Tag: approximate

sept 29/RUN

4 miles
wabun park and back
64 degrees

Warm again this morning. More fall colors — mostly golds with a few hints of red. Recited “Spring and Fall” a few times, but didn’t think about it much. I might memorize a few fall poems for October.

10 Things I Noticed

  1. The river glowing through the trees
  2. A kid’s cry coming from somewhere
  3. Several loud rustling sounds in the dry underbrush
  4. Two or three wild turkeys near the start of the Winchell Trail, on the other side of the chain link fence. I’ve never encountered them here before!
  5. The curve of a log, serving as a bench at the frisbee golf course in Wabun Park
  6. A loud chirping sound that might have been a bird or a squirrel
  7. The flailing arms of an approaching runner
  8. High in the sky, the moon, faintly glowing
  9. The new (is it new?) fence surrounding one side of the bottom of the ford bridge near Locks and Dam #1
  10. A few regulars: the older man (mid 60s, white hair) runner whose fast and friendly and the walker with shoulder length blonde hair

A solid run that improved my mood.

Here’s my approximate/almost/not quite poem of the day:

When Night is almost done – / Emily Dickinson

When Night is almost done –
And Sunrise grows so near
That We can touch the Spaces –
It’s time to smooth the Hair –

And get the Dimples ready –
And wonder We could care
For that Old – faded Midnight –
That frightened – but an Hour –

sept 28/RUN

5.5 miles
franklin loop
58 degrees
humidity: 84%

Nice morning for a run, although I wish it had been less humid and a few degrees cooler. Sunny, not too windy, a clear path. Was initially planning to run 8 miles and the double loop route, but felt too tired. Still pleased with 5.5 miles. Recited Gerard Manley Hopkins’ “Spring and Fall.”

10 Things I Noticed

  1. The wind blowing the leaves off of the trees, sometimes looking like snow, sometimes a bird flying through the air
  2. (started at 8:45) Too crowded near my street — 3 runners, 2 different groups of walkers with dogs
  3. The welcoming oaks turning golden
  4. Multiple towers of stones stacked on the ancient boulder
  5. From the spot above the floodplain forest, the trees are not turning yet. Still green and airy and blocking a view of the river
  6. The all-white bike hanging from the trestle, memorializing the death of a biker a decade or so ago, decorated — flowers or something else?
  7. Nearing the franklin bridge, thinking I saw a rower on the river, then not finding it again as I ran across the bridge
  8. Trying to see the paved path down below on the east river side but not being able to — too much green
  9. Hearing big trucks beeping and bull-dozing down in the gorge
  10. The dark shadows of trees on the water

Short Story/ Ellen Bryant Voigt

My grandfather killed a mule with a hammer,
or maybe with a plank, or a stick, maybe
it was a horse—the story varied
in the telling. If he was planting corn
when it happened, it was a mule, and he was plowing
the upper slope, west of the house, his overalls
stiff to the knees with red dirt, the lines
draped behind his neck.
He must have been glad to rest
when the mule first stopped mid-furrow;
looked back at where he’d come, then down
to the brush along the creek he meant to clear.
No doubt he noticed the hawk’s great leisure
over the field, the crows lumped
in the biggest elm on the opposite hill.
After he’d wiped his hatbrim with his sleeve,
he called to the mule as he slapped the line
along its rump, clicked and whistled.
My grandfather was a slight, quiet man,
smaller than most women, smaller
than his wife. Had she been in the yard,
seen him heading toward the pump now,
she’d pump for him a dipper of cold water.
Walking back to the field, past the corncrib,
he took an ear of corn to start the mule,
but the mule was planted. He never cursed
or shouted, only whipped it, the mule
rippling its backside each time
the switch fell, and when that didn’t work
whipped it low on its side, where it’s tender,
then cross-hatched the welts he’d made already.
The mule went down on one knee,
and that was when he reached for the blown limb,
or walked to the pile of seasoning lumber; or else,
unhooked the plow and took his own time to the shed
to get the hammer.
By the time I was born,
he couldn’t even lift a stick. He lived
another fifteen years in a chair,
but now he’s dead, and so is his son,
who never meant to speak a word against him,
and whom I never asked what his father
was planting and in which field,
and whether it happened before he married,
before his children came in quick succession,
before his wife died of the last one.
And only a few of us are left
who ever heard that story.

