Tag: Linda Pastan

march 4/SWIM

1.75 miles
ywca pool

Went swimming with my daughter this morning at the y. I wasn’t sure I wanted to go, but she needed to for her gym class. So glad I went! Swimming is magic. Felt strong and relaxed. Lost track of time. Forgot about everything but counting my strokes between breaths — 123 or 1234 or 12345 or 123456.

Swam 122 laps. Had an idea for a possible goal this month: 200 laps

Admired the beautiful bodies underwater. The swimmer next to me had something on his feet — not fins, but? — and was alternating between running in place and sliding his feet out in a half split. When he ran he lifted his knees high up in the water. When he slid his feet, I wonder how that felt on his legs.

Kept noticing a brown thing on the pool bottom one lane over. It stayed where it was until someone — the swimmer I mentioned in the last paragraph — started swimming in that lane. Slowly, it drifted over. First on the edge of my lane, then just below me, then over to the next lane. Had to ask my daughter what it was: a bandaid. Hello gross friend. As I swam above it, I had an idea for a poem/series of poems about my pool friends — the strange white thing stuck on the edge of the slanted floor, the brown speck, the fuzzy clump of hair, this bandaid. All of us together in the water.

I tried to pay attention to the shadows on the pool floor, but they were difficult to see. Was it because I was so far away from the windows?

Found this poem in Letters from the Emily Dickinson Room. Wanted to think about it as I swam, but got distracted by my effort or my counting or the brown bandaid.

I Try to Plagiarize Moonlight/ Kelli Agodon Russell

If you could sign your name to the moonlight,
that is the thing!
-Mark Tobey

Sometimes waves scribble their initials
over a path of moonlight. This is the closest
to a signature I’ve ever seen. Maybe,
or maybe it’s the clouds with their C-curves
crossing in front of the O—mouth open,
head thrown back and singing.
I cannot steal words if they’re kept
unspoken, but who wants to live that quietly?
Instead, I want to swim in the dark
sea across paper, climb the barges
and docks that float there. Moonlight invites itself
to my desk and I try to nail its beam
to my paper. I’ve been swimming here
for years, trying to steal what hasn’t been
written, diving to the bottom of an unread sea.

I’m thinking about my brown bandaid again as something at the bottom of the pool. What stories does it have to tell? Who, but me, would want to read them?

I want to swim in the dark sea/across paper. I like the idea of imaging the blank page as a pool. Maybe not an empty pool, but a pool with a wide, clear lane just for me. This image reminds me of Linda Pastan’s poem for William Stafford, “At My Desk,” and her lines,

I think of you
miles west
floating on the tide of language
so easily, giving only
a scissor kick now and then,
coming to shore
some unexpected
but hospitable place.

In a different direction, I like Russell’s line:

Moonlight invites itself
to my desk and I try to nail its beam
to my paper.

I like the bit, I try to nail its beam/to my paper — the image it conjures for me. I also like the idea of the moonlight inviting itself on her desk. When I sit at my desk, which has a piece of glass on top, recycled from an old IKEA coffee table, shadows and reflections often invite themselves to my desk. Reflections of tree branches from the neighbor’s tree, the form of a bird flying across the glass. I love watching the birds fly on my desk — usually a graceful soar, sometimes the quick, awkward flutter of wings in early flight. There’s a poem there…

march 1/WALKSWIM

walk: 35 minutes
neighborhood with Delia
36 degrees / wintry mix

Took Delia on a walk on a gray, wet day. Puddles everywhere. No ice, just water. Dripping, pooling, seeping. With my boots on, I didn’t mind it, but Delia did. I could tell by the end of the walk, she was over it. Instead of wagging vigorously when I called her name, her tail was stiff and bent at the end.

I’m working on a series of cento poems using Linda Pastan’s poetry. Before I went out, I was playing with a line from “The Ordinary:” “it is the ordinary that comes to save you.” I was thinking about the ordinary as I walked — the sharp, staccato drips of the water through one gutter, the gurgling of some other drops as they missed a different gutter. Someone’s shuffling footsteps. The feel of the cold, but not too cold, air in my nose. The reflection of trees, then the flutter of wings, in a puddle on the sidewalk. The singing birds.

Inspired by the beauty of the ordinary all around me, I stopped to record some sound and a thought:

ordinary birdsong / 1 march

it is the ordinary things that save us
the reprieve of birdsong
the flip side of sadness

A little later in the walk, I encountered yet another lone black glove. I walked by, then double-checked to make sure it was, in fact, black. Yes. It’s always black. This made me wonder which is more satisfying exciting desired:

seeing a lone black glove and having my view of the world — that it will always be a black glove — affirmed/confirmed, or

seeing a glove of another color and having my view of the world interrupted disrupted changed?

I want to say, a glove of another color, and I think it is, but not every time. Sometimes I want it to always be black.

swim: 1.8 miles
ywca pool

Finally, another swim! My last swim was on February 19th. It felt good to be back in the water, and a little strange. After watching a video last week on flip turns, I tried to focus on them more. Maybe it was a bad idea, or maybe it wouldn’t have mattered, but my knees started to feel sore about a mile into the swim.

The coolest thing about the swim was watching the shadows from the trees outside the window shift and shimmer on the pool floor. I was in the lane closest to the windows, which made the shadows more vivid. Swimming in the shallow end, I wondered if I’d still see them as vividly when I reached the deep end. I did! Very cool.

Not so cool: I noticed a little brown speck (very small) of something floating in the water near my face. What was it? No idea, and I didn’t see it again. I hope I didn’t accidentally swallow it. Gross.

I know February is over which means my month with Linda Pastan is over, but last night I read more of her poems while I listened the South High Community Jazz band rehearse, and I feel compelled to post this delightful one. Besides, it mentions Emily Dickinson who is my topic for March.

Q and A/Linda Pastan

I thought I couldn’t be surprised:
“Do you write on a computer?” someone
asks, and “Who are your favorite poets?”
and “How much do you revise?”

But when the very young woman
in the fourth row lifted her hand
and without irony inquired:
“Did you write

your Emily Dickinson poem
because you like her work,
or did you know her personally?”
I entered another territory.

“Do I really look that old?”
I wanted to reply, or “Don’t
they teach you anything?”
or “What did you just say?

The laughter that engulfed
the room was partly nervous,
partly simple hilarity.
I won’t forget

that little school, tucked
in a lovely pocket of the South,
or that girl whose face
was slowly reddening.

Surprise, like love, can catch
our better selves unawares.
“I’ve visited her house,” I said.
“I may have met her in my dreams.”

feb 22/SHOVELWALKBIKERUN


shovel: 4 inches
14 degrees

The aftermath of the second round of the epic snowstorm: 4 inches of mostly soft snow. Cold, but not too cold, outside. Listened to the audiobook, Moonflower Murders as I shoveled. The coldest part of my body: my fingers. Even with gloves on, they were getting numb. More snow than I expected. I think I remembered hearing some other shovels scraping, at least one snowblower droning. Already we have big piles of snow on the edges of the driveway, near the garbage/recycling/organic bins on the side of the garage, and on the front sidewalk. If we get more snow tonight, where will it all go?

walk: 15 minues
neighborhood
me, Delia, and Scott
18 degrees

Brrrr. The temperature had increased by 4 degrees but it felt colder because of the wind. About half of the sidewalks we walked on were shoveled. The un-shoveled ones didn’t seem like they had 4 inches of snow on them. Did they? The most enjoyable, warmest feeling direction to walk was east. Heading south, west, or north, we felt the cold wind in our faces. I could sense a brain freeze induced headache about to happen. Delia didn’t care. She sniffed the edges of every block, her tail wagging as she gave attention to the yellow missives from the other animals who had walked these same sidewalks.

bike: 20 minutes
run: 1.5 miles

Because of the wind and the snow, I decided to move in the basement today. Watched the first 20 minutes of the Netflix documentary, Break Point, while I biked. Listened to more of my audiobook while I ran. Wore my new running shoes: Saucony Ride 14s, color: Jackalope (white with orange accents, a red tongue, blue laces). Not my first choice, but they were in my size and $40 less than any other color. Now that I have them, I think I especially like the blue laces.

Before heading downstairs, I started memorizing a poem by Heather Christle that I especially like, “What Big Eyes You Have.” I worked on the first 2 sentences:

Only today did I notice the abyss
in abysmal, and only because my mind
was generating rhymes for dismal,
and it made of the two a pair,
to which much later it joined baptismal,
as — I think — a joke.
I decided to do nothing with
the rhymes, treating them as one does
the unfortunately frequent appearance
of the “crafts”adults require children
to fashion from pipecleaners
and plastic beads.

Wow, it is fun to memorize poems. And, it really helps me to do a deep reading of the words and ideas and rhythms and rhymes. I wish I had time to memorize all of the poems I love!

