (“An involuntary eye movement which may cause the eye to rapidly move from side to side, up and down, or in a circle, and may slightly blur vision.” — wikipedia). One of my favorite poets, Lorine Niedecker suffered from nystagmus. Interesting — if I’m reading my source correctly, nystagmus is not a vision problem, but a balance one.

Speaking of nystagmus and Niedecker, here’s a source: Nystagmatic Poetics in Lorine Niedecker