I found this poem today and picked it for my theme of approximate for a few reasons: 1. The “short story” is never quite “true” with details changing slightly, 2. it’s never quite a story with nothing really happening, 3. it’s not really (not exactly) about killing the animal but something else — what? the grandfather, family, the narrator’s father’s relationship with his dad, memory, passing on/remembering stories? I like this poem. At first, it’s strange and unsatisfying and confusing, but slowly it gives me images and makes me think about farming and my grandparents and illness and aging and how we remember and tell stories (and why). I think the vagueness/fuzziness of this poem makes it more powerful to me than another poem would that was sharper, more exact, more direct with details and with conjuring a scene of the grandfather.

Listening to my Daily Mix 4 on Spotify as I write this, and Jackson Browne’s “Doctor, my eyes” just came on. Because of the title I was curious, so I looked up the lyrics and read them as I listened. I liked his rhythms and slant rhymes (would they be called slant?). Thinking more about how vision works here…

Doctor, my eyes/ Jackson Browne

Doctor, my eyes have seen the years
And the slow parade of fears without crying
Now I want to understand

I have done all that I could
To see the evil and the good without hiding
You must help me if you can

Doctor, my eyes
Tell me what is wrong
Was I unwise to leave them open for so long?

‘Cause I have wandered through this world
And as each moment has unfurled
I’ve been waiting to awaken from these dreams

People go just where they will
I never noticed them until I got this feeling
That it’s later than it seems

Doctor, my eyes
Tell me what you see
I hear their cries
Just say if it’s too late for me

Doctor, my eyes
They cannot see the sky
Is this the prize
For having learned how not to cry?

sept 20/RUN

2 miles
2 trails
73 degrees
humidity: 74%

Fall weather please come back. I want my crisp, cool air. The run wasn’t too bad, but now that I’ve finished, I’m sweating a lot. Rain is coming in a few hours and everything will cool down. It’s already dark, ominous. Running above the river on the dirt trail just past the 38th street steps, everything was a slight blur. Dreamy. Unreal. The lack of light makes my already diminished central vision even more dim. Thought about how I couldn’t really see the path but didn’t worry about tripping because I know most of the dips and holes and rocks on this stretch and because even when my eyes don’t see the trail, my feet seem to. I glanced at the river but I don’t remember anything about it.

10 Things I Noticed

  1. A walker with a white (or was it yellow?) sweatshirt wrapped around her waist pushing a stroller moving fast. It took me a few minutes to reach and then pass her. As I approached, I stared at her sweatshirt, one of the only bright things on this dark day
  2. Another bright thing: a runner in a bright yellow shirt
  3. Someone paused on the path, getting ready to start walking or running on the Winchell Trail?
  4. The small section of the river trail at 42nd that was blocked off for sewer work last week is open again and so is the road
  5. A tree leaning over the trail, not yet fallen, but looking like it might soon
  6. Flashing lights from a construction/city truck and a man in a yellow vest standing next to it near the sidewalk
  7. The damp dirt down in the oak savanna, not quite mucky or muddy yet
  8. 2 steep spots on the Winchell Trail: running down from the upper trail, right by 42nd street and a giant boulder and running up the short stretch near Folwell
  9. An approaching walker who turned down on an even lower dirt trail before I reached them
  10. The voice of a kid up above me as I ran down towards the mesa

Thinking about my growing number of swimming poems, some re-edited version of old poems, some new. My tentative title for the collection: Every Five (as in breathing every five strokes). All poems will play around with 5 as part of the structure — 5 beats or 5 lines or ?. Scott suggested I do something with iambic pentameter (5 feet of one short one long beat). A sonnet? Maybe a love poem to my swimming body/muscles/shoulders? Hmm…not sure if I’m feeling that.