Here is a Pastan poem that seems fitting to read after encountering so many of her dark ideas about death and its inevitability and wondering why her poems were almost always so dark.

Why Are Your Poems so Dark?/ Linda Pastan

Isn’t the moon dark too,
most of the time?

And doesn’t the white page
seem unfinished

without the dark stain
of alphabets?

When God demanded light,
he didn’t banish darkness.

Instead he invented
ebony and crows

and that small mole
on your left cheekbone.

Or did you mean to ask
“Why are you sad so often?”

Ask the moon.
Ask what it has witnessed.

feb 21/RUN

3.5 miles
under ford bridge turn around
8 degrees / feels like 8
100% snow-covered (path)
0% snow-covered (sidewalks)

Wore the Yaktrax today. Not sure if it was a good idea. The trail was covered, but the sidewalks were dry. Bad for the coils, and probably my feet/legs. Not too bad, I think. Colder than yesterday. More layers.

I remember looking down at the river. Open, brown, a thin layer of ice in the center, shining a little. Beautiful.

I remember seeing a bird’s shadow pass fast and low just above my head, then thinking how I like sensing these shadows.

I remember seeing someone with ski poles descending the hill that leads to the ford bridge, then passing them later on the climb to the double bridge. They weren’t using the poles, but holding them off to the side while they did a strange shuffle run.

I remember seeing my shadow running in front of me.

I remember slipping a few times but never falling. Passing a few other walkers and runners, but no bikers. Breathing in the cold air. Seeing the dead clump of leaves that was on the trail months ago and that, when the wind pushed it a little, made me flinch.

I remember hearing a kid’s voice in the oak savanna, children on the playground. Staring far ahead at the snowy view in front of me. Feeling the warm sun on my face.

layers

  • my dead mother-in-law’s purple jacket
  • 2 pairs of black tights
  • a bright yellow TC 10 mile shirt
  • a pink jacket with hood
  • 1 pair of black gloves
  • 1 pair of orange/pink/red mittens
  • 1 pair of socks
  • pink and orange striped buff
  • black fleece-lined cap

I started all zipped up, buff over my ears and covering my mouth, pink hood up, mittens on and up past my wrists. Before the end of mile 1, the hood was down. Before mile 2, pulled the buff off of my ears. After mile 2, I put the mittens in my pocket. At mile 3, I unzipped my jacket slightly. My gloves always stayed on, so did the ear flaps of my cap.

This morning, I discovered a winter line in a Jack Gilbert poem (Meanwhile):

Winter lingers on in the woods,
but already it looks discarded as the birds return
and sing carelessly; as though there never was the power
or size of December. 

With an epic winter storm approaching this afternoon (2 feet of snow possible + strong winds), it’s hard to imagine a time when winter will be discarded. But that time will come and it will always be the birds who will be there first, singing their careless spring songs.

Today’s Pastan poem is about windows. Pastan writes a lot about standing and looking out her window.

At My Window/ Linda Pastan (December, 1979)

I have thought much
about snow,
the mute pilgrimage
of all those flakes,
and about the dark wanderings
of leaves.

I have stalked
all four seasons
and seen how they beat
the same path
through the same woods
again and again.

I used to take a multitude
of trains, trusting
the strategy of tracks,
of distance,
I sailed on ships
trusting the arbitrary north.

Now I stand still
at my window
watching the snow
which knows only one direction,
falling in silence
towards the silence.

feb 20/RUN

5.5 miles
franklin loop
25 degrees / light snow
100% snow-covered, slick ice

This morning it snowed. An inch in an hour. Then it stopped. By the time I got out to the river, it was snowing again. I decided not to wear my yaktrax, which was a bad idea. Very slippery. Lots of ice hidden under the snow. I slipped a few times, but never fell.

a few tips to avoid slipping

It was difficult for me to see where it was icy, but within a few miles I had developed a system that mostly worked.

First, look for the footsteps that stretch, the ones that seem longer than a foot. That is where someone has slipped or slid from ice underneath. Try to avoid these spots.

Second, accept that every single crosswalk entrance will be slippery and that you need to slow down in those spots. Slow down by shortening your stride and lifting your feet more often but with less height. Do a shuffle. Or, slow down to a walk. Keep your foot flat as you step down.

Third, stay focused, constantly reminding yourself the ice is lurking everywhere. Do not look away or try to pick up your pace.

I liked this run and am glad that I did it, although I wondered what I had gotten myself into when I was on the east side of the river, too far in to turn around.

the river

Crossing the Franklin Bridge, the snow just starting again, I noticed the river was brown and open and that the faintest fog, due to the light snow, was hovering above the surface. Later when I was crossing under the lake street bridge on the east side, I noticed 2 people standing at a railing, looking out at the river. I walked up the steps and stopped halfway to stand at another railing and admire the grayish-brown water. This view, a reward for the effort of trudging through the snow for 50+ minutes.

10 Things

  1. on the bridge, closest to the railing, there were squares of bare pavement. As my feet landed on snow then bare pavement then snow again, I could feel the difference — a slight slide, then a thud, then a slide again
  2. voices yelling from down below in the gorge — people having fun in the snow?
  3. a quiet voice grunting or clearing their throat, gently alerting me to their presence before biking by
  4. cars moving very slowly, carefully
  5. a truck on the bridge starting to stop way back from the cars in front of it. Must be slippery on the road
  6. chick a dee dee dee
  7. headlights down at the bottom of the franklin hill — a car slowly climbing up
  8. an adult pulling a young kid in a sled on the path
  9. 2 walkers having an animated conversation as we all approached meeker island. I heard one of them talking as I passed. Now I can’t remember what he said, just that he said it strangely
  10. the pipe under the lake street bridge — the one that I recorded gushing the last time I ran the franklin loop — was frozen solid. One thick, ugly icicle hanging at the bottom

Another Pastan poem:

The Death of the Self/ Linda Pastan

Like discarded pages
from the book
of autumn, the leaves
come trembling down
in red and umber,
each a poem
or story,
an unread letter.

Think of the fires
in ancient Alexandria,
the voluminous smoke
of parchment burning.

Open your arms
to the dying colors,
to the fragile
beauties

of November.
Deep in the heart
of buried acorns,
nothing lost.

Nothing lost. I like imaging my past selves — not past lives, but the many selves I’ve been throughout my life — as not lost. Buried acorns to become, over time and slow, steady growth, a new forest of trees. Now I’m imagining a forest of Saras. I’d like to walk through that forest! This makes me think of something I’ve been noticing about Pastan — she loves trees. She wants to be a tree, she links trees with the act of writing poetry, she finds hope against the inevitability of death in trees. A forest of Saras also makes me think of a poem I started a few years ago about a lake of Saras, different ages, lining up to make a bridge. It also makes me think of something funny I did last night. I positioned 2 of the mirrored doors of our bathroom medicine cabinet in such a way that I could look into the small wedge between each mirror and see around 20 of me. I stuck out my tongue and all these Saras were sticking their tongues out too. So many Saras. I kept looking to see if one of them might decide not to stick out their tongue. Nope, at least not that night.

feb 19/SWIM

1.3 miles
ywca pool

Swam with RJP this morning. Only 2 lanes open. The H2O combo class was happening in lanes 3-5. Fun to watch all the bouncing underwater. RJP and I had to circle swim with one more swimmer for a few minutes. I told her that I’ve only circle swum twice in the last 30 years. Wow! That’s a long time.

Had a nice conversation with one of the H2O people in the locker room after we were done. She said she used to swim but couldn’t any more because she injured her rotator cuff. It was fun to talk to her. I love the older women energy in the y locker room.

What do I remember about my swim?

  1. A blue pool noodle was creeping over the edge of the lane line. I felt it first, then saw it, ready to attack me
  2. The guy in the next lane, in red swim trunks, churned up a lot of foam with his kick.
  3. It was calming to watch the H2O people bouncing in the water.
  4. 2 cute little kids in the locker room, fully of weekend energy.
  5. the pool floor had some dark crud on the tiles
  6. the water was clearer than Thursday
  7. the water had faint shadows that danced on the tiles
  8. I forgot to wash out all of the baby shampoo and now my eyes burn

Today’s Pastan poem:

Ethics/ Linda Pastan

In ethics class so many years ago
our teacher asked this question every fall:
If there were a fire in a museum,
which would you save, a Rembrandt painting
or an old woman who hadn’t many
years left anyhow?  Restless on hard chairs
caring little for pictures or old age
we’d opt one year for life, the next for art
and always half-heartedly.  Sometimes
the woman borrowed my grandmother’s face
leaving her usual kitchen to wander
some drafty, half-imagined museum.
One year, feeling clever, I replied
why not let the woman decide herself?
Linda, the teacher would report, eschews
the burdens of responsibility.
This fall in a real museum I stand
before a real Rembrandt, old woman,
or nearly so, myself.  The colors
within this frame are darker than autumn,
darker even than winter — the browns of earth,
though earth’s most radiant elements burn
through the canvas. I know now that woman
and painting and season are almost one
and all beyond the saving of children.

I like the idea of asking the old woman what she wants, but wish it could have taken that idea somewhere other than to the inevitable conclusion of death. I really like Pastan’s poems, but it does seem that so many of her poems end with death. Aging seems to be reduced to dying/getting closer to death.

feb 18/RUN

4.5 miles
minnehaha falls and back
31 degrees
5% ice-covered

Felt off this morning — sore, unsettled. Wasn’t sure I should go for a run, but did it anyway. I’m glad. It felt like spring again: less layers, birds, sun, bare grass in a few spots, gushing water at the falls. My mood has improved. My back felt a little sore, my knees too, but most of the run felt good. The other day, I saw an instagram post on running form and arm swing. From the video I saw (with no audio) it looked like you should swing your arms further forward and higher than you’d expect. I tried it by focusing on swinging forward — not quite, but almost, like punching the air in front of you — instead of what I’ve usually done, focusing on extending my arms back more. It seemed to help, making my run feel more smooth, effortless, locked in.

moment of the run

Running north, approaching the double bridge, I heard a strange howling noise. It repeated several times. What was it? A coyote? Dog? Human? I couldn’t tell. I also couldn’t tell if it was right below on the west side, or over on the east side. I also started hearing sirens, and a bunch of dogs yipping. Crossing over from the river road to Edmund to run past my favorite poetry window, I suddenly remembered a bit of a poem I encountered this morning on twitter:

from March, 1979/ Tomas Tranströmer

Weary of all who come with words, words but no language
I make my way to the snow-covered island.
The untamed has no words.
The unwritten pages spread out on every side!
I come upon the tracks of deer in the snow.
Language but no words.

Was this the cry of language but no words? Or, just some kids trying to imitate a howl?

Here are 2 earlier (as in, before Almost an Elegy) Pastan poems that I found today:

Emily Dickinson/ Linda Pastan (1971)

We think of hidden in a white dress
among the folded linens and sachets
of well-kept cupboards, or just out of sight
sending jellies and notes with no address
to all the wondering Amherst neighbors.
Eccentric as New England weather
the stiff wind of her mind, stinging or gentle,
blew two half imagined lovers off.
Yet legend won’t explain the sheer sanity
of vision, the serious mischief
of language, the economy of pain.

The economy of pain, I like that.

Wind Chill/ Linda Pastan (1999)

The door of winter
is frozen shut,

and like the bodies
of long extinct animals, cars

lie abandoned wherever
the cold road has taken them.

How ceremonious snow is,
with what quiet severity

it turns even death to a formal
arrangement.

Alone at my window, I listen
to the wind,

to the small leaves clicking
in their coffins of ice.

I like the last stanza with its small leaves clicking in their coffins of ice.

feb 17/RUN

5.5 miles
bottom of franklin hill turn around
15 degrees / feels like 5
5% ice-covered

Colder today, but almost a completely clear path! Sunny, bright. Greeted Dave the Daily Walker early on. He was bundled up today. Wrapped in so many layers, I felt disconnected. I barely remember running on the stretch between the Welcoming Oaks and the lake street bridge. Only one flash of memory: looking down from the bike path, I noticed the walking path was hidden by a hard pack of snow, hardly looking like a path.

Listend to the gorge running north, a playlist returning south.

layers

  • my (recently) dead mother-in-law’s purple Columbia jacket
  • pink jacket with hood
  • green shirt
  • 2 pairs of black running tights
  • 2 pairs of gloves (black, pin and white striped)
  • gray buff
  • black fleece-lined cap
  • 1 pair of socks

10 Things I Noticed

  1. my shadow, running ahead of me
  2. the shadow of the lamp post beside the trail — the tip of the top of the lamp post looked extra sharp
  3. the river was open and brown, with a few streaks of white
  4. the path was clear but on the edges there were thick slabs of opaque ice where the puddles had refroze
  5. birds!, 1: the tin-whistle song of a blue jay
  6. birds!, 2: the laugh of the pileated woodpecker
  7. birds!, 3: the drumming of some woodpecker. Was it a pileated woodpecker, or a downy woodpecker, or a yellow-bellied woodpecker?
  8. birds!, 3: so many chirps and trills and twitters on the way up the franklin hill — a rehearsal for spring
  9. an impatient car illegally passing another car on the river road
  10. very little ice on the trail — where there was ice, Minneapolis Parks had put some drit down to make it less slippery (finally!)

Today, I have 2 Pastan poems. I am including both of them because they work together to speak to one set of struggles I have with losing my vision: I can no longer drive because of my deteriorating central vision AND this inability to no longer drive makes me feel much older than I am. Pastan is writing about surrendering her key when she’s in her late 80s. I stopped being able to drive at 45.

Ode to My Car Key/ Linda Pastan

Silver bullet
shape of a treble clef
I slip you
in the ignition—
an arrow
seeking its target—
where you fit
like a thread
in the eye
of a needle
like a man and
a woman.
A click and
the engine roars,

the road unscrolls
on its way
to anywhere.
At night you sleep
in the darkness
of a drawer,
On a pillow
of tarnsied coins.
Oh faithful key:
last week I gave
you up
for good—
Excalibar back
in its stone—
as I climbed into
the waiting vehicle
of old age.

Reading “Ode to My Car Key”

Cataracts/ Linda Pastan

Like frosted glass,
you blur the hard edges
of the cruel world.

Like summer fog, you obscure
the worse even an ocean can do.
But watch out.

They are coming for you
with their sterile instruments,
their sharpened knives,

saying I will be made new—
as if I were a rich man
wanting a younger wife.

Soon the world will be all glare.
Grass will turn a lethal green,
flower petals a chaos

of blood reds, shocking pink.
What will I see? I am afraid
of so much clarity, so much light.

This second poem offers an interesting contrast to the first one, which is a lament over the loss of the ability to drive, presumably (mostly?) because of her vision. In “Cataracts,” Pastan is worried about regaining her vision and how it will change the gentle ways she sees. “I am afraid/of so much clarity, so much light” immediately reminds me of Emily Dickinson’s “Tell it Slant”: “too bright for our infirm Delight” and “Before I got my eye put out”: “So safer — guess — with my just my soul/ Opon the window pane/ Where other creatures put their eyes/ Incautious — of the Sun– “

I like how putting these poems together offers space for both lamenting the loss of vision, and for appreciating the new ways it allows you to see. Is this what Pastan is doing? I’m not sure, but it speaks to how I feel about my vision loss.

feb 16/SWIM

1.5 miles
ywca pool

A swim! The last time I swam was 10 days ago. How has it been that long? The water was the cloudiest I ever remember it being. Was it that cloudy, or was it my vision or my loose googles? Swam alone for 30 minutes, then my daughter joined me.

10 Things I Noticed

  1. the water was so cloudy I couldn’t see to the other end
  2. starting out, swimming just above the bottom, I heard some kicking noises and worried that I had picked a lane that someone was already swimming in (I hadn’t)
  3. something brown, looking suspiciously like a band-aide, was stuck to the floor as it sloped down to the deep bottom. It stared back at me every time I swam above it
  4. in the next lane, someone was swimming an exaggerated breast stroke, kicking their legs way out, taking up most of the lane, possibly stretching over into my lane. I was a little irritated, but more enchanted by the wide swing of their legs and their froggy look
  5. I could see a small circle of light in the far corner
  6. trying to look more closely at the band-aide, I noticed some other white things stuck to the sloped floor too. What were they?
  7. as I flipped at the wall and looked up at the ceiling from below the water, I noticed that at the wall closer to the windows the light was yellow, and at the wall that was farther, the light was a pinkish-orange
  8. my nose plug squeaked once — a high-pitched squeak
  9. in the next lane a swimmer waited at the wall. Right as I flipped then pushed off, he started swimming. Was he trying to race me? Probably not
  10. I don’t think I saw anything floating in the pool today

Another good swim. For reasons I can’t quite pinpoint, I was agitated before my swim. It took some time, but the swimming helped calm me down.

Today’s Linda Pastan poem reminds me of something I was just writing about for my week five lecture for my class: gnarled branches.

In the Orchard/ Linda Pastan

Why are these old, gnarled trees
so beautiful, while I am merely
old and gnarled?

If I had leaves, perhaps, or apples . . .
if I had bark instead
of this lined skin,

maybe the wind would wind itself
around my limbs
in its old sinuous dance.

I shall bite into an apple
and swallow the seeds.
I shall come back as a tree.