Here’s a poem for the month’s theme of the approximate. This one is taking up the idea of almost, not quite or not exactly. It’s a poem that features an object — a cucumber — but it is not about the cucumber, but something else.

The Cucumber/ Nazim Hikmet

The snow is knee-deep in the courtyard
and still coming down hard:
it hasn’t let up all morning.
We’re in the kitchen. On the table, on
the oilcloth, spring —
on the table there’s a very tender youn
cucumber,
pebbly and fresh as a daisy.
We’re sitting around the table staring at it.
It softly lights up our faces,
and the very air smells fresh.
We’re sitting around the table staring at it,
amazed
thoughtful
optimistic.
We’re as if in a dream.
On the table, on the oilcloth, hope —
on the table, beautiful days,
a cloud seeded with a green sun,
an emerald crowd impaties and on its way,
loves blooming openly —
on the the table, there on the oilcloth, a very tender
young

cucumber,
pebbly and fresh as a
daisy.
The snow is knee-deep in the courtyard
and coming down hard.
It hasn’t let up all morning.

This poem and the idea of not exactly, reminds me of listening to the radio in the car yesterday with Scott and RJP. First, the sappy song, “Make it with You” by BREAD came on, then “Hot-blooded” by Foreigner. Both of them sung by someone who is trying to seduce the listener. Scott pointed out how the first song is much more indirect/oblique in its suggestions, while the second is very blunt. I started thinking about how the indirect song is a form of the approximate, the almost, or Emily Dickinson’s idea of the slant. It implies and circles (or what the poet Kaveh Akbar might call orbits and I might say in thinking about my swimming this summer, loops) around the actual meaning, never quite saying it. For Akbar, I think, orbiting is often because we can’t ever fully get at the meaning, while for BREAD it’s an unwillingness to reveal exactly what they mean in order to get what they want. One of the swimming poems I want to revise is about loops and looping around the lake. Maybe I can play around with loop as orbiting or circling, never quite getting there, always near but not quite.

This reminded me of another approximate phrase: close but no cigar. Looked up the origins and several sources gave this explanation:

It comes from traveling fairs and carnivals from the 1800s. The prizes back then were not giant-sized stuffed teddy bears, they were usually cigars or bottles of whiskey. If you missed the prize at a carnival game, the carnie folk would shout, “Close! But no cigar!”

source

sept 19/RUN

3 miles
austin, mn
67 degrees
humidity: 90%

Ran with Scott in Austin. It felt much warmer than 67 degrees. Very humid. The gate was open, so we ran through the county fairgrounds. Scott and the kids made it here, but I was on my trip up north, so I missed it. No cheese curds for me this summer. At the far end of the fairgrounds, dozen of geese had were congregating in a treeless, empty field. Lots of geese in Austin, lots of geese up here in Minneapolis too. Sometimes, the sky is filled with their honking. Love that sound, and love this time of year.

Found this poem by Rumi on twitter the other day. I think this fits with my theme of approximate:

Out beyond ideas
of wrongdoing
and rightdoing
is a field.
I’ll meet you there.

sept 17/RUN

4 miles
marshall loop
61 degrees
humidity: 83%

What a storm early this morning! So much wind and flashes of light around 2:30 am. Running this morning, I expected to see big branches down everywhere. Not too many (any?) on the minneapolis side, but on the st. paul side they had to shut down the right lane and the sidewalk so a crew could clear all the debris. I saw that the road was closed right at the spot where I turn, so I assumed I would be able to get through. Nope. Had to turn around and run past a long line of cars that had probably watched me running towards the closed sidewalk and wondered why I kept going. Oh well. Turning around added a small bit of distance to my run, which was a bonus.