This idea of coming back as a tree also reminds me of a poem I found the other day on twitter by Czesław Miłosz:

Longing/ Czesław Miłosz

Not that I want to be a god or a hero.
Just to change into a tree, grow for ages, not hurt anyone.

feb 15/BIKERUN

bike: 25 minutes
run: 2.5 miles
basement
outside: 23 degrees / icy

Maybe it wasn’t as icy on the sidewalks or the trail as it was on my driveway and the alley, but I decided not to risk it and bike and run inside. During my bike, I watched Linda Pastan read “Elegy” and a few running races. During my run, I finished up the latest episode of Nobody Asked Us with Des and Kara. I’m really enjoying their discussions. Today they talked about being introverts (me too) and struggling to promote themselves and being motivated by something other than fame. As I listened, I also paid attention to my body, noticing how it felt different depending on how I did my arm swing. At one point, I locked into a rhythm between my arms and legs that felt effortless and machine-like. I remember writing about the body as a machine (and not a machine) on this log in the beginning. Maybe I should return to some of those discussions?

Maggie Smith has started doing a newsletter about craft. Yay! Today’s was about stanzas and the idea that a stanza is a room in the poem or its paragraph. She discusses couplets in particular:

I have a soft spot for unrhymed couplets. I like the padding of white space around them, so each stanza is like a piece of art hung on a gallery wall. White space is literal “breathing room” on the page, and it slows a poem down. Shorter stanzas in a poem = more white space between stanzas on the page = more time for the reader to savor each line.

To slow a poem down, build in more white space by shortening the stanza length. You can also shorten the line length to slow the reader down.

To pick up the pace in a poem, do the opposite: lengthen the stanzas by removing white space. You can also speed up the reader’s momentum by lengthening the lines.

As I draft a poem, I often decide on the line length and the grouping of lines I prefer for the opening stanza, and then I use that line and stanza length as a template for the rest of the poem. If I prefer the opening to be a quatrain, for example, I’ll naturally try quatrains for the whole poem and see if that might work. Sometimes it does, but not always. Other times I might find that irregular stanzas work best, or I might end up collapsing the whole poem into a single stanza to speed it along.

Craft Tip from Maggie Smith

Today’s Pastan Poem:

Elegy/ Linda Pastan (1986)*

Last night the moon lifted itself
on one wing
over the fields,

and struggling to rise
this morning
like a hooked fish

through watery
layers
of sleep.

I know
with what difficulty
flowers

must pull themselves
all the way up
their stems.

How much easier
the free fall of snow
or leaves in their season.

All week, watching
the hospital gown
rising

and falling
with your raggedy breath,
I dreamed

not of resurrections
but of the slow, sensual
slide each night

into sleep, of dust
of newly shoveled earth
settling.

*Pastan wrote more than one poem with the title “Elegy.”

I’m struggling with her use of “struggling” in the second stanza. The full sentence doesn’t make sense to me. It’s quite possible I’m just not reading it right, but shouldn’t it be “struggled”?

feb 14/RUN

4.15 miles
river road, south/ ford bridge/ river road, north/ 33rd, west/ edmund, south
40 degrees / rain
5% ice-covered

There’s another runner in the neighborhood who I’ve seen running past my house several times in the early morning this winter. Usually I notice them when the weather is bad and I’m wondering whether or not to go out in it. I see them and think, if she can go out in this cold/heavy snow/rain, I can too. Not as a competitive thing, but as a sign of encouragment. That’s what happened this morning, so I went out for a run in the rain.

I want to name her and add her to my list of regulars, but I can’t think of anything catchy or pithy or whimsical right now. Maybe it will come to me after I eat lunch? Okay, I’m back. Scott suggested “Canary” for canary in the coal mine, which didn’t seem quite right. I’ve decided tentatively to call her Miss Wake-up Call because I see her not long after waking up and because she reminds me to get out there (and after it). I’m still not satisfied, but I’ll leave it for now.

layers: 1 pair of black running tights, 1 pair of socks, 1 long-sleeved green shirt, 1 bright purple jacket that I inherited from my beloved mother-in-law who died this past September, 1 pink and purple nylon running cap (also inherited), black gloves

About a mile into the run, my left thumb was cold. Why? Suddenly I noticed a big hole in the seam. I said out loud, oh, that’s no good, just as I encountered a walker. Did they hear me?

Was able to greet Dave the Daily Walker. Of course he was out in this rain; he can walk in anything!

Everything was wet and dripping, even the bill of my cap. Drip drip drip every few seconds. I didn’t feel it, just saw movement. Lots of splooshing from car wheels. I don’t remember hearing the water gushing through the sewer pipes. Why not? Big puddles near 42nd and on the path leading to under the Ford Bridge. No lakes.

Heard some strange clanking or clunking then honking over on the other side of the river. Heard the kids playing on the playground, then a teacher’s whistle as I ran south. Later, running back north, heard more kids. It was raining harder. How wet will they be for the rest of the day? I imagined them in snow suits, or because the playground was at posh Minnehaha Academy, under some fancy, magical dome.

Heading north, I noticed that the view near Winchell (Winchell to the left, the memorial bench to the right), was especially open and revealing. Earlier, heading south, I had noticed that my former favorite winter view spot just past the oak savanna was unsatifying. Too many small trees blocking my view. Are those trees new?

Encountered several walkers, some alone, others in pairs; a runner or two; at least two bikers.

As I write this entry, I am listening to the gentle ringing of the rain through the gutters. A steady ping ping ping vibration.

added later today: Returning to my desk hours later, I heard and then saw 3 or 4 geese honking and speeding through sky. This reminded me of something else I remember from my run. Twice I heard some honking geese, once on the east and once on the west. Both times I stopped running, leaned my head back, and stared into the sky to watch them. One wedge of geese was flying low, the other much higher. It’s always a good day when you can stop and admire the geese!

I found a rain poem from Linda Pastan for today:

November Rain/ Linda Pastan

How separate we are
under our black umbrellas—dark
planets in our own small orbits,

hiding from this wet assault
of weather as if water
would violate the skin,

as if these raised silk canopies
could protect us
from whatever is coming next—

December with its white
enamel surfaces; the numbing
silences of winter.

From above we must look
like a family of bats—
ribbed wings spread

against the rain,
swooping towards any
makeshift shelter.

Love the image of the bats. Over the years, I’ve found several wonderful bat poems. In theory, bats are beautiful, fun-to-imagine creatures who eat mosquitoes and see with sound in ways I’d like to learn. But my one close encounter with bats, when they were flying through my house one year and established a colony in the attic, freaked me out. I like thinking I see or hear them at twilight, flying high above. I don’t like seeing the evidence of them in my closet.

feb 13/RUN

5.8 miles
franklin loop
39 degrees
25% puddles

More spring-like weather. Above freezing. Sun. The sound of snow melting everywhere, especially under the lake street bridge. I checked and the last time I ran the franklin loop was on December 13th. It’s nice to get this view of the river again.

Felt relaxed. My knees ached a little — not an injury, just grumbling over the month of uneven, icy paths. Speaking of paths, the trail on the east side of the river was rough — ice, deep puddles — between Franklin and the trestle. I had to stop and walk a few times.

10+ Things I Noticed

  1. a V of geese above me. When I first noticed them through my peripheral vision, I thought they were a plane
  2. a white form up in the air. A cloud? No, a plane. It took me a minute to finally see it in my central vision
  3. crossing the Franklin bridge, the river was covered in a steel blue ice
  4. the bridge trail was mostly clear. The part shaded by the railing was not
  5. everywhere the moisture on the path shone so bright that I couldn’t tell if it was only water or slippery ice. (it was mostly water)
  6. crossing under the railroad trestle on the west side, I heard the beep beep beep of the alarm. I wondered if a train was coming. (I never saw or heard one)
  7. heard some bike wheels behind me, then voices calling out Ice! I moved over and stopped to let them pass, then watched as they slowly navigated the ice on their thin wheels
  8. lots of whooshing wheels and noises that sounded like sploosh! as cars drove through the puddles collecting on the edge of the road
  9. a favorite late fall spot: right before the meeker dam, there’s an opening in the trees and a clear, broad view of the river and the other side
  10. the river down below the trestle on the east side looked like an otherwordly wasteland. Brown, riddled with broken up ice
  11. crossing back over the lake street bridge from east to west, the river looked like an ice rink that had been skated on for too long and needed a Zamboni
  12. running down the hill from the bridge to the path, a woman crossing the river road called out, Oh! As I neared her, I stopped and she said, It’s slippery!

When I stopped running to walk up the lake street bridge steps, I could hear and see the water gushing down through the pipe under the bridge. I had to stop and record it.

feb 13, 2023 / gushing water

Here’s my Pastan poem for the day. I found it before I went out for my run. My goal was to try and listen for voices out there by the gorge, and I did, somewhat. The woman who cried out when she almost slipped. 2 women walking on the bridge above, when I was below. The biker calling out Ice! A tree, its dead leaves rustling in the breeze. The soft not quite gushing of the limestone seeping melting snow. The drip drip drip of water off the bridge.

For Miriam, Who Hears Voices/ Linda Pastan

If the voices are there
you can’t ignore them,
whether they come up through the floorboard
on a conduit of music
or in a rattle of words that make sounds
but no sense.

They can be messages from the sky
in the form of rain at the window, or in the cold
silent statements of snow.
Sometimes it’s the dead talking,
and there is comfort in that

like listening to your parents in the next room,
and perhaps it’s the same parents still talking
years after they’ve gone.

If you’re lucky, the vowels
you hear are shaped like sleep–
simple cries from the thicket
of your dreams. You lie in bed.
If the voices are there, you listen.

I am always looking for poems about love (not necessarily “love” poems). This one popped up on my twitter feed this morning. As a bonus, it’s about winter and fits with my theme of layers for next week AND it has wild turkeys in it!

How to Love/ January Gil O’Neil

After stepping into the world again,
there is that question of how to love, 
how to bundle yourself against the frosted morning—
the crunch of icy grass underfoot, the scrape 
of cold wipers along the windshield—
and convert time into distance. 

What song to sing down an empty road
as you begin your morning commute?
And is there enough in you to see, really see, 
the three wild turkeys crossing the street 
with their featherless heads and stilt-like legs
in search of a morning meal? Nothing to do 
but hunker down, wait for them to safely cross. 

As they amble away, you wonder if they want 
to be startled back into this world. Maybe you do, too, 
waiting for all this to give way to love itself, 
to look into the eyes of another and feel something— 
the pleasure of a new lover in the unbroken night, 
your wings folded around him, on the other side 
of this ragged January, as if a long sleep has ended.

As a bonus, this poem also has another thing I’m always trying to find: a reference to the idea of looking into someone’s eyes and really seeing them as (one of) the key metaphors for being fully human. I’m collecting these examples because they bother me. With my failing central vision, I can’t really look into a person’s eyes and see them. Does this mean I can’t be fully human?

feb 11/RUN

5 miles
bottom of franklin hill turn around
35 degrees
5% snow-covered / 40% puddles

Above freezing with a mostly clear path. Lots of puddles. Lots of sun. Several shadows. Right before I started my run the shadow of a big bird passed over me. Later, running on the trail, I saw my shadow running in front of me. The view of the river and the gorge was bright and open and brown. Smelled breakfast at the Longfellow Grill, some pot from one passing car, cigar smoke from another. Felt the grit under my feet. Noticed the curve of a pine tree, with branches only on one side. I thought: a curved spine, the branches vertebrae.

Here’s my Pastan poem for today:

Squint/ Linda Pastan

and that low line
of blue cloud
hovering
over the treetops

could be an ocean–the roar
of the highway
the clamorous waves
breaking.

And that dark shape menacing
your every footstep
could be no more
than your own obedient shadow.

See whatever you want
to see. Even
at the moment of death
forget the door

opening on darkness.
See instead the familiar faces
you thought were lost.

See whatever you want/to see. This makes me think of the video interview I watched with Kelli Russell Agodon yesterday, when she discusses being oriented towards beauty, only seeing the beauty, ignoring the ugliness. The title Squint makes me think of a lecture I saw online about how painters often squint to see how to paint the depth and texture of objects.

It’s interesting to juxtapose this poem and its turn away from the darkness of death with some of the passages below from Pastan’s interviews in which she talks about how she’s always looking for the danger beneath the surface.

some words from Linda Pastan

You open “The Poets” with the line “They are farmers, really.”

That was partly tongue in cheek, partly serious. For me, there are two distinct phases in the writing of a poem—first the inspiration phase, when language and metaphor come mysteriously into my head, then the planting, sowing, farming phase, otherwise known as revision. The first is a kind of gift, as in “gifted”—it can’t be taught. The second is a matter of learning and practicing one’s craft. But it’s also true that I couldn’t resist having poems planted in manure-filled rows and having poets eyeing each other over bushel baskets in the marketplace.

The last two lines of my poem “Vermilion” are “As if revision were / the purest form of love.” And I believe that for a poet it is. Many of my poems go through at least a hundred revisions—I can spend a whole morning putting in a comma and then taking it out and putting it back in. And I think that perhaps I am at my happiest sitting at my desk polishing a poem, trying to make every word the perfect word.

—

I am indeed interested, you might say obsessed, not with ordinary life per se but with the dangers lurking just beneath its seemingly placid surface, one of those dangers being loss itself. Death, of course, is the ultimate danger, the ultimate loss, and as I move closer to it, I write about it more frequently and perhaps more feelingly. Though I recently came upon some poems I wrote when I was twelve, and they, too, are about death.

The Looming Dark: An Interview with Linda Pastan

a popular story about her:

There’s a popular story about Linda Pastan: she won her first poetry prize as a senior at Radcliffe in the fifties, and the runner-up was one Sylvia Plath. It was an auspicious start for Pastan, even if she had never heard of Plath at the time. 

a blogger’s explanation of why she likes Pastan:

What do I like about Pastan’s work? Her clarity in brevity, the conciseness of her description that makes each word she uses necessary, her way of writing about what surrounds her with the understanding that surfaces mask tensions and the darker things below; her down-to-earth voice that makes her writing so accessible; the images that stick with you; the intimacy she has with her subjects: relationships, domestic tableau, aging, dying—the things we all struggle with, for, and against.

Poet: Linda Pastan

and Pastan’s description of the dangers always lurking below the surface:

JEFFREY BROWN:We’re sitting here on a beautiful day in a beautiful place, but you feel dangers lurking?

LINDA PASTAN:Always, yes, yes. I feel the cells starting to multiply someplace inside me. I feel when the phone rings, is somebody calling to say something terrible has happened. I’ve just always been very conscious of the fragility of life and relationships.

Linda Pastan: PBS Newshour

feb 9/RUN

4.45 miles
minnehaha falls and back
34 degrees
50% jagged ice / 25% slick ice / 25% clear path

I probably should have waited a few more hours to run. Now that the sun has finally come out and it’s another degree warmer, all the ice everywhere might melt. Oh well. This was a tough run. I still enjoyed most of it, but I had to stop and walk several times in order to avoid falling on ice. Now my upper back and knees are sore from the effort of staying upright.

Kids, 3 versions

  1. Running on Edmund, nearing Dowling Elementary, I wondered why it was so quiet. Where were all the kids on the playground? Then, suddenly, I heard them. Laughing and yelling. I decided the moisture in the air must be absorbing the sound, not allowing it to travel too far
  2. At the falls, I heard a few more kids. Standing above, at my favorite spot, I could hear voices below. Were they climbing on the trail that leads to below the falls? I imagined that path was as icy as mine, and I hoped not.
  3. Returning on Edmund, running past Dowling, more kids. This time in the big field by the community garden — at least I think that’s where they were; I only heard them, didn’t see them. So loud and raucous! Frantic, worked-up (or wound up?) screams. Excitement? Too much sugar? Something else? I encountered another runner — a man pushing a jogging stroller — and imagined after I passed him that I had asked, What’s going on over there?!

Here’s the Linda Pastan poem of the day. I’m pairing it with a wonderful Tony Hoaglund poem I found tat involves swimming laps and screaming underwater.

Almost An Elegy: For Tony Hoaglund

Your poems make me want
to write my poems,

which is a kind of plagiarism
of the spirit.

But when your death reminds me
that mine is on its way,

I close the book. clinging
to this tenuous world the way the leaves

outside cling to their tree
just before they turn color and fall.

I need time to read all the poems
you left behind, which pierce

the darkness here at my window
but did nothing to save you.

Don’t Tell Anyone/ Tony Hoaglund

We had been married for six or seven years
when my wife, standing in the kitchen one afternoon, told me
that she screams underwater when she swims—

that, in fact, she has been screaming for years
into the blue chlorinated water of the community pool
where she does laps every other day.

Buttering her toast, not as if she had been
concealing anything,
not as if I should consider myself

personally the cause of her screaming,
nor as if we should perform an act of therapy
right that minute on the kitchen table,

—casually, she told me,
and I could see her turn her square face up
to take a gulp of oxygen,

then down again into the cold wet mask of the unconscious.
For all I know, maybe everyone is screaming
as they go through life, silently,

politely keeping the big secret
that it is not all fun
to be ripped by the crooked beak

of something called psychology,
to be dipped down
again and again into time;

that the truest, most intimate
pleasure you can sometimes find
is the wet kiss

of your own pain.
There goes Kath, at one pm, to swim her twenty-two laps
back and forth in the community pool;

—what discipline she has!
Twenty-two laps like twenty-two pages,
that will never be read by anyone.

Reading these poems again, I’m struck by their last lines, both about Hoaglund’s poems: 1. the ones Pastan read that could pierce the darkness but not save Hoaglund and 2. the unread ones that aren’t for anyone else, but offer some sort of private pleasure in the face of suffering.