10 Things I Noticed

  1. The squeak of my shoes running over wet leaves and pulverized acorns
  2. Little branches, some still covered in green leaves, some bare, littered all over the trail
  3. From my view above on the bridge: a streak of muck/silt? in the river near the st. paul shore
  4. No rowers or roller skiers
  5. A radio playing near the ravine by Shadow Falls. I wondered if the song was coming from down in the ravine or on a bike across the ravine
  6. The more than trickling, not quite gushing, of falls at shadow falls
  7. some fall color: a few yellow trees, a slash of red
  8. someone stopping at the memorial just above the lake street bridge, reading the signs or taking pictures or both
  9. a backpacked kid biking with his dad, heading to school
  10. A shirtless runner speeding past me, almost wheezing

word of the day: majusculation

The act or practice of beginning a word with a capital letter when it is not the beginning of a sentence.

Here’s a poem for the theme of approximate:

[I remember partially]/ Jane Huffman

I remember partially

My searching
Party going out in search

Of my own
Life my lantern light

Like water sloshing
Down the front

Of me and calling
My own name

Into the forest dusk
A partial sound

A painful braying
Syllable

That grounded
Like a current

In the dirt a yard
In front of me

But I resorted to it
Like a witness does

To memory

I was planning to swim this afternoon, but the buoys are gone. Lake swimming is officially over. Sad, but it’s time to focus on fall and winter running!

sept 15/RUN

5 miles
franklin loop
56 degrees
humidity: 81%

Fall! It doesn’t quite look like fall yet, but it’s starting to feel like it. A solid, wonderful run around the river.

1 Thing I Noticed

Running over the marshall/lake street bridge back to Minneapolis, I looked down at the river. Near the shore, on the St. Paul side, some towering trees were casting a shadow on the root beer colored water. As I left the shore, the water lightened to a brownish green (or greenish brown?). Looking downstream, the river gradually turned blue as it met the sky. A single rower with a bright orange shirt was rowing across from minneapolis to st. paul. Perpendicular to shore instead of parallel. At the last minute, just before leaving the bridge, I remembered to check the trees lining each shore to see if they were changing colors. Not yet, but soon.

Returning to the theme of approximate (sort of). Thinking about the idea of exact or definite as leading to understanding and the goal of making sense of things. The amazing poet Carl Phillips — I’m reading his collection of essays on craft, Daring, right now too — tweeted this poem the other day:

May Day Midnight/ Michael Palmer

In the light of day
perhaps all of this
will make sense.

But have we come this far,
come this close to death,
just to make sense?

I love this poem, especially it’s use of just in the last line. Making sense is important/necessary, but it’s not all we can/should do. How does the approximate, almost or not quite, the not exact or fixed or finished, enable us to do more (or less) than make sense?

sept 5/SWIM!

2 miles / 10 loops
lake nokomis main beach
68 degrees / sunny / calm

Wow! A perfect morning for a swim. Sunny and calm. The water was fast and buoyant and smooth. I felt very strong — strong shoulders and legs and back muscles. What a wonderful feeling! I loved how the water was cool but not too cold. Maybe 70 degrees? I didn’t stop swimming my steady 1 2 3 4 5 breathe rhythm until I finished 9 loops then I checked my watch and did one more loop.

I don’t remember seeing any fish or birds, just a few other swimmers, paddle boarders, and a boat with a big net. One wonderful thing about the public lakes here in Minneapolis: no motorized boats. Only rowboats, sailboats, kayaks, canoes. I imagine I might be quite irritated swimming in a crowded lake with motorboats—and stressed out, always looking out for boats who might run me down.

For the first time in a few years, I saw 2 wet-suited dudes with metal detectors! Nice. In past years, I’ve encountered them (metal detector dudes, but not necessarily these exact metal detector dudes) early in the morning at the beach and overheard them discussing what they find. Today one of the guys was especially excited about a belt buckle and all the coins—“even some half dollars!”—he had discovered. I don’t remember hearing any beep beep of a detector, above or below the water. Why not? Wouldn’t that sound travel underwater? Did I hear it, but not notice it? Do metal detectors alert you in ways other than a beep? Discussed it with Scott and we both agreed: they must have been using headphones.