Poetry is not meant to save us from dying, but that doesn’t mean it can’t save our lives.

feb 8/RUN

3.25 miles
trestle turn around
40 degrees
75% bare, wet, puddled pavement

A late afternoon run on a sunny, warm (warm for February in Minnesota) day! The path was wet, with lots of puddles, some slick spots, and lots of sloppy snow. Twice I had big slips. My one leg flew off to the side and I waved my arms involuntarily, but I didn’t seem to lose momentum and my body never felt the fear of falling — that fear deep in the pit of my stomach that quickly spreads to the top of my head and makes my whole body tense up.

10 Things

  1. the warm sun on my face — it felt like spring
  2. the late afternoon shadows — I can’t remember a specific shadow, maybe shadows of trees over the gorge?
  3. a siren behind me as I ran up from under the lake street bridge. It sounded close and like it was stopping. I think I heard the siren double beep and then stop
  4. some little yippy dogs freaking out down below at the minneapolis rowing club. So frantic! What’s going on down there? I worried for a minute, wondering if I was actually hearing someone screaming, but decided it was definitely some exuberant dogs
  5. Also heard a strange moan or whine coming from the rowing club — not a human moan, but one coming from a machine
  6. so much whooshing of car wheels through deep puddles on the edges of the road
  7. lots of bikes deciding to bike on the mostly dry road instead of the be-puddled path
  8. my shoes and socks were soaked before I reached the first mile. After the run, the white socks were now speckled in brown grit
  9. smelled pot as I ran past a parking lot
  10. heard a few random geese honks closer to the river

I didn’t look at the river or notice the ancient boulders or greet the welcoming oaks. Didn’t hear any birds — wait, I think I heard a crow at the beginning —or music coming from a car radio or a bike or someone’s phone.

This was a great afternoon run. I like running at this time, when the sun is slowly sinking. My only problem: the paths are usually much more crowded. Still, I’d like to try and add in some more of these runs so I can study the sun and the shadows.

Here’s my Linda Pastan poem for today. I don’t think there were any clouds to admire, but I’m posting it anyway!

The Clouds/ Linda Pastan

From a high window
I watch the clouds—

armada
of white sails

blown by the wind
from west to east, as if

auditioning for me,
as if they needed

nothing more
than to be in a poem.

What a delightful little poem! I think this counts as one of Mary Oliver’s little alleluias on the page.

feb 7/RUN

4.45 miles
minnehaha falls and back
31 degrees
100% slick, sloppy mess

Yuck! With warmer temperatures comes puddles, slicker ice, and soaked socks. Most of the trail was covered in little brown lakes. Oh well. The sun was warm on my face, and I felt almost too warm in my layers, so I was happy to get out there and run. Because I was trying out my new bluetooth headphones, and because the path was so challenging, I was distracted. Did I notice at least 10 things? I’ll try:

10 Things I Noticed

  1. running south into the sun, the slick path sparkled
  2. kids yellling at the playground. I think I heard one deep voice — was it a teacher?
  3. there was a very big puddle in the street at 42nd, right by the path. As cars drove through it, I could hear all the water splashing up onto the curb — glad I wasn’t running there!
  4. passed the same group of 3 walkers + 2 dogs in both directions on the narrow bridge
  5. the river was mostly open, with streaks of white ice
  6. a few people at the falls, near the bridge
  7. a man and a dog playing in the snow near the longfellow poem at the falls
  8. unable to avoid it, I ran straight through a deep puddle on my tiptoes
  9. glanced over at the house with the poetry in the window to check if there was a new poem. Too much snow to see the sign with the poem title
  10. the long dark tree branch of the mostly dead tree on the corner stretched across the path and the road. I wondered, as I ran under it, if it would fall on me

As part of my February challenge, I’m reading poems from Linda Pastan. Here’s the one for today:

Practicing/ Linda Pastan

My son is practicing the piano.
He is a man now, not the boy
whose lessons I once sat through,
whose reluctant practicing
I demanded–part of the obligation
I felt to the growth
and composition of a child.

Upstairs my grandchildren are sleeping,
though they complained earlier of the music
which rises like smoke up through the floorboards,
coloring the fabric of their dreams.
On the porch my husband watches the garden fade
into summer twilight, flower by flower;
it must be a little like listening to the fading

diminuendo notes of Mozart.
But here where the dining room table
has been pushed aside to make room
for this second- or third-hand upright,
my son is playing the kind of music
it took him all these years,
and sons of his own, to want to make.

I love the gentle way this poem unfolds, how it reminds me of my son and demanding he practice his clarinet, and its idea that practice accumulates and can take decades to lead to the things we want to do.

The practicing son in this poem reminds me of another poem I posted in the fall, Transubstantiation:

my six-year-old grandson, in the early
August rainy morning, piano-practices
“The Merry Widow Waltz.” Before
I was a widow, that song was
only a practice piece, a funny
opera

feb 6/SWIM

2 miles
ywca pool

Met RJP at the pool again after she was done with her classes. Added in about 1000 yards of swimming with the pull buoy. I tried reciting the poem I memorized yesterday — Linda Pastan’s “Vertical” — while I swam, but it was difficult. I couldn’t sync up the lines with my breathing rhythms. I don’t think I was ever able to recite the whole thing, only the first bit: “Perhaps the purpose of leaves is to conceal the verticality of trees which we notice in December as if for the first time: row after row of dark forms yearning upwards.”

10 Things

  1. cloudy water, at least as much, maybe more?, crud than the last time I swam: floating hairballs, some strange stain on the wall tiles in my lane
  2. when I got in the pool, there was only one other swimmer. More people came, then left. At one point, most of the lanes were filled, but it was never too crowded
  3. I could see that a storm was moving in by how the pool floor kept getting darker then lighter as the thickening clouds moved past the sun
  4. heard a click underwater several times. Decided it was caused by the swimmer next to me — her knee of elbow clicking as she did the breaststroke
  5. watching my daughter swimming freestyle underwater — looking strong and serious. Once as I passed her, I kept my head below looking over at her until she looked back
  6. doing my starting ritual of pushing off and them swimming underwater until I reached the blue line and the end of the shallow water, I held my arms out straight in front of me, almost squeezing my ears. I felt like I could have stayed underwater until I reached the wall
  7. the muscle I felt most while I was swimming today was my calf, and especially as I kicked harder during my first lap. It wasn’t sore, and it didn’t hurt, I just felt it more
  8. following behind my daughter, trying to stay slow and never pass her, I started my flip turn then stayed at the wall, suspended underwater
  9. worked on my flip turn, trying to flip with my core, and not my arms
  10. every so often, when the sun came out from behind the clouds, I saw a circle of light on the pool floor

Yesterday I posted a poem from Linda Pastan that describes a sparrow as “brief as a haiku.” That made me think of the first poem in her final collection, Almost an Elegy:

Memory of a Bird/ Linda Pastan

Paul Klee, watercolor and pencil on paper

What is left is a beak,
a wing,
a sense of feathers,

the rest lost
in a pointillist blur of tiny
rectangles.

The bird has flown,
leaving behind
an absence.

This is the very
essence
of flight—a bird

so swift
that only memory
can capture it.

All of this quick movement and the brevity of the bird in flight, also made me think of another poem by Pastan I discovered today:

The Birds/ Linda Pastan

are heading south, pulled
by a compass in the genes.
They are not fooled
by this odd November summer,
though we stand in our doorways
wearing cotton dresses.
We are watching them

as they swoop and gather—
the shadow of wings
falls over the heart.
When they rustle among
the empty branches, the trees
must think their lost leaves
have come back.

The birds are heading south,
instinct is the oldest story.
They fly over their doubles,
the mute weathervanes,
teaching all of us
with their tailfeathers
the true north.

Because of my interest in peripheral vision and what it means to see movement (as opposed to sharp, fixed details), I’m always trying to find poems that offer details and descriptions of movement. I love how much Pastan focuses on how the birds move — they swoop and gather, cast wing shadows, rustle like leaves. She doesn’t offer any descriptions of their color, size, or sound. She doesn’t even name them. I don’t miss those details. The description of their movement is enough.

I love all of this poem, but today, especially this:

They fly over their doubles,
the mute weathervanes,
teaching all of us
with their tailfeathers
the true north.

Their doubles, the mute weathervanes? Tailfeathers as teachers? So good!

feb 5/RUN

3.9 miles
river road, north/south
22 degrees / feels like 12
75% snow and ice-covered

Another good run. Not too cold, sunny. Near the beginning, I ran with my shadow. The road was slick in spots — that invisible ice that you can’t see, only feel. Greeted Mr. Morning! and a few runners. Noticed the river at the trestle. It was open in a few places just below. The open water wasn’t dark, but gray. Heard the drumming of a woodpecker, the screech of a blue jay, 2 quick caws on repeat from a crow, and countless chirp chirp chirps from some other birds. The path was slightly better, but still mostly uneven ice and snow. Maybe this week, as it climbs to the 30s, the rest of it will melt?

After I finished running, when I was walking home, I remembered that I had memorized the first sentence of Linda Pastan’s “Vertical.” I had intended to recite it in my head as I ran. I was too distracted by the path and forgot. Walking home, I whispered it into the cold air:

Perhaps the purpose
of leaves is to conceal
the verticality of trees
which we notice
in December
as if for the first time:
row after row
of dark forms
yearning upwards.

Last night I went to Moon Palace books and bought Linda Pastan’s last collection, Almost an Elegy. The rest of February will be dedicated to her and her words — reading them, memorizing them, being with them.

After the Snow/ Linda Pastan (from Insomnia)

I’m inside
a Japanese woodcut,

snow defining
every surface:

shadows
of tree limbs

like pages
of inked calligraphy,

one sparrow,
high on a branch,

brief as
a haiku.

Here
in the Maryland woods, far

from Kyoto
I enter Kyoto.

feb 3/BIKERUN

bike: 20 minutes
run: 3.1 miles
basement
outdoor temp: 0 degrees / feels like -13

Inside today. Some Dickinson while I biked, a podcast (You are Good) while I ran — well, for most of my run. The last few minutes I listened to a playlist. Audio books and playlists make the time pass much faster when I’m on the treadmill.

I’m ready for the bitter cold to be done. Much less inspiration inside. Did I notice anything other than the single lightbulb reflecting in the dark window?

A poet that I like, Linda Pastan, died a few days ago. The first poem of hers that I read was “Vertical.” I found it just as I was starting to fall in love with poetry and the way it helped me to notice and be in wonder of a place. I spent a lot of time with that poem, even writing a response in which I used its first sentence to wander and wonder about trees. Since 2017, I’ve gathered and posted several of her poems, including:

And here’s one more I just found:

At My Desk/ Linda Pastan

To William Stafford

How many times
I have sat this way
with the poem’s intractable silence
between me and the world,
with the tree outside the window
refusing translation:
my leaves are more than syllables
it seems to say.

I think of you
miles west
floating on the tide of language
so easily, giving only
a scissor kick now and then,
coming to shore
some unexpected
but hospitable place.

Still we share between us
a certain stubbornness,
rising each morning
to the blank page,
climbing the ladder of light
at the window all day,
listening, both of us,
as hard as we can.

added Feb 14, 2023: Rereading this poem, I remembered something Pastan had said about Stafford in her Paris Review interview:

Often when I sit at my desk unable to write, “blocked” as they put it, I open a Stafford book and start to read. He makes it sound so easy, almost conversational, that I find I have to answer him, and so I start to write. My first four or five lines may have a Stafford ring to them, but then my own voice kicks in and I am on my way. I loved and admired William Stafford both as a man and as a poet. I hate to use adjectives like wise or humble but they seem to fit him as comfortably, as unpretentiously, as an old sweater.

jan 3/BIKERUN

bike: 25 minutes
run: 2.25 miles
basement
outside: winter storm/snow

Winter storm today. Heavy snow mixed with some freezing rain. No running outside or driving to the y. Glad to have the bike and treadmill in the basement. While I biked, I watched a few minutes of a documentary by Tracksmith called “The Church of the Long Run.” (interesting side note: a search for “the church of the long run tracksmith” will also take you to tracksmith’s catalog for long run gear — the marketing of a sacred ritual…I have mixed feelings about this, and no time to explore them). Also watched some of the 2012 Women’s Triathlon from the London Olympics. As I ran, I listened to a book: Disappearing Earth. Such interesting storytelling about the disappearance/presumed kidnapping of 2 young girls and its impact on a wide range of women living in remote Russia.

After I finished my workout, I quickly had my last meal before a (nearly) 2 day fast for a colonoscopy on Thursday morning. My first colonoscopy. I wonder how I’ll handle not being able to eat tonight and all day tomorrow? I’ll be very glad when it’s over.

note: I don’t want to write that much about it now, but for the sake of future Sara and because this log is, among other things, about aging and learning to love/live in and with an aging body, I’ll say that this colonoscopy is stressing me out. Difficult to put into words (maybe a poem after?), but it’s about a lot of different things: frustration and feelings of helplessness over bad insurance and medical care that prioritizes profit over patients, too many people I love dying or diagnosed with different forms of cancer lately, anxiety over what I will or won’t be able to see because of my bad vision as I check-in and deal with people at the clinic, wondering if they’ll find anything that explains my gastro problems for the past 6 months. To relieve anxiety, maybe I should turn colonoscopy into anagrams?

a few minutes later: I thought colonoscopy would be difficult, so I tried endoscopic (for endoscopic exam) and it was hard too. Here’s how I did it. I put each of the letters on a different post-it note and then moved them around on my desk. I could only think of 3. I like this post-it note approach. I’ll have to try it again! Maybe I should use some old scrabble letters?

It’s not an endoscopic exam, it’s a

No Cod Spice Exam
Ponce (as in the Atlanta road, Ponce de Leon) Disco Exam
In Cop Codes Exam

Not the greatest, but still fun to try!

Working on my winter wonder class that starts at the end of this month. Seems fitting as I look outside at the snow falling, then stopping, then falling again. The snow has been heavy, but not blizzard-heavy. Not quite as bad as in this poem by Linda Pastan that I’m planning to use in my class:

Blizzard/ Linda Pastan

the snow
has forgotten
how to stop
it falls
stuttering
at the glass
a silk windsock
of snow
blowing
under the porch light
tangling trees
which bend
like old women
snarled
in their own
knitting
snow drifts
up to the step
over the doorsill
a pointillist’s blur
the wedding
of form and motion
shaping itself
to the wish of
any object it touches
chairs become
laps of snow
the moon could be
breaking apart
and falling
over the eaves
over the roof
a white bear
shaking its paw
at the window
splitting the hive
of winter
snow stinging
the air
I pull a comforter
of snow
up to my chin
and tumble to sleep
as the whole
alphabet
of silence
falls out of the
sky

sept 21/RUN

5.75 miles
franklin loop
60 degrees

A beautiful morning for a run! Cooler, leaves scattered on the ground, more reds and oranges and yellows. Started slow and intended on staying slow, but looking at my splits after the run, I noticed I negative split each mile. Ran the franklin loop — north on franklin, over the bridge, south on the east river road, past the lake street bridge, up the hill beside my favorite viewing spot, then back down the hill to the bridge. I walked up the steps and on the bridge until I reached the overlook. Stopped to study the river, then put in Renaissance and ran all the way back.

To keep myself distracted, or focused on something other than my effort, I chanted triple berries. Strawberry/raspberry/blueberry/blackberry/gooseberry

Also thought about a poem I’m revising and the idea of learning to hold contradictions together without resolving or reducing them. In the case of this poem, it’s about both having great affection for the other swimmers in the lake with me because we all love the lake and being irritated by how they get in my way or kick me or push me off course. I can’t remember much of what I thought — something about other contradictions, lik how we always hold joy and suffering together too, and about the need to find balance with these contradictions.

10 Things I Noticed

  1. the welcoming oaks are still green and full
  2. a few rips in the veil of green that hides the river below the tunnel of trees
  3. minneapolis parks worker was weedwacking near the lake street bridge. all the goldenrod poking through the rails and leaning over the trail is gone, so are the red leaves
  4. gusts and swells of wind, sounding like water falling from the limestone ledges
  5. evidence: the voice of a kid, then an adult and an empty bike with a kids’ seat in the back parked in the bike rack…assumption: there’s a kid somewhere nearby with his mom exploring the gorge, never verified
  6. passing a man with a “sporty” walker (its wheels looked like they were more rugged and ready to go fast) just before getting to the franklin bridge
  7. greeted Dave, the Daily Walker and Mr. Morning! Also passed a guy that I’m pretty sure used to walk on the track at the YWCA everytime I ran there. I think I’ll call him, Mr. Y
  8. water (not wind, I think?) falling off the ledge near the Meeker Dog Park — is there a way to get to this seep/falls?
  9. a bright red tree just below the railing at my favorite viewing spot above the lake street bridge
  10. the river! blue with slight ripples from the wind that were moving towards the middle of the river, streaks — from the sandbars? — were visible too. At the overlook, a little over halfway across, the river was split in 2. One side was sparkling and shimmering from the sun, the other side was almost flat. Up above, the sky was streaked with shreds of clouds; it looked almost like a mirror of the ripples in the water

Autumn/ Linda Pastan

I want to mention
summer ending
without meaning the death
of somebody loved

or even the death
of the trees.
Today in the market
I heard a mother say

Look at the pumpkins,
it’s finally autumn!
And the child didn’t think
of the death of her mother

which is due before her own
but tasted the sound
of the words on her clumsy tongue:
pumpkin; autumn.