Very glad I made the effort to go over to the lake this morning and swim. Is this my last one of the year? I’d love to make it over here a few more times, but it gets harder in september and colder and they might close the beach and remove the buoys any time after labor day. I’m sad to stop, but excited to spend more time running.

Looked up idioms for approximate and found a few: by and large, as a rule, for all intents and purposes. Then looked up vaguely: ships that passed in the night. Also read about how vague indicates an unwillingness to commit, to give a definitive answer.

september 4/RUN

4.1 miles
marshall loop
63 degrees
humidity: 89%

Cooler, but I could feel the humidity. Felt strong. I think all of the swimming this summer strengthened my legs and core, which is very helpful. I’d like to figure out how to keep it up this fall and winter. Heard the rowers as I ran down the east river road, then saw them lined up in the water, receiving instruction from the coxswain. Heard lots of other voices in the gorge, near the Monument and Shadow Falls. People hiking? exploring? checking out the falls, which only appear after it rains (which it did the past few days)? Encountered lots of runners and walkers. No roller skiers. I’m sure there were birds but I don’t remembering hearing them. I do remember looking at the river as I crossed the bridge–mostly, the rowers, but also that the river was calm and a blue gray. Not quite sunny yet, so no sparkling water. Anything else? No deep thoughts stayed with me, no fragments from a poem. I’m sure I thought about my son who Scott and I dropped off at college yesterday. Very excited for him.

As I write this entry a few hours after the run, I’m remembering that I thought briefly about the idea of approximate and a passage I read last night from Blind Man’s Bluff, a memoir by James Tate Hill about becoming legally blind at 16, and trying to hide it.

I can still see out of the corners of my eyes, but here’s the thing about peripheral vision: The quality of what you see isn’t the same as you see head-on. Imagine a movie filmed with only extras, a meal cooked using nothing but herbs and a dash of salt, a sentence constructed only of metaphors. To see something in your peripheral vision with any acuity, it has to be quite large.

Blind Man’s Bluff/ James Tate Hill

I thought about this passage when I was running because I’m bothered by his negative depiction of peripheral vision. Is the quality of vision solely based on clarity and sharpness? What value/quality of vision might we get from our side views and from images that are something less than 100% clear?

I find it helpful to read others’ descriptions of how and what they see. Hill’s vision is much worse than mine–even though the cones in my central vision are almost completely gone, my acuity in both eyes is surprisingly good and nowhere near legally blind. It seems as if the last few cones are doing all the work. Yet, even with my not-too-bad-yet vision, I struggle to see things like faces and eyes, read signs. Here’s an example from yesterday at the buffet lunch at my son’s college orientation: The food was put out on platters–watermelon, deli meat, cheese, bread, pasta salad–and you helped yourself. With my vision, I couldn’t tell what some of the food was–I had to ask Scott. I just couldn’t see it well enough. This often happens now when I’m eating a meal. I can’t quite (almost, but not enough) see what’s on the plate. I used to write about how I can’t tell if there’s mold on food, but now I can’t tell what the food is–unless I’ve prepared it myself. Not that big of a deal, but still frustrating.

Here’s another passage from the memoir that I appreciated:

The most frequent compliment heard by people with a disability is I could never do what you do, but everyone knows how to adapt. When it’s cold outside, we put on a coat. When it rains, we grab an umbrella. A road ends, so we turn left, turn right, turn around. We adapt because it’s all we can do when we cannot change our situation.

The other thing that I’ve already started to hear a lot as I lose my vision is: “you’re so brave!” I am not brave; I am good at adapting and learning to live with uncertainty. I am proud of how I’m handling my vision loss, but not because I’m being brave.

Returning to the theme of approximate, I’ve been trying to collect words, phrases that describe it: roughly, vague, almost, not quite, rough estimation, about, nearly, in the right zip or area code, in the ballpark, and the one that Scott mentioned the other day:

close enough for jazz

Had I ever heard this before Scott used it? He picked up the phrase from his jazz director in college, Dr. Steve Wright. Such a great phrase, one that I don’t see as criticizing jazz as sloppy, but celebrating it for its generosity.