Let the eye enlarge
with all it beholds.
I want to celebrate
color, how one red leaf

flickers like a match
held to a dry branch,
and the whole world goes up
in orange and gold.

Ever since I read Vertical by Linda Pastan, I have loved her poetry. This poem — “Autumn” — adds to that love. Some years, like this one, it’s harder not to think about death in the fall. Maybe I’ll try repeating pumpkin and autumn over and over.

addendum (17 feb 2023): For the month of Feb 2023, I’m spending time with Linda Pastan. While watching one of her readings on YouTube, she mentioned that this poem was for Jane Kenyon and in response to Kenyon’s poem, Let Evening Come:

Let Evening Come/ Jane Kenyon

Let the light of late afternoon
shine through chinks in the barn, moving
up the bales as the sun moves down.

Let the cricket take up chafing
as a woman takes up her needles
and her yarn. Let evening come.

Let dew collect on the hoe abandoned
in long grass. Let the stars appear
and the moon disclose her silver horn.

Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.

To the bottle in the ditch, to the scoop
in the oats, to air in the lung
let evening come.

Let it come, as it will, and don’t
be afraid. God does not leave us
comfortless, so let evening come.

august 11/RUNBIKESWIM

run: 3.1 miles
turkey hollow loop
70 degrees
9:00 am

Overcast this morning. Listened to an old playlist and ran a route I did a lot during the early days of the pandemic. No turkey sightings. Bummer. Don’t remember much about the run, except for that it felt pretty good. No need to stop and walk.

Read more of Alice Oswald’s Nobody yesterday and decided that I need to reread The Odyssey to get her references. So I picked up FWA’s copy from his first year of college. I recall reading it my freshman year too. It’s great, especially this recent-ish translation by Emily Wilson. Very cool. How long will it take my slow eyes to finish? Unsure.

Found a great poem by Linda Pastan on twitter yesterday:

Imaginary Conversation/ Linda Pastan

You tell me to live each day
as if it were my last. This is in the kitchen
where before coffee I complain
of the day ahead—that obstacle race
of minutes and hours,
grocery stores and doctors.

But why the last? I ask. Why not
live each day as if it were the first—
all raw astonishment, Eve rubbing
her eyes awake that first morning,
the sun coming up
like an ingénue in the east?

You grind the coffee
with the small roar of a mind
trying to clear itself. I set
the table, glance out the window
where dew has baptized every
living surface.

Speaking of the sun coming up, this morning I woke up too early, around 5:45. I was going to try to fall back asleep then suddenly I thought: if I get up now, I’ll get to see the sunrise. Wow! What a sunrise. One half of the sky the color of a neon pink crayola with edges of bright blue. It lasted less than 5 minute. I sat out on the deck, wrapped in a blanket with my coffee and marveled at it. I remember thinking how ridiculously simple it seems to make a day worth it, and how difficult it is to remember to do it.

bike: 8.6 miles
lake nokomis and back
82 degrees
4:45 pm / 6:45 pm

Biked with Scott over to the lake. Perfect weather for biking and being outside!

swim: 3 loops
lake nokomis open swim
82 degrees
5:15 pm

Another wonderful swim! Why does open swim have to end in 2 weeks? Oh well, then it’s time for fabulous fall and winter running, and listening to crunching snow and breathing in the crisp, cold air.

Tonight it was crowded — at Sandcastle, on the beach, in the water. Lots of menancing sail boats and swan boats and kayaks. I kept seeing them at the edge of my vision and feeling wary.

Scott asked how the water was. I said there were waves, but they were gentle like a cradle, not rough like a spin cycle.

I felt strong and fast and amazing, cutting through the water. What a great feeling!

Looked down: opaque, almost greenish-yellow.

The water was warm. No pockets of cold, just warm.

Rounding the far orange buoy, a sudden shadow and coldness. Strange.

june 26/RUN

4 miles
marshall loop
71 degrees/ dew point: 64

It felt hot and humid this morning. Overcast. Ran up the marshall hill without stopping until I reached the bridge steps. It was hard, but I didn’t stop. A good mental victory. Heard some rowers on the river and the coxswain directing them. Crossing back over the bridge, I stopped to read a few small pink signs affixed to the bridge. One was about hope making anything possible, another about how one road block shouldn’t stop you. The other day, as STA and I crossed the bridge in the car, we noticed that the entire bridge was covered in these signs, now only these 2 are left. STA thinks the wind might have blown them off.

Near the start of my run, descending the hill and entering the tunnel of trees, it was a dark, impenetrable green, made darker by my vision. It looked like I was running into a lightless smudge. Very cool–not scary at all. Once I was in the dark green, there was light and trees and thick air. Noticed the 4 fences I’ve written about and the stone wall framed by trees, remembering the time I saw someone perched in one of these trees–hiding? spying?

Now, after the run, I feel sore. I often feel sore in the summer. Not injury-sore but doing-more-exercise-especially-swimming-sore.

Erosion/ Linda Pastan

We are slowly
undermined. Grain
by grain . . .
inch by inch . . .
slippage.
It happens as we watch.
The waves move their long row
of scythes over the beach.

It happens as we sleep,
the way the clock’s hands
move continuously
just out of sight,
but more like an hourglass
than a clock,
for here sand
is running out.

We wake to water.
Implacably lovely
is this view
though it will swallow
us whole, soon
there will be nothing left but view.

We have tried a seawall.
We have tried prayer.
We have planted grasses
on the bank, small tentacles,
hooks of green that catch
on nothing. For the wind
does its work, the water
does its use work.

One day the sea will simply
take us. The children
press their faces to the glass
as if the windows were portholes,
and the house fills
with animals: two dogs,
a bird, cats–we are becoming
an ark already.

The guess will follow
our wake.
We are made of water anyway,
I can field it in the yielding
of your flesh, though sometimes
I think that you are sand,
moving slowly, slowly
from under me.

may 9/RUN

Even as I often think about how white running is, and how white and privileged the spaces I run in are, I rarely (if ever?) post about it on this blog. Why not–maybe something to interrogate further? But when I saw this thread about the recent murder of Ahmaud Arbery while he was running through his neighborhood, I knew I needed to post it here. This thread offers a brief history of the whiteness of running and the dangers of running while black and links to several useful articles, including:

3 miles
river road, south/edmund, north/33rd street, west/44th ave, south
45 degrees

Overcast this morning but not too cold or too windy. The river road is completely closed to cars now. Much quieter and calmer. Not crowded–except for all the green on the edge of the bluff blocking the view. Didn’t see the river even once. Barely glimpsed the oak savanna by the ancient boulder that looks like an armchair. Don’t remember hearing many birds. No clickity-clacks from a roller skier. Did hear a small group of bikers talking as they approached from the north. I can’t remember what I thought about–maybe that’s partly because I’m writing this hours after my run. Recited “Ode to My Right Knee” a few more times. A good, uneventful run.

After looking way too long for a poem I might post, I found this beautiful one by Linda Paston. I first encountered her through her poem Vertical (which I experimented with on this blog a few years ago).

I Am Learning To Abandon the World/ Linda Pastan

I am learning to abandon the world
before it can abandon me.
Already I have given up the moon
and snow, closing my shades
against the claims of white.
And the world has taken
my father, my friends.
I have given up melodic lines of hills,
moving to a flat, tuneless landscape.
And every night I give my body up
limb by limb, working upwards
across bone, towards the heart.
But morning comes with small
reprieves of coffee and birdsong.
A tree outside the window
which was simply shadow moments ago
takes back its branches twig
by leafy twig.
And as I take my body back
the sun lays its warm muzzle on my lap
as if to make amends.

The site I originally found this poem on is fascinating: Read a Little Poetry. I’ve been returning it to every so often–anonymous, combining fragments from their life with poems.

nov 13/RUNBIKE

run: .5 miles
mississippi river road path, north/south
13 degrees, feels like 1

Was excited to go outside and try running in the cold today. For the first 3 or 4 minutes it felt fine but then my left knee started to hurt a little. So I stopped, walked for a few minutes and then started running again. It felt okay, then not okay, then okay again. Decided not to push it too much so I turned around and headed back home. In front of my house, I felt pretty good, like I wanted to keep running, but I decided to be safe. Am I being too cautious? Not sure. I don’t want to re-injure it or miss my race in 2 weeks or not be able to walk outside for a month. Biked in the basement instead. Bummer.

Picked up Linda Pastan’s Traveling Light from the library the other day. Love this line from her poem “Flight”:

They have examined
our luggage made me
remove my shoes
and then my scarf, as if
I might strangle someone
in its silky purple.
But they let my fear
of flight on board,
though its weight
and turnbulence might
bring down any plane.